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If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.
New York Times bestselling author Cathy Maxwell’s delicious Logical Man’s Guide to Dangerous Women series continues with this provocative romance between a reprobate earl and a sensible spinster who agree to marry under scandalous circumstances. Perfect for fans of Sophie Jordan and Sabrina Jeffries. Lesson #1: A man, even titled and handsome, cannot be careless forever. The Earl of Marsden—better known as Mars to all—has lived his life by his own rules…until he is presented with a very big problem in a very tiny package—a baby girl, his daughter cast off by his ex-mistress. Mars won’t let his child be cast adrift, except he doesn’t know the first thing about babies. Panicking, he turns to a woman for help. Not just any woman, but Clarissa Taylor, village spinster, matron-in-training, and Mars’s greatest critic. Still, who better to tend a motherless child than a woman who was abandoned as a babe herself? Lesson #2: Life always plays the upper hand—especially when it comes to love. Clarissa desperately wishes to not to be beholden to anyone. She has spent a lifetime being pitied by the village. Her plan is simple—to use what the intolerable earl will pay her to become her own woman. It all sounds so straightforward until the threat of scandal sends her and the one man she can’t abide toward . . . marriage? Mars and Clarissa are about to learn the greatest lesson of all—that sparks always fly when the iron is hot.
Jason I'm not letting her go after this. I left the love of my life when she needed me most. I thought I was saving the world, but instead I lost everything. Now I need her. My sister is missing and I'm suspect #1. Without Jules as my defense attorney, I would be locked in a cell instead of trying to save my sister. Once I find Ellie, I'm never letting either of them out of my sight. There's no way I'm making that mistake again. Jules He's just like every other client. The man I thought was the love of my life, ghosted me when I needed him most. I'd like to say he was the one that got away. But no. He's the bullet I dodged. Now he needs me. His sister is missing and he's being charged with her kidnapping. He thinks we can mend what he broke. But I can't trust him. There's no way I'm making that mistake again. ♥♥♥♥♥♥♥ Escaping Conviction is a suspenseful, second chance romance with legal, military, and dark themes. It is the first in the Conviction series of interconnected standalones which have an overarching plot throughout the series, but no cliffhanger for the couple in this book. **While Escaping Conviction has an HEA, this read is not for the faint of heart. The Conviction series should be read by mature readers only (18+) and contains sexually explicit scenes, along with descriptions of human trafficking, drugs, strong language, and physical and sexual violence. Reader discretion is advised.**
Liana Monroe considered herself the most talented mage in all of Triaedian. Too bad no one else did. They only cared about how imperfect she was compared to her two lovely sisters. And with a new courting season upon them, Liana once again feels the weight of high society stifling her dreams to be a respected mage instead of a dutiful wife. That was impossible though. Women weren't allowed to study magic. Everything changes after the ruthless vampire king, Damien Ashwood, stumbles upon her performing advanced magic. She expects punishment. Expects any chance at freedom to be torn away from her because only males are allowed to practice higher magic. But he does something far worse. The king proposes. Fighting to maintain some semblance of control over her life despite the king's plans to wed her, all while an old threat of rebellion makes a resurgence in the kingdom, Liana struggles to hide her powerful and chaotic magic. Now she must choose between the private and independent life she always dreamed of or embrace the king and the power she'd been blessed with to save her kingdom.
Radio broadcasting United States History.
A multilayered memoir of basketball, family, home, love, and race, this book tells of the author's love for a game he can no longer play.