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The Beginning of Futility and Futility ending in Disaster discussed Italys joining the allies and going on the offensive against Austria-Hungary. With Berlins assistance deep penetrations were made into Italian territory resulting in allied troops coming to Italys assistance while secret negotiations for a separate peace with Vienna between U.S. President Wilson and Englands Prime Minister Lloyd George failed. A repeat Habsburg offensive was halted followed by the issuance of the Manifesto which would place the empires ethnics as independent nations under the Habsburg crown a move which led to the disintegration of the Habsburg Army and Empire.
As noted in Volume I (The Beginning of Futility) after the Allies had induced Italy to join them against the Central Powers, the Italian Army used the lives of its illiterate peasant fanti as coin advancing to finally endanger Austro-Hungarian defenses. By August, 1917, Viennas generals were convinced that with German help they had to counterattack while Gen. Eric Ludendorff was wary of giving assistance. Finally he was won over after hearing a bold and daring plan later known as blitzkrieg. Italian Intelligence warnings of an enemy offensive were discarded as it was too late in the year. On October 24,1917, Austro-German forces unleashed the first blitzkrieg battle of the century which the Italian Army as the Anglo-French in France in May 1940 could not handle. Using the four commandments of blitzkrieg (deception, infiltration, isolation , annihilation), they quickly advanced 100 miles through the confused Italian defenses halting at the Piave River and adjacent mountains. Unable to handle the assault, many disheartened troops had fled, but later, with heroic deeds, halted the enemy advance. Notwithstanding the great victory, Vienna was negotiating a separate peace with Lloyd George and President Woodrow Wilson both of whom who did not believe the Allies could win.
Since Picketts failed charge at Gettysburg, the frontal infantry assault had been known as obsolete. Nevertheless fifty years later, Allied military leaders in the Great War persisted in using it as a military tactic. Italian military leaders were no exception not even accepting the deadly effect of machine guns or quick-firing artillery. The Battles of the Isonzo on the Austro-Italian Front have now been classified with Verdun as to intensity and casualty lists. Mountain warfare on the Isonzo River Valley resulted in almost two million casualties from avalanches, frostbite, malaria, cholera, as well as prisoner-of-war starvation. Using the attacco frontale the blood of the illiterate fanti was used as coin to purchase terrain pushing the enemy back leading to Vienna's request to Berlin for help, leading to Caporetto.
A compelling narrative about FDR, preoccupied with winning the war and his deteriorating health, and the hard-fought presidential election for an unprecedented fourth term
Can tragic views of the human condition as known to Westerners through Greek and Shakespearean tragedy be identified outside European culture, in the Indian culture of Hindu epic drama? In what respects can the Mahabharata epic's and the Bhagavadgita's views of the human condition be called 'tragic' in the Greek and Shakespearean senses of the word? Tragic views of the human condition are primarily embedded in stories. Only afterwards are these views expounded in theories of tragedy and in philosophical anthropologies. Minnema identifies these embedded views of human nature by discussing the ways in which tragic stories raise a variety of anthropological issues-issues such as coping with evil, suffering, war, death, values, power, sacrifice, ritual, communication, gender, honour, injustice, knowledge, fate, freedom. Each chapter represents one cluster of tragic issues that are explored in terms of their particular (Greek, English, Indian) settings before being compared cross-culturally. In the end, the underlying question is: are Indian views of the human condition very different from Western views?
A complete guide to writing and selling your novel So you want to write a novel? Great! That’s a worthy goal, no matter what your reason. But don’t settle for just writing a novel. Aim high. Write a novel that you intend to sell to a publisher. Writing Fiction for Dummies is a complete guide designed to coach you every step along the path from beginning writer to royalty-earning author. Here are some things you’ll learn in Writing Fiction for Dummies: Strategic Planning: Pinpoint where you are on the roadmap to publication; discover what every reader desperately wants from a story; home in on a marketable category; choose from among the four most common creative styles; and learn the self-management methods of professional writers. Writing Powerful Fiction: Construct a story world that rings true; create believable, unpredictable characters; build a strong plot with all six layers of complexity of a modern novel; and infuse it all with a strong theme. Self-Editing Your Novel: Psychoanalyze your characters to bring them fully to life; edit your story structure from the top down; fix broken scenes; and polish your action and dialogue. Finding An Agent and Getting Published: Write a query letter, a synopsis, and a proposal; pitch your work to agents and editors without fear. Writing Fiction For Dummies takes you from being a writer to being an author. It can happen—if you have the talent and persistence to do what you need to do.
An Economist Best Book of the Year A Financial Times Best Book of the Year Winner of the the Pushkin House Russian Book Prize Finalist for the Lionel Gelber Prize An Amazon Best Book of the Month (History) One of the world’s leading scholars offers a fresh interpretation of the linked origins of World War I and the Russian Revolution "Lieven has a double gift: first, for harvesting details to convey the essence of an era and, second, for finding new, startling, and clarifying elements in familiar stories. This is history with a heartbeat, and it could not be more engrossing."—Foreign Affairs World War I and the Russian Revolution together shaped the twentieth century in profound ways. In The End of Tsarist Russia, acclaimed scholar Dominic Lieven connects for the first time the two events, providing both a history of the First World War’s origins from a Russian perspective and an international history of why the revolution happened. Based on exhaustive work in seven Russian archives as well as many non-Russian sources, Dominic Lieven’s work is about far more than just Russia. By placing the crisis of empire at its core, Lieven links World War I to the sweep of twentieth-century global history. He shows how contemporary hot issues such as the struggle for Ukraine were already crucial elements in the run-up to 1914. By incorporating into his book new approaches and comparisons, Lieven tells the story of war and revolution in a way that is truly original and thought-provoking.
In his own words, the victor of El Alamein tells his life story in a book that’s “an absolutejoy to read and may be described as a tour-de-force” (Belfast News Letter). First published in 1958 Montgomery’s memoirs cover the full span of his career first as a regimental officer in the Royal Warwickshire Regiment and then as a Staff Officer. His choice of the Warwickshires was due to his lack of money. He saw service in India before impressing with his courage, tactical skill and staff ability in the Great War. Despite his tactless uncompromising manner his career flourished between the wars but it was during the retreat to Dunkirk that his true brilliance as a commander revealed itself. The rest is history, but in this autobiography we can hear Monty telling his side of the story of the great North African Campaign followed by the even more momentous battles against the enemy “and, sadly, the Allies” as he strove for victory in North West Europe. His interpretation of the great campaign is of huge importance and reveals the deep differences that existed between him and Eisenhower and other leading figures. His career ended in disappointment and frustration being temperamentally unsuited to Whitehall and the political machinations of NATO.
Brett Quinlan is shocked and disturbed by the sudden disappearance of Christians all over the world, and he is forced to examine his own faltering faith. Soon war, earthquakes, famine and disease ravage Earth like never before, and the young lawyer and part-time pastor finds himself leading a remnant and fighting for survival. After organizing the Christian Safe House Network, the new Global Government goes on the offensive and rounds up the Christians in work camps attempting to force them to give up their faith. Brett comes to realize that the only hope for Christians to survive is to flee to the last safe place on Earth for people of faith: the tiny embattled nation of Israel. Israel doesn't seem to have a chance against the rest of the world, but Brett and the Christians know the only true Ruler of this world is about to return, defeat the Global Government, and usher in a new era: the Millennium.
For those searching for a way to demystify the often puzzling book of Revelation or for those seeking a splendid pathway into the Apocalypse, this commentary is an extraordinary aid to grasping the central visions-and to being grasped by them. Albrecht Durer's woodcuts are incorporated together with an introduction that describes both the Seer of Patmos and the artist of Nuremberg and gives a very brief overview of various ways of reading these texts (fundamentalist, mainline, liberation). It is followed by a commentary on the book of Revelation accompanied by and keyed to the woodcuts.