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During the summer that he turns ten years old, Dillon Dillon learns the surprising story behind his name and develops a relationship with three loons living on the lake near his family's New Hampshire cabin that help him make sense of his life.
NEW YORK TIMES BESTSELLER In this inspiring and hilarious memoir, YouTube star Ricky Dillon gives you an exciting look into his personal life and reveals the ins and outs of being a young star online. Have you ever picked up a new instrument and tried learning to play your favorite song? Or found out exactly how much sour candy you can possibly eat in one sitting? Or given yourself permission to be friendly to a total stranger who looked sad? Ricky Dillon has, and in Follow Me, he invites you to join him on a series of challenges—from serious, contemplative tasks to hilarious, outrageous stunts—that are bound to stretch your mind (as well as your muscles) and change your life for the better. Sure, trying something new or putting yourself out there—facing the unknown—can be scary, but Ricky himself understands what it’s like to face life’s great obstacles. He also knows that every day offers chances to try something new, to push yourself a little farther, and to get a little stronger both inside out. Along with the challenges, Follow Me also ushers readers into Ricky’s real life, sharing exactly how he creates his videos, what it’s like collaborating with other YouTube stars, what his family and friends mean to him, and how he juggles all of his creative endeavors—from music to fitness to writing and beyond—while keeping a positive attitude and appreciating all of life’s adventures, big and small. Inspiring, informative, and incredibly fun, Follow Me is not just a book but a full-on reading experience from one of our most beloved and hardworking social media stars.
A compelling ode to the essay form and the great essaysists themselves, from Montaigne to Woolf to Sontag. Essayism is a book about essays and essayists, a study of melancholy and depression, a love letter to belle-lettrists, and an account of the indispensable lifelines of reading and writing. Brian Dillon’s style incorporates diverse features of the essay. By turns agglomerative, associative, digressive, curious, passionate, and dispassionate, his is a branching book of possibilities, seeking consolation and direction from Michel de Montaigne, Virginia Woolf, Roland Barthes, Theodor Adorno, Walter Benjamin, Georges Perec, Elizabeth Hardwick, and Susan Sontag, to name just a few of his influences. Whether he is writing on origins, aphorisms, coherence, vulnerability, anxiety, or a number of other subjects, his command of language, his erudition, and his own personal history serve not so much to illuminate or magnify the subject as to discover it anew through a kaleidoscopic alignment of attention, thought, and feeling, a dazzling and momentary suspension of disparate elements, again and again.
The inaugural volume in Cabinet's new 24-Hour Book series, I Am Sitting in a Room--written and designed in one day--explores the scenography and architecture of writing itself. Inspired in part by Georges Perec's short fragment in Species of Spaces on Antonello da Messina's painting of St. Jerome in his study, Dillon's text is both a personal reflection on the theatrics of the study, the library and the office, and a historical consideration of such writerly paraphernalia as Proust's bed, Nabokov's index cards and Philip Roth's moustache. Dillon, who arrived at Cabinet's office without any prepared text, also had to remain open to the contingencies of an unfamiliar writing environment, peculiar and perhaps slightly dodgy take-out food, a makeshift bed, and a capricious heating system, not to mention the obvious pressures of working under extreme time constraints. If that were not enough, this particular scene of writing was a public one, with curious onlookers dropping in during the process to watch the author (and his support staff) "at work." Inspired by literary precedents such as automatic writing, by the resourcefulness of the bricoleur making do with what is at hand and by the openness toward chance that all artistic production under severe constraint must necessarily incorporate, Cabinet's 24-Hour Book series will invite a number of distinguished authors and artists to be incarcerated in its gallery space to complete a project from start to finish within 24 hours.
The nail-biting new novel from the author of Spectre of Springwell Forest... Television producer Naomi Levinson makes documentaries debunking the supernatural. When asked to film a promotional video for computer game company Persephone, she considers the task beneath her talents. But as production gets underway at the Persephone office block on London's Canary Wharf, a mysterious disappearance, ghostly sightings, and lingering tragedy from Naomi's past lead her to believe she might have stumbled into a genuine haunting. As Naomi continues to investigate, past and present collide in a horrifying conspiracy. Cutting edge technology and ancient evil meet, leading to the discovery of a shocking and terrifying secret that could change the nature of life and death as we know it. How far would you go to bring the one you love back from the dead?
“Never underestimate the power of a group of women. Fierce, thoughtful and dramatic—this is a story of true courage." —Susan Wiggs, New York Times bestselling author She would stop at nothing to protect the women under her care. Inside a century-old row house in Brooklyn, renegade Sister Evelyn and her fellow nuns preside over a safe haven for the abused and abandoned. Gruff and indomitable on the surface, warm and wry underneath, little daunts Evelyn, until she receives word that Mercy House will be investigated by Bishop Hawkins, a man with whom she shares a dark history. In order to protect everything they’ve built, the nuns must conceal many of their methods, which are forbidden by the Catholic Church. Evelyn will go to great lengths to defend all that she loves. She confronts a gang member, defies the church, challenges her own beliefs, and faces her past. She is bolstered by the other nuns and the vibrant, diverse residents of the shelter—Lucia, Mei-Li, Desiree, Esther, and Katrina—whose differences are outweighed by what unites them: they’ve all been broken by men but are determined to rebuild. Amidst her fight, Evelyn discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.
Fundraising for an organization or ministry is not merely an important task, it’s a noble one. Successful leaders must possess the theological vision to recognize the necessity of asking, the joy of giving, and the beautifully collaborative nature of advancing the kingdom. It should come as no surprise that the literal translation of the word philanthropy is “love of mankind”– and Christian philanthropy enables us to love God through loving man. Mark Dillon has spent his career interacting with hundreds of thoughtful Christian stewards, and reframing the discussion on giving. He challenges leaders to ensure their organizations and ministries are worthy of the gifts they receive. Highly practical and refreshingly candid, Giving and Getting in the Kingdom delivers much-needed perspective on the eternal significance of our earthly transactions.
In this astonishing and at times terrifying book, acclaimed writer and political commentator Martin Dillon examines for the first time the true role of religion in the conflict in Northern Ireland. He interviewed those directly involved--terrorists like Kenny McClinton and Billy Wright and churchmen like Father Pat Buckley--finding that the terrorists were more forthcoming than the priests and ministers. Dillon charts the history of the paramilitary forces on both sides and exposes the shocking covert role of British intelligence. He finds that, ultimately, both the church and government have failed their communities, allowing men and women of violence to fill a vacuum with bigotry and violence.
A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year. In Suppose a Sentence, Brian Dillon, whom John Banville has called “a literary flâneur in the tradition of Baudelaire and Walter Benjamin,” has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shakespeare to James Baldwin, John Ruskin to Joan Didion—this new book explores style, voice, and language, along with the subjectivity of reading. Both an exercise in practical criticism and a set of experiments or challenges, Suppose a Sentence is a polemical and personal reflection on the art of the sentence in literature.
Charlotte Brontë found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has trawled the Internet in solitude, seeking to pinpoint the source of his or her fantastical symptoms. The Hypochondriacs is a book about fear and hope, illness and imagination, despair and creativity. It explores, in the stories of nine individuals, the relationship between mind and body as it is mediated by the experience, or simply the terror, of being ill. And, in an intimate investigation of those lives, it shows how the mind can make a prison of the body by distorting our sense of ourselves as physical beings. Through witty, entertaining, and often moving examinations of the lives of these eminent hypochondriacs—James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Alice James, Daniel Paul Schreber, Marcel Proust, Glenn Gould, and Andy Warhol—Brian Dillon brilliantly unravels the tortuous connections between real and imagined illness, irrational fear and rational concern, the mind's aches and the body's ideas.