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Antony Hudek is research fellow at Camberwell College of Arts, University of the Arts, London. --
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
This volume presents a reasoned study of the discourse connectives of attainment of the French language. For the most part, the studies on connectives are based on referentialist descriptive frameworks, which are sustained more or less explicitly on what we have called the general problem of causality, the epistemological foundation of a scientific paradigm which has been used for centuries but which, in our opinion, is now outdated. In the first place, we have submitted this old paradigm to critical debate, showing the limits of its scientific validity. Next, we have placed ourselves in a non-referentialist linguistic framework, the Theory of Argumentation in the Language-System, developed by the French linguist Oswald Ducrot, in which we have formulated a new descriptive proposal for discourse connectives, taking into account both the argumentative configuration and the polyphonic configuration of each of the discourse dynamics generated around a given connective. We have described the argumentative configuration in terms of semantic blocks, and the polyphonic configuration in terms of discourse algorithms, original and innovative heuristic instruments with which we attempt to stimulate a new approach to language more in line with the general scientific approaches of the 21st century, and with the new scientific paradigm which is currently valid.
Japan today is haunted by the ghosts its spectacular modernity has generated. Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this provocative conjoining of ethnography, history, and cultural criticism, Marilyn Ivy discloses these anxieties—and the attempts to contain them—as she tracks what she calls the vanishing: marginalized events, sites, and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early twentieth-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of premodern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theater.
Drawing on range of text genres including novels, poems, health forums, holiday guestbooks, prayers, political songs and news stories, each chapter uses cognitive linguistics to shed light on the meanings and meaning-making processes invoked when we encounter texts belonging to different literary and political genres. The book presents new insights into the workings of textual phenomena such as metaphor, viewpoint and deixis and also sheds light on more elusive, epiphenomenal qualities such as a text's ambience, atmosphere, power, ideology or persuasiveness. It also takes new strides in cognitive text analysis by exploiting experimental and ethnographic methods to empirically investigate readers' reception of, and resistance to, texts.
This volume offers the long-awaited overview of the work of the French philosopher and discourse analyst Michel Pecheux, who was the leading figure in French discourse analysis until his death in 1983. The volume presents the first English publication of the work of Pecheux and his coworkers on automatic discourse analysis. Outside France, French discourse analysis is almost exclusively known as the form of philosophical discourse presented by such authors as Michel Foucault and Jacques Derrida. The contemporary empirical forms of French discourse analysis have not reached a wider public to the degree they deserve. Through its combination of original texts, annotations, and several introductory texts, this volume facilitates an evaluation of both results and weaknesses of French discourse analysis in general and of the work of Michel Pecheux and his coworkers in particular.
A systematic introduction to discourse analysis as a body of theories and methods for social research. Introduces three approaches and explains the distinctive philosophical premises and theoretical perspectives of each approach.
Is regarded as the most important response to the philosophies of desire, as expounded by thinkers such as de Sade, Nietzsche, Bataille, Foucault and Deleuze and Guattari. It is a major work not only of philosophy, but of sexual politics, semiotics and literary theory, that signals the passage to postmodern philosophy.
A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'. With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed. These game-changing drugs now enable many people living with HIV to lead a healthy, regular life, but how has this dramatic shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness.