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"Disassembling the Archive is a quasi-fictional correspondence with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive."--BOOK JACKET.
Dedicated to art practices that mobilize the model of the archive, Staging the Archive demonstrates the ways in which such “archival artworks” probe the possibilities of what art is and what it can do. Through a variety of media, methodologies and perspectives, the artists surveyed here also challenge the principles on which the notions of organization, evidence, and documentation are built. The earliest examples of the modern archival artwork were made in the 1930s, but only since the 1960s have artists really embraced archival principles to inform, structure, and shape their works. This includes practices that consist of archive construction, archaeological investigation, record keeping, and the use of archived materials, but also interrogations of the principles, claims, and effects of the archive. Staging the Archive shows how artists read the concept of the archive against the grain, questioning not only what the archive is and can be but what materials, images, or ideas can be archived. Ernst van Alphen examines these archival artists and artworks in detail, setting them within their social, political, and aesthetic contexts. Exploring the works of Marcel Duchamp, Marcel Broodthaers, Christian Boltanski, Annette Messager, Fiona Tan, and Sophie Calle, among others, he reveals how modern and contemporary artists have used and contested the notion of the archive to establish new relationships to history, information, and data.
Going beyond the issues of analyzing and optimizing programs as well as creating the means of protecting information, this guide takes on the programming problem of how to go about disassembling a program with holes without its source code. Detailing hacking methods used to analyze programs using a debugger and disassembler such as virtual functions, local and global variables, branching, loops, objects and their hierarchy, and mathematical operators, this guide covers methods of fighting disassemblers, self-modifying code in operating systems, and executing code in the stack. Advanced disassembler topics such as optimizing compilers and movable code are discussed as well, and a CD-ROM that contains illustrations and the source codes for the programs is also included.
Archive That, Comrade! explores issues of archival theory and practice that arise for any project aspiring to provide an open-access platform for political dialogue and democratic debate. It is informed by the author’s experience of writing a memoir about his involvement in the London underground scene of the 1960s, the London street commune movement, and the occupation of 144 Piccadilly, an event that hit the world’s headlines for ten days in July 1969. After a brief introduction that sets the contemporary scene of ‘archive fever,’ the book considers what the political legacy of 1960s counter culture reveals about the process of commemoration. The argument then opens out to discuss the notion of historical legacy and its role in the ‘dialectic of generations’. How far can the archive serve as a platform for dialogue and debate between different generations of activists in a culture that fetishises the evanescent present, practices a profound amnesia about its past, and forecloses the sociological imagination of an alternative future? The following section looks at the emergence of a complex apparatus of public fame and celebrity around the spectacle of dissidence and considers whether the Left has subverted or merely mirrored the dominant forms of reputation-making and public recognition. Can the Left establish its own autonomous model of commemoration? The final section takes up the challenge of outlining a model for the democratic archive as a revisionary project, creating a resource for building collective capacity to sustain struggles of long duration. A postscript examines how archival strategies of the alt-right have intervened at this juncture to elaborate a politics of false memory.
Perspectives from educators, archivists, and students involved in efforts to deconstruct and transform the institutional authority of archives
This six-part series starts with field stripping basics, thoroughly explains all takedown components, and finishes with reassemble instructions for hundreds of popular firearms. Clear photos and easy to understand text, guides you every step along the way. Author J.B. Wood has revised and expanded the first five parts of the series so each includes hundred of variants. More than 3,500 pages of hands-on information you need to increase accuracy and speed.
The Official NRA Guide to Firearms Assembly: Pistols and Revolvers is a newly revised edition of the National Rifle Associations classic volume on pistol and revolver disassembly. With information drawn from the files of the American Rifleman magazine, re-designed and updated with dozens of new firearms, this volume contains the detailed instructions and accurate exploded-view diagrams that provide the information any collector, hunter, or shooting enthusiast needs to be able to take firearms apart.