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"Magnet has two principal aims. One is to persuade us that Dickens was far more a novelist of ideas than his reputation suggests; the other is to demonstrate that his liberal (or radical) attitudes were embedded in an essentially conservative view of the world. On both counts, he seems successful; his book is well argued, attractively written and all in all one of the most stimulating studies of Dickens to have appeared in recent years" (New York Times). This edition includes a new preface by the author.
Law and ethics are two vital aspects of social work – all social workers need to practise according to the law and their codes of ethics and conduct. However, the relationship between the law and social work values and ethics is not without its tensions and this book takes a problem-based approach to explore the dilemmas and challenges that can arise. The first part of the book sets out frameworks for thinking about the law and ethics, and how they relate to social work. It also introduces some of the big philosophical and sociological questions about the purposes of law and of ethics and how they relate to society more generally. In the second part, the book explores a series of areas where profound dilemmas arise – such as end-of-life decisions, respecting peoples’ choices but ensuring their safety and that of others, responsibility and blame, making allowance for different cultural traditions and breaking confidentiality. In each of the problem-based chapters, this accessible text: outlines the relevant law discusses court judgments in leading cases considers the implications of different ethical frameworks pulls out key ethical questions and challenges for social work. Social Work, Law and Ethics highlights what the law says and what it offers, what ethical principles are at stake, and what these imply for social work policy and practice. In this way, it uses real-life scenarios to analyse the dynamic interactions of social work, law and ethics. It is essential reading for all social work students.
Dickens was known for his incredible imagination and fiery social protest. In Social Dreaming , Elaine Ostry examines how these two qualities are linked through Dickens's use of the fairy tale, a genre that infuses his work. To many Victorians, the fairy tale was not childish: it promoted the imagination and fancy in a materialistic, utilitarian world. It was a way of criticizing society so that everyone could understand. Like Charles Perrault and the Brothers Grimm, Dickens used the fairy tale to promote his ideology. In this first book length study of Dickens's use of the fairy tale as a social tool, Elaine Ostry applies exciting new criticism by Jack Zipes and Maria Tatar, among others, that examines the fairy tale in a socio-historical light to Dickens's major works but also his periodicals-the most popular middle-class publications in Victorian times.
From 1850 to 1859, Charles Dickens 'conducted' Household Words, a weekly miscellany intended to instruct and entertain predominantly middle-class readers. He filled the journal with articles about various commodities, many of which raise questions about how far society should go in permitting people to buy and sell goods and services.Although studies of Victorian commodity culture have tended to focus on the novel, scholarly interest in Victorian periodicals and material culture has been prompted by recognition of the major role the press played in disseminating knowledge and information about the proliferating world of goods. At the same time, periodicals like Household Words were themselves commodities that relied on their marketability for survival. This book provides a cultural study of the journal's representation of commodities that records the changing relationship between people and things exposed in the contributors' attempts to come to terms with the development of urban commodity culture at mid-century.
The Chimes A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In, a short novel by Charles Dickens, was written and published in 1844, one year after A Christmas Carol. It is the second in his series of Christmas books five short books with strong social and moral messages that he published during the 1840's.
This provocative biography tells the story of how an ambitious young Londoner became England’s greatest novelist. Focused on the 1830s, it portrays a restless, uncertain Dickens who could not decide on a career path. Through twists and turns, the author traces a double transformation: in reinventing himself Dickens reinvented the form of the novel.
The motivations behind Dickens' novels and the poverty-stricken world of 19th century London.
Sixteen scholars from across the globe come together in Charles Dickens as an Agent of Change to show how Dickens was (and still is) the consummate change agent. His works, bursting with restless energy in the Inimitable's protean style, registered and commented on the ongoing changes in the Victorian world while the Victorians' fictional and factional worlds kept (and keep) changing. The essays from notable Dickens scholars—Malcolm Andrews, Matthias Bauer, Joel J. Brattin, Doris Feldmann, Herbert Foltinek, Robert Heaman, Michael Hollington, Bert Hornback, Norbert Lennartz, Chris Louttit, Jerome Meckier, Nancy Aycock Metz, David Paroissien, Christopher Pittard, and Robert Tracy—suggest the many ways in which the notion of change has found entry into and is negotiated in Dickens' works through four aspects: social change, political and ideological change, literary change, and cultural change. An afterword by the late Edgar Rosenberg adds a personal account of how Dickens changed the life of one eminent Dickensian.
In this wide-ranging effort to theorize about the relationships between society and nature, Peter Dickens attempts to reconstruct social theory in a way that enables it to speak to contemporary environmental issues. After reviewing existing sociological traditions, he draws on the early work of Karl Marx to suggest that processes and relations in the workplace are the main source of people's separation from nature. In addition, people's understanding of "nature" tends to mirror their experience of the social world. Redefining the work of Anthony Giddens in an ecological direction, Dickens analyzes developments in biological thinking that seem consistent with this approach. He considers the role of culture, and he critiques the contemporary "deep green" and "deep ecology" movements. Focusing on the alienation of human begins from the natural world and the place of nature in their "deep mental structures," the author works in part from a Marxist perspective but draws a wide variety of social psychological, and biological theories into the discussion. Society and Nature not only addresses a central debate in contemporary social science regarding this interrelationship but also responds to the intellectual challenge presented by natural scientific concepts of environmental problems that oversimplify or ignore their political or social relational dimensions. Author note: Peter Dickens is Senior Lecturer in Urban Studies and Social Policy at the University of Sussex (UK) and the author of Urban Sociology: Society, Locality and Human Nature.