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From undocumented to "hyper documented," Diary of a Reluctant Dreamer traces Alberto Ledesma's struggle with personal and national identity from growing up in Oakland to earning his doctorate degree at Berkeley, and beyond.
Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.
Originally published under title: Dictionary of Chicano folklore. Santa Barbara, Calif.: ABC-CLIO, c2000.
"J. P. Bone's novel ILLEGALS is a rarity in contemporary literature - a story which boldly and vividly presents a piece of contemporary history, told through characters who cannot fail to move you with their anguish and their courage. I am reminded of Upton Sinclair and John Steinbeck, who did not hesitate to confront the most urgent issues of their day through their fiction. ILLEGALS is a political novel that touches the heart. I hope it is widely read." Howard Zinn, Historian, author of A People's History of the United States "ILLEGALS is a rare uplifting literary work. It cites chapter and verse the details of the exploitation of working people from Latin America by the corporate colossus up north. It paints a bleak picture of immigrants' plight, yet offers inspiring hope for those who dare to work together in solidarity." Studs Terkel, Pulitzer Prize Winning author, historian "J. P. Bone has not only produced a novel worthy of reading on its literary merits, but his ILLEGALS is also an extraordinary story which captures the human drama of the everyday struggles experienced by Latino immigrants in their quest for survival and social justice." Carlos Muñoz, Jr. Professor Emeritus, U. C. Berkeley "ILLEGALS is, in a way, everyone's story. As a nation of immigrants, most of our families had to find a way, by hook or crook, to get into this country. It wasn't always pretty. Most have forgotten how it was that we happened to be Americans in the first place. A book like this reminds us that the struggle to enjoy the 'freedom' promised in America is exactly just that - still a struggle, still not available to all. I encourage you to read ILLEGALS not just for its powerful commentary, but because it's a damn good read!" Michael Moore, Academy award winning director, author "J. P. Bone proves that where there is a will there is a way and that in the midst of pain, struggle, and sacrifice, no human should be 'illegal.'" Jesse "Chuy" Varela "This moving and intimate story drawn from personal accounts takes you to the heart of the struggles of people fleeing Latin America. By following them with powerful empathy through burning sun, terror and courageous battles to survive, this novel should change forever the way we look at immigrants from south of the border." Bob Schildgen, Author of Hey Mr. Green! and Toyohiko Kagawa, a bigraphy of a Japanese reformer. The first edition of ILLEGALS by J. P. Bone, was published in 1996.The author made many important revisions to ILLEGALS in 2012, and again in 2014. The new second edition includes those revisions.
Weaving together narrative essay and bilingual poetry, Claudia D. Hernández’s lyrical debut follows her tumultuous adolescence as she crisscrosses the American continent: a book "both timely and aesthetically exciting in its hybridity" (The Millions). Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn’t speak English, and her Spanish sticks out as “weird” in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either. A harrowing story told with the candid innocence of childhood, Hernández’s memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.
Latinx representation in the popular imagination has infuriated and befuddled the Latinx community for decades. These misrepresentations and stereotypes soon became as American as apple pie. But these cardboard cutouts and examples of lazy storytelling could never embody the rich traditions and histories of Latinx peoples. Not seeing real Latinxs on TV and film reels as kids inspired the authors to dive deep into the world of mainstream television and film to uncover examples of representation, good and bad. The result: a riveting ride through televisual and celluloid reels that make up mainstream culture. As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action.
A 2015 Whitney Award Nominee! A powerful story of loss, second chances, and first love, reminiscent of Sarah Dessen and John Green. When Oakley Nelson loses her older brother, Lucas, to cancer, she thinks she’ll never recover. Between her parents’ arguing and the battle she’s fighting with depression, she feels nothing inside but a hollow emptiness. When Mom suggests they spend a few months in California with Aunt Jo, Oakley isn’t sure a change of scenery will alter anything, but she’s willing to give it a try. In California, Oakley discovers a sort of safety and freedom in Aunt Jo’s beach house. Once they’re settled, Mom hands her a notebook full of letters addressed to her—from Lucas. As Oakley reads one each day, she realizes how much he loved her, and each letter challenges her to be better and to continue to enjoy her life. He wants her to move on. If only it were that easy. But then a surfer named Carson comes into her life, and Oakley is blindsided. He makes her feel again. As she lets him in, she is surprised by how much she cares for him, and that’s when things get complicated. How can she fall in love and be happy when Lucas never got the chance to do those very same things? With her brother’s dying words as guidance, Oakley knows she must learn to listen and trust again. But will she have to leave the past behind to find happiness in the future? Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
As a straight-A student with a budding romance and loyal best friend, M.T.'s life seems as apple-pie American as her blondish hair and pale skin. But M.T. hides two facts to the contrary: her full name of Monserrat Thalia and her status as an undocumented immigrant. With senior year of high school kicking into full swing, M.T. sees her hopes for a "normal" future unraveling. And it will take discovering a sense of trust in herself and others for M.T. to stake a claim in the life that she wants. Author Maria E. Andreu draws from her personal experience to tell a story that is timely, relevant, and universally poignant.
Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys -- and most affecting love stories -- in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore goes beyond satire by showing us not what it means, but what it feels like be human -- to love and lose, learn, aspire, grasp, and, in the end, to fail.