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A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Complete score of The Art of Fugue plus extensive commentary features all 14 fugues plus the four canons. The commentary outlines the fugues' contrapuntal devices and offers keen observations on the composer's craftsmanship.
Outstanding musical examples — chants, motets, madrigals, more — illustrating course of musical style from early Middle Ages to mid-18th century. Works by Lassus, Josquin des Prez, Schütz, Handel, Bach, many others. Notes.
Andrew Shenton's groundbreaking cross-disciplinary approach to Messiaen's music presents a systematic and detailed examination of the compositional techniques of one of the most significant musicians of the twentieth century as they relate to his desire to express profound truths about Catholicism. It is widely accepted that music can have mystical and transformative powers, but because 'pure' music has no programme, Messiaen sought to refine his compositions to speak more clearly about the truths of the Catholic faith by developing a sophisticated semiotic system in which aspects of music become direct signs for words and concepts. Using interdisciplinary methodologies drawing on linguistics, cognition studies, theological studies and semiotics, Shenton traces the development of Messiaen's sign system using examples from many of Messiaen's works and concentrating in particular on the M?tations sur le myst? de la Sainte Trinit?or organ, a suite which contains the most sophisticated and developed use of a sign system and represents a profound exegesis of Messiaen's understanding of the Catholic triune God. By working on issues of interpretation, Shenton endeavours to bridge the traditional gap between scholars and performers and to help people listen to Messiaen's music with spirit and understanding.
Книга для викладача до практичного курсу англійської мови для студентів третього курсу вищих закладів освіти (філологічні спеціальності та спеціальність «Переклад») має на меті допомогти викладачам у роботі зі згаданим підручником. До її змісту ввійшли “Вступ”, який повторює інформацію, що міститься у передмові до підручника, робочий план на увесь навчальний рік із приблизним розподілом матеріалу за семестрами, тижнями та годинами, ключі до найбільш складних вправ, а також транскрипт текстів для навчання аудіювання, які записані на аудіокасету. Для викладачів вищих навчальних закладів, що працюють із підручником для студентів третього курсу вищих закладів освіти (філологічні спеціальності та спеціальність «Переклад») (серія Dictum Factum, автори Черноватий Л. М., Карабан В. І., Ковальчук Н. М., Набокова І. Ю., Пчеліна С. Л., Рябих М. В.) – Вінниця: Нова книга, 2007. – 144 с.
Samuel Johnson (1709-1784) is one of the pre-eminent figures of 18th century English letters.