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No other singer has recorded so much material with so indelible a personal stamp as Dietrich Fischer-Dieskau. This first definitive biography provides a comprehensive and frank account of his extraordinary career. From his debut in Verdi's Don Carlos in 1948 to his farewell concert appearance in 1992, his life as a singer is traced, together with an exploration of his other artistic endeavors. He is a painter of uncommon gifts whose canvases have been widely exhibited, the author of several perceptive scholarly books on musical topics, and he remains active as a teacher and conductor.
The foremost singer-interpreter of Schubert's lieder analyzes the songs within the context of the composer's life and environment
This biography provides a comprehensive account of Dietrich Fischer-Dieskau's extraordinary career from his debut to his farewell concert in 1992.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Dietrich Fischer-Dieskau, the foremost interpreter of lieder of our day, is the most recorded vocal artist of all time. These memoirs reveal the man behind the artistry.