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“As the quick transportation of wounded from the front to the nearest hospital is so great a factor in saving their lives, the American Ambulance Field Service was organized soon after the beginning of the war, and during the subsequent two years its achievement has fully demonstrated the value of its purpose. It has now in the field more than 300 motor ambulances. These are driven by young American volunteers, most of whom are graduates of American universities. To them has been successfully entrusted the vitally important matter of bringing the wounded in the shortest possible time from the trenches to places where the first surgical help can be given. Upon this first surgical help largely depends, naturally, the chance of the wounded surviving long enough to reach the base hospitals. These ambulances are grouped in sections of twenty to thirty cars, and attached to the French Armies. They carry wounded between the front and the Army Hospitals within the Army Zone. The French Army has cited these Sections more than twenty times for distinguished services; has conferred the Croix de Guerre, for bravery, on sixty-six members of the Service, and upon two, the Médaille Militaire, the highest honor for military valor in France.”—From the American Ambulance Service Leaflet included in the book.
Excerpt from Diary of Section VIII: American Ambulance Field Service The human interest of this record sufficiently justifies publication, but it is printed primarily because its story is typical of the day's work of every Section in the Field Service, and in order that those Americans who have given ambulances and such practical encouragement may better realize how much their cooperation has actually accomplished. There are now nine of these Sections attached to the Armies of France at various points along the Western Front from the Channel to Alsace, and in Salonika. During the next few weeks six more are being equipped and sent out. Of the men immediately going over to drive these new cars Chicago University is sending two units of twenty-five men each, and the Universities of Leland Stanford, Harvard, Wisconsin, and California are each contributing a like unit. More than sixty other American colleges and universities are already represented. While all these men quite realize that their work is but a matter of duty to the cause and nation they wish to serve, the mere fact of their presence and voluntary sharing of the risk and labor involved has done much to convince France of the feeling that really exists for her in this country. However great the help which new circumstances might make it possible for us to render the Allies by men and money, we can never offer any truer evidence of sympathy than by the service of which these pages bear tribute. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
With the centennial of the First World War rapidly approaching, historian and bibliographer James T. Controvich offers in The United States in World War I: A Bibliographic Guide the most comprehensive, up-to-date reference bibliography yet published. Organized by subject, this bibliography includes the full range of sources: vintage publications of the time, books, pamphlets, periodical titles, theses, dissertations, and archival sources held by federal and state organizations, as well as those in public and private hands, including historical societies and museums. As Controvich’s bibliographic accounting makes clear, there were many facets of World War I that remain virtually unknown to this day. Throughout, Controvich’s bibliography tracks the primary sources that tell each of these stories—and many others besides—during this tense period in American history. Each entry lists the author, title, place of publication, publisher, date of publication, and page count as well as descriptive information concerning illustrations, plates, ports, maps, diagrams, and plans. The armed forces section carries additional information on rosters, awards, citations, and killed and wounded in action lists. The United States in World War I: A Bibliographic Guide is an ideal research tool for students and scholars of World War I and American history.
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
They left Harvard, Yale, Princeton, Michigan, and Stanford to drive ambulances on the French front, and on the killing fields of World War I they learned that war was no place for gentlemen. The tale of the American volunteer ambulance drivers of the First World War is one of gallantry amid gore; manners amid madness. Arlen J. Hansen’s Gentlemen Volunteers brings to life the entire story of the men—and women—who formed the first ambulance corps, and who went on to redefine American culture. Some were to become legends—Ernest Hemingway, e. e. cummings, Malcolm Cowley, and Walt Disney—but all were part of a generation seeking something greater and grander than what they could find at home. The war in France beckoned them, promising glory, romance, and escape. Between 1914 and 1917 (when the United States officially entered the war), they volunteered by the thousands, abandoning college campuses and prep schools across the nation and leaving behind an America determined not to be drawn into a “European war.” What the volunteers found in France was carnage on an unprecedented scale. Here is a spellbinding account of a remarkable time; the legacy of the ambulance drivers of WWI endures to this day.
A landmark anthology of World War I history featuring 127 selections from over 80 Americans—including soldiers, airmen, nurses, and more—who experienced the cataclysmic conflict first-hand. Few Americans appreciate the significance and intensity of America’s experience of World War I, the global cataclysm that transformed the modern world. Published to mark the centenary of the U.S. entry into the conflict, World War I: Told by the Americans Who Lived It brings together a wide range of writings by American participants and observers to tell a vivid and dramatic firsthand story from the outbreak of war in 1914 through the Armistice, the Paris Peace Conference, and the League of Nations debate. The 88 men and women collected in the volume—soldiers, airmen, nurses, diplomats, statesmen, political activists, journalists—provide unique insights into how Americans of every stripe perceived the war, why they supported or opposed intervention, how they experienced the nightmarish reality of industrial warfare, and how the conflict changed American life. Among the writers: war correspondent Richard Harding Davis witnesses the burning of Louvain; Edith Wharton tours the war zones in the Argonne and Flanders; John Reed records the devastation in Serbia and Galicia; diplomats Henry Morgenthau and Leslie Davis report on the extermination of the Armenians; Jane Addams and Emma Goldman warn against militarism; pilots Victor Chapman and Edmond Genet describe flying with the Lafayette Escadrille; infantry officer Hervey Allen recalls the hellish fighting at Fismette; nurses Ellen N. La Motte and Mary Borden depict the “human wreckage” brought into military hospitals; suffragist Carrie Chapman Catt connects the war with the struggle for women’s rights; and Justice Oliver Wendell Holmes considers the limits of free speech in wartime. W. E. B. Du Bois, James Weldon Johnson, and Jessie Redmon Fauset expose the contradiction between the nation’s claim to be fighting for democracy abroad and its brutal treatment of African Americans at home. The international role of the United States is debated in strikingly contemporary terms by Wilson and his critics, as the nation grapples with its emergence as a leading world power. A coda presents three iconic literary works by Ernest Hemingway, E. E. Cummings, and John Dos Passos that capture the postwar disillusionment felt by many Americans. Includes headnotes, a chronology of events, biographical and explanatory endnotes, and an index.