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You can hear the bells dinging. A joyous arrangement of this fabled tune from The Wizard of Oz has been added to Bob Cerulli's beginning string library. It works wonderfully as a stand-alone selection or in conjunction with the other beginning string arrangements from the film score. A true winner! (1: 17)
THE STORY: The action begins with the arrival of the author and several other new students at St. Mark's Academy, a strict Catholic school for girls. Determined to cause trouble, the girls begin by giving false names for themselves, which quickly b
The life story of the man who gave Dorothy and her Oz companions something to sing about
Three Academy Awards were bestowed upon the original motion picture and the music from the soundtrack has become some of the most memorable of this generation. Now, for concert band, James Barnes creates magic with "Over the Rainbow," "Ding! Dong! The Which is Dead," "We're Off to See the Wizard," "The Merry Old Land of Oz" and "If I Only Had a Brain." This is a musical must-have! (6: 24)
The eye-catching full-color cover -- featuring the film's original 50th anniversary artwork -- is bound to make this fantastic folio a real collector's item. Titles: * Ding-Dong! The Witch Is Dead * If I Only Had a Brain * The Merry Old Land of Oz * Optimistic Voices * Over the Rainbow * We're Off to See the Wizard * and more!
This is the third book in Mottola Hudon's Buffettesque Romantic Suspense series. IF IT ALL BLOWS UP AND GOES TO HELL follows the life of a small town Midwestern girl and her Trop-rock husband as they battle both mother nature and human nature from Key West, to Illinois, to France. Will their past come back to haunt them or will it ultimately save their lives? Mottola Hudon's books are Parrothead favorites, voted Readers' Choice for Jimmy Buffett's Margaritaville Book Club and holding a place of their own on Mr. Buffett's personal bookshelf.
For the very first time, all of the wonderful songs from the motion picture classic The Wizard of Oz are brought together in this exquisitely crafted choral revue. Audiences of all ages will be thrilled to hear this delightful choral setting of the timeless music. This 10-minute revue includes: *Munchkinland *Ding Dong! The Witch Is Dead *The Lullaby League *We're Off to See the Wizard *If I Only Had a Brain *The Merry Old Land of Oz *Over the Rainbow The Pete Schmutte orchestration adds that 'MGM' style extravaganza sound to make every performance of this review a real event! Bring the incredible story to life by adding this revue to your next concert.
The Wizard of Oz 'was my very first literary influence,' writes Salman Rushdie in his account of the great MGM children's classic. At the age of ten he had written a story, 'Over the Rainbow', about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children's film, and more than a fantasy. It's a story whose driving force is the inadequacy of adults, in which 'the weakness of grown-ups forces children to take control of their own destinies'. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie's brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, 'At the Auction of the Ruby Slippers,' about the day when Dorothy's red shoes are knocked down to $15,000 at a sale of MGM props. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.
This is the shooting script of The Wizard of Oz film and includes several scenes that were cut from the released print of the film. The book includes an introduction by Michael Hearn which looks at the making of the film and considers the story as part of modern American culture.