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Catalof for an exhibition held at the Shaman Drum Bookstore April 21-June 15, 2002.
During his sojourn in England during the 1870s, a young Cavafy found himself enthralled by the aesthetic movement of cosmopolitan London. It was during these years that he encountered the canvases and personalities of Pre-Raphaelite painters, including Burne-Jones and Whistler, as well as works of aesthetic writers who were effecting a revolution in British literary culture and channeling influences from France that would gradually coalesce into an international decadent movement. In Reframing Decadence, Peter Jeffreys returns us to this critical period of Cavafy’s life, showing the poet’s creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy’s relation to Victorian aestheticism and French literary decadence. Foremost among the tropes of decadence that captivated Cavafy were the decline of imperial Rome, the rise of Christianity, and the lingering twilight of Byzantium. The influence of Walter Pater on Cavafy’s view of classical and late-antique history was immense, inflected as it was with an unapologetic homoerotic aesthetic that Cavafy would adopt as his own, making Pater’s imaginary portraits an important touchstone for his own historicizing poetry. Cavafy would move beyond Pater to explore a more openly homoerotic sensuality but he never quite abandoned this rich Victorian legacy, one that contributed greatly to his emergence as a global poet. Jeffreys concludes by considering Cavafy’s current popularity as a gay poet and his curious relation to kitsch as manifest in his ongoing popularity via translation and visual media.
Challenging photography from the magazine that has become a source of inspiration and information for photographers, curators, and collectors Eyemazing magazine has been at the vanguard of art photography journals for the past decade. Under the singular vision of its founder, Susan Zadeh, the award-winning magazine has championed the most collectible and daringly original art photography today. This book brings together work by 130 photographers that has appeared in Eyemazing over the last ten years, including images by Michael Ackerman, Bettina Rheims, Sally Mann, and Roger Ballen, and by emerging talents whose first international exposure has been in the magazine. The photographs are organized into two sections, “Dreams and Memories of a Past Life” and “Our Body, Our Cage. Our Body, Our Home,” and are accompanied by supporting essays and profiles of the artists. Sensual and beautiful yet often shocking, dark, and surreal, the photographs in this new publication define the possibilities of contemporary art photography.
The Leopard, published posthumously in 1958, was one of the most important works of fiction to appear in the Italian language in the twentieth century. Between 1925 and 1930, its author, Giuseppe Tomasi di Lampedusa, wrote a number of letters to his cousins Casimiro and Lucio Piccolo in which he describes his travels around Europe (London, Paris, Zurich, Berlin). The letters, here published in English for the first time, display much of Lampedusa's distinctive style present in his later work: not only the razor-sharp introspection, but also a wicked sense of humour, playful in its description of the comédie humaine.
From the award-winning author of Legend of a Suicide: “A kind of modern fairy tale . . . Vann’s novels are striking, uncompromising portraits of American life” (Kirkus Reviews, starred review). David Vann’s dazzling debut Legend of a Suicide was reviewed in over a 150 major global publications, won eleven prizes worldwide, was on forty “best books of the year” lists, and established its author as a literary master. Now, in crystalline, chiseled yet graceful prose, Aquarium takes us into the heart of a brave young girl whose longing for love and capacity for forgiveness transforms the damaged people around her . . . Twelve-year-old Caitlin lives alone with her mother—a docker at the local container port—in subsidized housing next to an airport in Seattle. Each day, while she waits to be picked up after school, Caitlin visits the local aquarium to study the fish. Gazing at the creatures within the watery depths, Caitlin accesses a shimmering universe beyond her own. When she befriends an old man at the tanks one day, who seems as enamored by the fish as she, Caitlin cracks open a dark family secret and propels her once-blissful relationship with her mother toward a precipice of terrifying consequence. “A blue-collar parable . . . [The character] looks back on her life as a child looks into a tank, hoping to make sense of the world inside—a theme Vann develops beautifully, creating a mysterious realm of the wintry American city.” —The Guardian
One of the most acclaimed and popular television series of all time, Breaking Bad left an indelible imprint on the imaginations of viewers around the world. Walter White's transformation from high school chemistry teacher to meth kingpin has inspired thousands of artists to creatively reinterpret the show's stark, stylish visuals and unforgettable characters. '99.1% Pure: The Breaking Bad Artbook' brings together an electrifying collection of art from around the globe, personally curated by show creator Vince Gilligan and the Breaking Bad team. Featuring a dazzling array of styles, this one of-a-kind book is the ultimate tribute to the series and its seismic impact on popular culture.
Conversing Identities: Encounters Between British, Irish and Greek Poetry, 1922-1952 presents a panorama of cultures brought in dialogue through travel, immigration and translation set against the insularity imposed by war and the hegemony of the national centre in the period 1922-1952. Each chapter tells a story within a specific time and space that connected the challenges and fissures experienced in two cultures with the goal to explore how the post-1922 accentuated mobility across frontiers found an appropriate expression in the work of the poets under consideration. Either influenced by their actual travel to Britain or Greece or divided in their various allegiances and reactions to national or imperial sovereignty, the poets examined explored the possibilities of a metaphorical diasporic sense of belonging within the multicultural metropolis and created personae to indicate the tension at the contact of the old and the new, the hypocritical parody of mixed breeds and the need for modern heroes to avoid national or gendered stereotypes. The main coordinates were the national voices of W.B. Yeats and Kostes Palamas, T.S. Eliot’s multilingual outlook as an Anglo-American métoikos, C.P. Cavafy’s view as a Greek of the diaspora, displaced William Plomer’s portrayal of 1930s Athens, Demetrios Capetanakis’ journey to the British metropolis, John Lehmann’s antithetical journey eastward, as well as Louis MacNeice’s complex loyalties to a national identity and sense of belonging as an Irish classicist, translator and traveller.
If it was possible to make a silent movie and turn it into a book, this would be it. "100 New York Mysteries" is a wordless book, a tone poem, and an essay on the sublime beauty found in the streets of New York City. This book is also part of an exhibition, "100 New York Mysteries" at DCKT Contemporary Art in NYC (June-August, 2006). For more information visit www.aaronkrach.com or www.dcktcontemporary.com.
The Moth Wing Diaries is a photographic narrative addressing themes of memory, providence, revival and dreams, by native Texan photographer Lori Vrba. Vrba's surreal landscapes and portraiture are "deeply personal and focus on self-discovery and family" and explore the artist's sense of conflict and ultimate peace with the Southern terrain.--L'Oeil de la Photographie Lori Vrba is a native Texan now residing in Chapel Hill, North Carolina. She is a self-taught artist committed to film and the traditional wet darkroom. She has shown her work internationally to great acclaim. Vrba considers the exhibition and installation as an extension of the aesthetic and narrative components of her imagery. Recent examples of her unique voice in presentation include "Piano Farm", New Orleans, LA 2010 and "Southern Comfort", Atlanta, GA 2011. Her work is held in the permanent collections of the Lishui Museum of Photography, China and the Museum of Fine Arts Houston, as well as private collections throughout the world.
Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter “the fatal year” – each chapter examines why and how de Chirico’s self-declared “Nietzschean method” takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s “literary” images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.