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___________________ AN EXPLORATION OF LOVE, LUST AND BETRAYAL Part novel, part expose, Diana is a stirring portrait of a passionate affair amid the cultural chaos of the 1960s and 1970s. The central character is Diana Soren, an elegy for a decade that refused to die. She is a predator set on self-destruction, and a casualty of her own times and beauty. Mexico's pre-eminent novelist presents a poignant story of bittersweet love that was a huge success in his native country.
An exploration of love, lust and betrayal.
In this book Ralph Schoolcraft explores the extraordinary career of the modern French author, film director, and diplomat—a romantic and tragic figure whose fictions extended well beyond his books. Born Roman Kacew, he overcame an impoverished boyhood to become a French Resistance hero and win the coveted Goncourt Prize under the pseudonym—and largely invented persona—Romain Gary. Although he published such acclaimed works as The Roots of Heaven and Promise at Dawn, the Gaullist traditions that he defended in the world of French letters fell from favor, and his critical fortunes suffered at the hands of a hostile press. Schoolcraft details Gary's frustrated struggle to evolve as a writer in the eye of a public that now considered him a known quantity. Identifying the daring strategies used by this mysterious character as he undertook an elaborate scheme to reach a new readership, Schoolcraft offers new insight into the dynamics of authorship and fame within the French literary institutions. In the early 1970s Gary made his departure from the conservative literary establishment, publishing works that boasted a quirky, elliptical style under a variety of pseudonymous personae, the most successful of which was that of an Algerian immigrant by the name of Emile Ajar. Moving behind the mask of his new creation, Gary was able to win critical and popular acclaim and a second Goncourt in 1975. But as Schoolcraft suggests, Gary may have "sold his shadow"—that is, lost his authorial persona—by marketing himself too effectively. Going so far as to recruit a cousin to stand in as the public face of this phantom author, Gary kept the secret of his true authorship until his violent death in 1980 from a self-inflicted gunshot wound. The press reacted with resentment over the scheme, and he was shunned into the ranks of literary oddities. Schoolcraft draws from archives of the several thousand documents related to Gary housed at the French publishing firms of Gallimard and Mercure de France, as well as the Butler Library at Columbia University. Exploring the depths of a story that has long remained shrouded in mystery, Romain Gary: The Man Who Sold His Shadow is as much a fascinating biographical sketch as it is a thought-provoking reflection on the assumptions made about identities in the public sphere.
_____________________ 'An admirable novel'- The Times 'In this portrait of men and women swept along by great events, and determined to be on the side of the angels, Fuentes has invested the often colourless world of politics with romantic ardour' - Sunday Telegraph _____________________ An epic and heartbreaking love story that will leave no one untouched. Like Fuentes's masterpiece The Death of Artemio Cruz, the action in this novel begins in the state of Veracruz and moves to Mexico City. From 1905 to 1978, Fuentes traces the extraordinary Laura Díaz; a life filled with a multitude of witty, heartbreaking scenes and the sounds, colours, tastes and scents of Mexico. Laura grows into a politically committed artist who is also a wife and mother, a lover of great men, and a complicated and alluring heroine whose bravery prevails despite her losing a brother, son, and grandson to the darkest forces of Mexico's turbulent, often corrupt politics. Hers is a life which has helped to affect the course of history, and it is the story of a woman who has loved and understood with unflinching honesty. _____________________ 'Fuentes's affair with the fickle forces of creativity reaches a rare and poignant intensity ... a landmark book' - Scotsman
A magical short novel that weaves together two stories, two couples, two different times, and two grand passions In one of the narratives that comprise this superb new novel from Carlos Fuentes, we are introduced to Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great love Inez Prada, a renowned singer. In the other, Fuentes memorably delineates the very first encounter in human history between a man and a woman. In one, the intense drama of Berlioz's music for The Damnation of Faust informs the action; in the other, we watch as a slowly emergent love shapes the nature and character of the two protagonists. A beautiful crystal seal -- the meaning of which is a mystery that obsesses Atlan-Ferrara, who owns it -- unites these two narratives; the magical seal allows one to read unknown languages and hear impossible music, and it is the symbol of a shared love. The duality of Carlos Fuentes's brilliant new novel mirrors two eras, one in the deepest remote time and one in a time to come, but the passions evoked in both, reflected against each other like two sides of a crystal seal, break the limits of time and space and unite in one story. And, like the light refracted through the seal, it begins in prehistory and spirals out into infinity . . . In Inez, we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as Mexico's pre-eminent novelist.
"Where the Air Is Clear," Carlos Fuentes's first novel, is an unsparing portrayal of Mexico City's upper class. Departing from a traditional linear narrative, Fuentes overlays Mexican myths onto contemporary settings, showing that even the rich and powerful must succumb to the indomitable spirit of Mexico, which undermines all institutions and shapes all destinies. First published by Farrar, Straus and Giroux in 1988, Dalkey Archive Press in 2004, now available again.
From time immemorial, Mexico's legendary beauty has been matched by intense historical drama. Mayan mythmakers, Aztec emperors, Spanish conquistadors, Yankee and French invaders, dictators and peasant revolutionaries are still vivid influences on Mexico's present. In this stunning collection of essays, first published in Britain in 1997, Carlos Fuentes examines mexico as it faces a new time. Torn between tradition and modernity, impatient with an exhausted political system but unsure how and with what to replace it, Mexicans are struggling to make the transition from authoritarian to democratic politics. Fuentes' bold and timely study discusses the origins and nature of the unforeseen events that have transformed Mexico's politics and scoiety: the 1994 rebellion in Chiapas, the subsequent rash of assassinations, the break between Presidents Salinas and Zedillo, and continual traumas for democratic self-rule.
A biography of a Hollywood legend peels back the mystery surrounding Clint Eastwood to reveal a rebel with a clear vision of human existence.
"Grounding his study on the work of Derrida and Bataille, Abeyta focuses on the theme of the gift in Carlos Fuentes's Terra Nostra. Analyzing how gift giving, excess, expenditure, sacrifice, and exchange shape the novel, he reveals its relevance to current discussions about the relationship between art and the gift"--Provided by publisher.
The classic—and controversial—Mexican novella: “A beautiful horror story, a horrifying story of beauty, a combination of Poe, Baudelaire, and Isak Dinesen.” —Newsweek Felipe Montero is employed in the house of an aged widow to edit her deceased husband’s memoirs. There Felipe meets her beautiful green-eyed niece, Aura. His passion for Aura and his gradual discovery of the true relationship between the young woman and her aunt propel the story to its extraordinary conclusion. This ebook edition of Carlos Fuentes’ novel includes only the English translation by Lysander Kemp. The Spanish text is not included. “Carlos Fuentes is a major force in contemporary Mexican letters. An heir to the exacerbated social conscience which burst forth in the flood of so-called ‘novels of the Mexican Revolution,’ he distinguishes himself today not only by his writing but also by the forceful leadership which he gives to the intellectual life of his country.” —The New York Times “An incredible story of love, death, and fate . . . a haunting and mesmerizing experience.” —The Sunflower “A novella by the author of Where the Air is Clear, The Good Conscience, and The Death of Artemio Cruz finds him at brilliant dark play as he swiftly carries the horror to its proof and inevitable fulfillment . . . Black on black, with all the accoutrements of the classic horror tale, this attains a fatalism that is the fullest realization of fantasy.” —Kirkus Reviews