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This book is a fascinating and original insight into two authors who have inspired us for centuries. Perhaps unique among world authors, Dickens and Dante create comprehensive moral systems still strikingly relevant in today's world, filled with greed, religious hypocrisy, fraud, violence and war. At the same time their compelling characters can still move us to tears and laughter. By dropping them into their appropriate circles of Dante's Inferno, Professor Jhirad delves deeply into Dickens' villains in a way that is both scholarly and accessible to the average reader. Additional chapters on Dickens' Purgatory and Paradise add richness to the book.
As uplifting as the tale of Scrooge itself, this is the story of how Charles Dickens revived the signal holiday of the Western world—now a major motion picture. Just before Christmas in 1843, a debt-ridden and dispirited Charles Dickens wrote a small book he hoped would keep his creditors at bay. His publisher turned it down, so Dickens used what little money he had to put out A Christmas Carol himself. He worried it might be the end of his career as a novelist. The book immediately caused a sensation. And it breathed new life into a holiday that had fallen into disfavor, undermined by lingering Puritanism and the cold modernity of the Industrial Revolution. It was a harsh and dreary age, in desperate need of spiritual renewal, ready to embrace a book that ended with blessings for one and all. With warmth, wit, and an infusion of Christmas cheer, Les Standiford whisks us back to Victorian England, its most beloved storyteller, and the birth of the Christmas we know best. The Man Who Invented Christmas is a rich and satisfying read for Scrooges and sentimentalists alike.
A gorgeous hardcover edition of the timeless holiday classic, featuring stunning full-color illustrations by Arthur Rackham, with a gilt-stamped cloth cover, acid-free paper, sewn bindings, and a silk ribbon marker. No holiday season is complete without Charles Dickens's dramatic and heartwarming story of the transformation of miserly Ebenezer Scrooge through the efforts of the Ghosts of Christmas Past, Present, and Future. Set on a cold Christmas Eve in Victorian London, and featuring Scrooge's long-suffering and mild-mannered clerk, Bob Cratchit; Bob’s kindhearted son, Tiny Tim; and a host of colorful characters, A Christmas Carol was an instant hit and has been beloved ever since by generations of readers of all ages.
Selected and annotated by Gertrude Himmelfarb, a distinguished historian of Victorian thought, the writings in this volume address a wide range of subjects, including religion, politics, history, science, art, socialism, and feminism, by eminent figures of the Victorian era.
In this classic and timeless Christmas story, the greedy and individualistic Ebenezer Scrooge prepares for another Christmas Eve without celebration. But this time around, Mr. Scrooge will get several ghostly warnings about his unpleasant and insatiably avaricious ways that will change his life, forever. Mr. Scrooge is first greeted by his dead business partner, Jacob Marley, who warns Mr. Scrooge that his greed will not go unpunished. Soon thereafter, Mr. Scrooge is visited by the Ghosts of Christmas Past, Present, and Christmas Yet to Come. These ghostly encounters will make Mr. Scrooge cringe as well as make him aware of his cruel nature. In the end, Mr. Scrooge learns a valuable lesson that will benefit others as much as it will benefit his own soul. Search for "lady valkyrie" in the books section of Amazon to see all of our latest titles and series of books.ladyvalkyrie.com for our latest offerings in both paper and electronic formats!
Dickens and the Spirit of the Age considers the extent to which Dickens and his work reflect the vibrant novelty of the middle third of the nineteenth century, an age in which the modern world was shaped and determined. It looks at the culture from which Dickens sprang - a mechanized and increasingly urbanized culture - and it sees his rootlessness and restlessness as symptomatic of what was essentially new: the period's political and technological enterprise; its urbanization; its new definitions of social class and social mobility; and, finally, its dynamic sense of distinction from the preceding age. Although his fiction was rooted in traditions established and evolved in the eighteenth century, Dickens was uniquely equipped to remould the English novel into a new and flexible fictional form, as a direct response to the social, urban, and political challenges of his time.
Sam and Lizzie are freezing and hungry on the streets of Victorian London. When Sam asks a wealthy man for some coins, he is rudely turned away. Months of struggle suddenly find their focus, and Sam resolves to kill the man. Huddling in a graveyard for warmth, Sam and Lizzie are horrified to see the earth around one of the tombs begin to shift, shortly followed by the wraithlike figure of a ghostly man. He warns Sam about the future which awaits such a bitter heart, and so begins Sam's journey led by terrifying spirits through the past, present and future, after which Sam must decide whether to take the man, Scrooge's, life or not. A perfectly layered, tense and supremely satisfying twist on one of Dickens' most popular books, cleverly reinvented to entice a younger readership.
The first full-length study on the subject of Dickens and work, this book reshapes our understanding of Dickens by challenging a critical oversimplification: that Dickens's attitude towards work reflects conventional expressions of Victorian earnestness of the sort attributed also to Thomas Carlyle, John Ruskin, and even more simplistically, Samuel Smiles. Instead, by analyzing a wide range of Dickens’s fiction and journalism in the light of new biographical and historical research, Louttit shows that Dickens is not interested in work as an abstract, positive value, or even in cataloguing it in concrete detail. What he explores instead is the human dimension of work: how, in other words, work affects the lives of those engaged in it. His writing about work is, as a result, best viewed not merely as a quasi-religious Gospel of Work, nor as an objective sociological report, but rather as what Louttit terms a "secular gospel."
You were among the first, some years ago, to expatiate on the vicious addiction of the lower classes of society to Sunday excursions; and were thus instrumental in calling forth occasional demonstrations of those extreme opinions on the subject, which are very generally received with derision, if not with contempt.