Download Free Directory Of East St Louis Revisited Book in PDF and EPUB Free Download. You can read online Directory Of East St Louis Revisited and write the review.

Brockton, the "City of Champions," earned this title through its fame for championship sports teams and its most famous hometown sports hero, undefeated boxing heavyweight champion Rocky Marciano. The city was home to many more champions, ranging from great shoe industry barons, such as George E. Keith and William L. Douglas, to the immigrants who worked behind the shoe bench and the entrepreneurs who followed the shoe industry, making Brockton a world center of shoe manufacturing. Established as a city in 1881, Brockton was progressive and proud as the 20th century dawned. Brockton Revisited takes readers through the city's pinnacle of prestige and power and an idyllic time in history in the 1950s and 1960s. Many photographs were taken by Stanley Bauman; they tell the story of those fun-filled postwar days and chronicle Brockton's history.
In North America between 1894 and 1930, the rise of the “New Woman” sparked controversy on both sides of the Atlantic and around the world. As she demanded a public voice as well as private fulfillment through work, education, and politics, American journalists debated and defined her. Who was she and where did she come from? Was she to be celebrated as the agent of progress or reviled as a traitor to the traditional family? Over time, the dominant version of the American New Woman became typified as white, educated, and middle class: the suffragist, progressive reformer, and bloomer-wearing bicyclist. By the 1920s, the jazz-dancing flapper epitomized her. Yet she also had many other faces. Bringing together a diverse range of essays from the periodical press of the late nineteenth and early twentieth centuries, Martha H. Patterson shows how the New Woman differed according to region, class, politics, race, ethnicity, and historical circumstance. In addition to the New Woman’s prevailing incarnations, she appears here as a gun-wielding heroine, imperialist symbol, assimilationist icon, entrepreneur, socialist, anarchist, thief, vamp, and eugenicist. Together, these readings redefine our understanding of the New Woman and her cultural impact.
This book is the first biography of nineteenth-century magazine editor and reformer Charlotte Smith. Based on years of research, and previously untapped sources, it shows both why she should be remembered and why she was forgotten. Her story is quintessentially American: this daughter of Irish immigrants, despite having only a grade-school education and supporting two children alone, became a force to be reckoned with, first in journalism and then in reform. Her first periodical, the Inland Monthly, was doubly rare: edited by a woman but not a women's magazine; and a profitable venture, bringing a large sum when sold.
First multi-year cumulation covers six years: 1965-70.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade." Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the telemarketing of pay-in-advance graves, and the effects of monopolies in a death-care industry now dominated by multinational corporations. With its hard-nosed consumer activism and a satiric vision out of Evelyn Waugh's novel The Loved One, The American Way of Death Revisited will not fail to inform, delight, and disturb. "Brilliant--hilarious. . . . A must-read for anyone planning to throw a funeral in their lifetime."--New York Post "Witty and penetrating--it speaks the truth."--The Washington Post