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This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.
This work traces the origins and evolution of extreme right wing thought in France from the end of the 19th century to the end of the 20th. It establishes the presence of an ideological tradition or organicist, exclusive nationalism initiated at the end of the 19th century, which adapts itself post-World War I and re emerges forcibly during the Occupation. Elements of this same tradition are present in the discourse of the extreme right in post-war France. This helps the student of modern French politics to see movements like the Front National their historical perspective.
"An important, well-conceived, and original piece of historical synthesis."—Peter Zinoman, author of The Colonial Bastille: A History of Imprisonment in Vietnam “Indochina is the first and best general history of French colonial Indochina from its inception in 1858 to its crumbling in 1954. It is the only work to avoid nationalist, colonialist, and anticolonialist historiographies in order to fully explore the ambiguity of the French colonial period. A major contribution to the national histories of France, Vietnam, Laos, and Cambodia.”—Christopher Goscha, Université du Québec à Montréal
In an unnamed New York-based company, the employees are getting restless as everything around them unravels. There’s Pru, the former grad student turned spreadsheet drone; Laars, the hysteric whose work anxiety stalks him in his tooth-grinding dreams; and Jack II, who distributes unwanted backrubs–aka “jackrubs”–to his co-workers. On a Sunday, one of them is called at home. And the Firings begin. Rich with Orwellian doublespeak, filled with sabotage and romance, this astonishing literary debut is at once a comic delight and a narrative tour de force. It’s a novel for anyone who has ever worked in an office and wondered: “Where does the time go? Where does the life go? And whose banana is in the fridge?” Praise for PERSONAL DAYS "Witty and appealing...Anyone who has ever groaned to hear 'impact' used as a verb will cheer as Park skewers the avatars of corporate speak, hellbent on debasing the language....Park has written what one of his characters calls 'a layoff narrative' for our times. As the economy continues its free fall, Park's book may serve as a handy guide for navigating unemployment and uncertainty. Does anyone who isn't a journalist think there can't be two books on the same subject at the same time? We need as many as we can get right now." —The New York Times Book Review "Never have the minutiae of office life been so lovingly cataloged and collated." —"Three First Novels that Just Might Last," —Time A "comic and creepy début...Park transforms the banal into the eerie, rendering ominous the familiar request "Does anyone want anything from the outside world?" —The New Yorker "The modern corporate office is to Ed Park's debut novel Personal Days what World War II was to Joseph Heller's Catch-22—a theater of absurdity and injustice so profound as to defy all reason....Park may be in line to fill the shoes left by Kurt Vonnegut and other satirists par excellence."—Samantha Dunn, Los Angeles Times "In Personal Days Ed Park has crafted a sometimes funny, sometimes heartbreaking, but always adroit novel about office life...Sharp and lovely language." —Newsweek "A warm and winning fiction debut." — Publishers Weekly "I laughed until they put me in a mental hospital. But Personal Days is so much more than satire. Underneath Park's masterly portrait of wasted workaday lives is a pulsating heart, and an odd, buoyant hope." — Gary Shteyngart, author of Absurdistan "The funniest book I've read about the way we work now." –William Poundstone, author of Fortune's Formula "Ed Park joins Andy Warhol and Don DeLillo as a master of the deadpan vernacular." —Helen DeWitt, author of The Last Samurai
"Vietnam 1946 is a masterful narrative of the immediate origins of the first Vietnam War. It is, by turns, vivid and shocking; it is always immensely revealing. Tønnesson brings forensic clarity to crucial events about which, even now, some sixty years later, fundamental misapprehensions exist. An outstanding work of scholarship of major international importance."—Martin Thomas, author of Empires of Intelligence "Tønnesson captures brilliantly the 1946 confrontation between two republics: France determined to redeem itself from Axis humiliation by regaining Indochina; Vietnam equally determined to retake independence after eighty years of colonial servitude. Tønnesson also demonstrates, however, that some leaders on each side really wanted a peaceful, mutually beneficial outcome. Descent into full-scale war was not inevitable. This is a carefully researched, clearly written analysis of a vital moment in the 20th century history of both countries. It is also a meditation on the elusive boundary between free will and determinism in human affairs."—David Marr, author of Vietnamese Tradition on Trial, 1920-1945 “Stein Tønnesson's Vietnam 1946 answers the fundamental question about the first of Vietnam's 20th century wars, the one fought against the French: how did it happen? He has written a meticulously researched account which restores their contingency to the events. The first Indochina war, like those that succeeded it, was not inevitable and Tønnesson explains why and how it happened anyway.”—Marilyn Young, author of The Vietnam Wars 1945-1990
A witty, literate, and action-filled debut, Hemingway Deadlights catches the famed author in his later years, battling to solve the injustices in a flawed world. It is 1956 and Hemingway has spent much of the year at his home in Key West, hiding from tourists and autograph hunters. But a friend's sudden death rouses Papa from his idyll. To say that the cause of death is suspicious is to put it lightly. It's not every day that a part-time smuggler is impaled on a harpoon. "Neatly captures the personality and uproarious lifestyle of an American literary icon. ... A mystery sure to please Hemingway aficionados." - Publishers Weekly
In a wide-ranging set of essays on political, literary, and cultural figures, this book traces the history of nationalism in France in all its permutations?its myths, obsessions, possibilities, and dangers.
Geneviève de Galard was a flight nurse for the French Air Force who received the name of the "Angel of Dien Bien Phu" during the French war in Indochina. She volunteered for French Indochina and arrived there in May 1953, in the middle of the war between French forces and the Vietminh. Galard was stationed in Hanoi and flew on casualty evacuation flights from Pleiku. After January 1954 she was on the flights that evacuated casualties from the Battle of Dien Bien Phu. Her first patients were mainly soldiers who suffered from diseases but after mid-March most of them were battle casualties. Sometimes Red Cross planes had to land in the midst of Vietminh artillery barrages. On March 27, 1954, when a Red Cross C-47 with Galard aboard tried to land at night on the short runway of Dien Bien Phu, the landing overshot and the plane's left engine was seriously damaged. The mechanics could not repair the plane in the field, so the plane was stranded. At daylight Vietminh artillery destroyed the C-47 and damaged the runway beyond repair. Galard went to a field hospital under command of doctor Paul Grauwin and volunteered her services as a nurse. Although the men of the medical staff were initially apprehensive —she was the only woman in the base —they eventually made accommodations for her. They also arranged a semblance of uniform; camouflage overalls, trousers, basketball shoes, and a t-shirt. Galard did her best in very unsanitary conditions, comforting those about to die and trying to keep up morale in the face of the mounting casualties. Many of the men later complimented her efforts. On the 29th of April 1954 Genevièvee de Galard was awarded the Knight's Cross of the Légion d ́Honneur and the Croix de Guerre. It was presented to her by the commander of Dien Bien Phu, General de Castries. The following day, during the celebration of the French Foreign Legion's annual "Camerone", de Galard was made an honorary "Legionnaire de 1ère classe" alongside Lieutenant Colonel Marcel Bigeard, the commander of the 6th Colonial Parachute Battalion. French troops at Dien Bien Phu finally capitulated on May 7. However, the Vietminh allowed Galard and the medical staff continue to care for their wounded. Galard still refused any kind of cooperation. When some of the Vietminh begun to hoard medical supplies for their own use, she hid some of them under her stretcher bed. On May 24, Gènevieve de Galard was evacuated to French-held Hanoi, partially against her will. The American press gave her the name “Angel of Dien Bien Phu.” She was given a tickertape parade up Broadway, a standing ovation in Congress. On 29 July 1954 President Eisenhower awarded her the Presidential Medal of Freedom during a ceremony in the White House Rose Garden. She currently lives in Paris with her husband.