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So great is the weight of reading on the subject of the Waterloo campaign that it might be thought there is nothing left to say about it, and from the military viewpoint, this is very much the case. But one critical aspect of the story has gone all but untold – the French home front. Little has been written about the topic in English, and few works on Napoleon or Revolutionary and Napoleonic France pay it much attention. It is this conspicuous gap in the literature that Charles Esdaile explores in this erudite and absorbing study. Drawing on the vivid, revealing material that is available in the French archives, in the writings of soldiers who fought in France in 1814 and 1815 and in the memoirs of civilians who witnessed the fall of Napoleon or the Hundred Days, he gives us a fascinating new insight into the military and domestic context of the Waterloo campaign, the Napoleonic legend and the wider situation across Europe.
Mercers journal is the most outstanding eyewitness account of the Waterloo campaign ever published. It is a classic of military history. This new, fully illustrated edition, featuring an extensive introduction and notes by Andrew Uffindell, one of the leading authorities on the Napoleonic Wars, contains a mass of additional material not included in the original. As the bicentenary of Waterloo approaches, this beautifully prepared, scholarly edition of Mercers work will be essential reading for anyone who wishes to know what it was really like to fight in the final, great battle against Napoleon.
The essential work on Romanticism, revised and condensed for student convenience Standing as the essential work on Romanticism, Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994. This Fifth Edition has been revised to reduce the size of the book and the burden of carrying it around a university campus. It includes the six canonical authors: Blake, Wordsworth, Coleridge, Keats, Byron, and Shelley. The Fourth Edition of the anthology, with complete and uncut texts of a wealth of Romantic authors, is available to all readers of the Fifth Edition via online access. Authors are introduced successively by their dates of birth; works are placed in order of composition where known and, when not known, by date of publication. Except for works in dialect or in which archaic effects were deliberately sought, punctuation and orthography are normalized, pervasive initial capitals and italics removed, and contractions expanded except where they are of metrical significance. Texts are edited for this volume from both manuscript and early printed sources. Romanticism: An Anthology contains everything a teacher needs for full coverage of the canonical poets, with illustrations and a chronological timeline to provide readers with important historical context.
Based on the accounts of British and Anglo-Irish travelers, 'Creating Irish Tourism' charts the development of tourism in Ireland from its origins in the mid-eighteenth century to the country's emergence as a major European tourist destination a century later. The work shows how the Irish tourist experience evolved out of the interactions among travel writers, landlords, and visitors with the peasants who, as guides, jarvies, venders, porters and beggars, were as much a part of Irish tourism as the scenery itself.
The Oxford Handbook of Percy Bysshe Shelley takes stock of current developments in the study of a major Romantic poet and prose-writer, and seeks to advance Shelley studies in new directions. It consists of forty-two chapters written by an international cast of established and emerging scholar-critics. This Handbook is divided into five thematic sections: Biography and Relationships; Prose; Poetry; Cultures, Traditions, Influences; and Afterlives. The first section reappraises Shelley's life and relationships, including those with his publishers through whom he sought to reach an audience for the 'Ashes and sparks' of his thought, and with women, creative collaborators as well as muse-figures. The second section gives his under-investigated prose works detailed attention, bringing multiple perspectives to bear on his conceptual positions, and demonstrating the range of his achievement in prose works from novels to political and poetic treatises. The third section explores Shelley's creativity and gift as a poet, emphasizing his capacity to excel in many different poetic genres. The fourth section looks at Shelley's response to past and present literary cultures, both English and international, and at his immersion in science, music, theatre, the visual arts, and travel. The fifth section concludes the volume by analysing Shelley's literary and cultural afterlife, from his influence on Victorians and Moderns, to his status as the exemplary poet for Deconstruction. Packed with stimulating insights and readings, The Oxford Handbook of Percy Bysshe Shelley brings out the relevance to Shelley's own work of his dictum that 'All high poetry is infinite' .