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Giovanni Boccaccio is one of the most influential writers in the Western tradition, yet his first literary work, "Diana's Hunt," has never been translated into English, and the Italian text has long been out of print. Anthony Cassell and Victoria Kirkham redeem Boccaccio's early effort in this dual-language edition, with an extensive introduction and commentary, that goes far beyond assuring its accessibility. The plot of "Diana's Hunt" is simple enough: the narrator observes the goddess Diana convening a band of Neapolitan court ladies to hunt in a wood. After slaying an impressive number of beasts, the huntresses are incited to rebellion against Diana by the fairest of their number. They invoke the goddess Venus, who transforms the beasts into young men ready to be faithful to her. As a final twist, the narrator himself, who we now learn was actually a stag all along, undergoes a similar transformation and is offered to the fairest lady. Cassell and Kirkham have edited the Italian text of "La Caccia di Diana," drawing from the six extant manuscripts of the original work. Their critical interpretation of the poem redefines the ground on which we evaluate the merits of "Diana's Hunt" and points to ways in which it looks forward to Boccaccio's later work. The poem emerges as an allegory of the struggle in the soul before Christian baptism and entrance into the active life of virtue. This theme will be central in the early fictions, such as the Filocolo and Ameto, and will be parodied and reversed in the later Elegy of Madonna Fiammetta and Corbaccio. The editors offer a readable translation, extensive notes, and a glossary of female historical characters that will prove invaluable to students and scholars of medieval and Renaissance literature, women's studies, and art history.
The hunt is on! This empowering and engaging narrative tells the legend of the fierce Roman goddess Diana. This divine huntress was also the goddess of the moon and could talk to animals. Hear the compelling myths of Diana's powers and learn where she fits within a family of gods. Additional facts explore Diana's role as protector in Ancient Roman and Greek culture and how the goddess's influence appears in popular culture today.
Drawing on the timeless wisdom of the East, The Tao of Time provides a whole new approach to time management that gives the reader productivity as well as freedom and fulfillment. With visualizations, awareness exercises, and examples from executives and time-study experts, this book will help readers manage and enjoy their entire life.
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PMThe author reviews the alternative analytical approaches that have emerged in development economics and identifies six paradigms: structuralist, expanding capital nucleus, neo-Marxist, Maoist, basic needs, neo-classical and dependency theory. She critically analyzes the main features of each paradigm and identifies the areas where they conflict and support one other. The book presents a coherent analysis of the different approaches to economic development and will be essential reading for economists, political scientists, and sociologists interested in the Third World. Contents: Introduction; The Theoretical Heritage; The Theoretical Debate in Development Economics from the 1940s: An Overview; The Paradigm of the Expanding Nucleus; The Structuralist Paradigm; The Neo-Marxist Paradigm; Dependency Analyses: The Seeds of a New Paradigm?; The Moaist Paradigm; The Basic Needs Paradigm; The Neo-Classical Pradigm and Its Role in Development Economics; Conclusion
This story, my story, was not one that I imagined would ever be put into words on paper. Rather, I believed it was enough to have lived it; at times, even living it was more than I could bear. I did not foresee this written version. Had I done so, I would have remembered more ... or less. Therefore, I am calling this 'fiction' based on fact. I will, for effect and constraints of time and paper, condense some incidents. For privacy and legal necessity, I will change some names. But, this is my story, my life, here on these pages for all to see: family, friends, enemies, acquaintances, peers, and my unknown readers.
What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer’s poetry. His book is like a rich tapestry weaving together many threads. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.