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Experience the adventures of the world's most famous comic strip detective just as they appeared when originally published.
In 1931, the Chicago Tribune introduced the public to an exciting new comic strip destined to become a classic: Dick Tracy. Tracy's creator, Chester Gould, would spend the next 46 years of his life developing the dynamic, crime-fighting character, and his work on the strip won him the Reuben Award for Outstanding Cartoonist of the Year in both 1959 and 1977. A revolutionary in the comics industry, Gould invented both a genre and an icon. The personal story of this pioneer cartoonist is now presented in a biography written by Gould's only child. Beginning with his young life in a three-room house in Pawnee, Oklahoma, this book traces all the steps Gould took to eventually achieve remarkable distinction at the top of his field. The early pages relate his ancestors' part in the Oklahoma land rush, drawing on the unpublished memoir of his father, Gilbert Gould. Chester Gould's story is then augmented by his own personal commentary, taken directly from recorded conversations with his daughter. Throughout these conversations, Gould recollects the evolution of his career, from painting advertisements on barn roofs at age 17 to documenting the violent crime life of Chicago, from which he drew inspiration for his Dick Tracy strip. Discussion of his ambitions, disappointments, popular accomplishments, and family moments comprise a thorough account of Chester Gould's fascinating life. Appendices include commentary from his two grandchildren and a comprehensive list of his awards and distinctions, which included formal recognition from three American presidents.
In October 1931, Dick Tracy made his debut on the pages of the Detroit Mirror. Since then America's most famous crime fighter has tangled with a variety of protagonists from locations as diverse as the inner city and outer space, all the time maintaining the moral high ground while reflecting American popular culture. Through extensive research and interviews with Chester Gould (the creator of "Dick Tracy"), his assistants, Dick Locher (the current artist), Max Allan Collins (who scripted the stories for more than 15 years) and many others associated with the strip, Dick Tracy as a cultural icon emerges. The strips use of both innovative and established police methods and the true-to-life portrayals of Tracy's family and fellow cops are detailed. The artists behind the strip are fully revealed and Dick Tracy paraphernalia and the 1990 movie Dick Tracy are discussed. Dick Tracy's appearances in other media--books, comics, radio, movie serials, "B" movies, television dramas, and animated cartoons--are fully covered.
Acclaimed mystery author and comics writer Max Collins (Road to Perdition) took over scripting Chester Gould's iconic detective strip in 1978, and Dick Tracy would never be the same again. The second of several volumes collecting Collins's masterful yet controversial 15-year run, the art is supplied by Rick Fletcher.
CHILDREN'S BOOKS/AGES 4-8
Acclaimed mystery author and comics writer Max Allan Collins (Road to Perdition) took over scripting Chester Gould's iconic detective strip in 1978, and Dick Tracy would never be the same again. The first of several volumes collecting Collins's masterful yet controversial 15-year run, the art is supplied by Rick Fletcher and Pulitzer Prize-winner Dick Locher. Illustrated in b/w throughout.
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.