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8 stars from legendary ballet troupe are shown in costumes from over 20 separate productions. Designers include Chanel, Picasso, Matisse, and others.
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Léon Bakst (1866–1924) started his artistic career as a magazine illustrator, but it was during his collaborations with the great Russian ballet impressario Serge Diaghilev and the founding of the Ballets Russes that he achieved his greatest successes. As a costume designer for the famed ballet company, Bakst created exotic robes, tunics, harem pants, and other lavish costumes incorporating bold color schemes. This exciting collection, sure to delight colorists and theater fans of all ages, includes 30 of the Asian-inspired designs for which Bakst was famous, among them costumes from The Firebird, Cléopâtre, and Schéhérazade. Captions identify characters and the ballets for which they were designed. Copies of the original designs can be produced by following the artist’s own color schemes, shown on the covers; or, budding artists can select hues from their own palettes to bring these dazzling costumes vividly to life.
From a turbulent beginning in Russia to world fame and beyond, this is the vivid, moving story of Irina Baronova's extraordinary life. Irina was born into a privileged family, whose world was changed forever by the Bolsheviks. They fled Russia to poverty in Bucharest, but Irina's mother was determined that her daughter learn ballet. Her first lessons were taken with the kitchen table as a barre. Her family struggled to take Irina to Paris, where she made her debut, aged eleven, with the Paris Opera. Spotted by the legendary choreographer George Balanchine, she joined the Ballet Russe de Monte Carlo. She quickly rose to fame as one the three 'Baby Ballerinas' and toured the world, working with a dazzling array of great names. Later Irina starred in films, danced with American Ballet Theatre and appeared in plays. But when she met Cecil Tennant, theatrical agent to stars such as Vivien Leigh and Laurence Olivier, Irina had to choose between the limelight and life as a wife and mother . . .
A charming young ballerina and eightbeautiful costumes from favorite ballets, including "The Nutcracker, Firebird, Sleeping Beauty, Petrouchka," "Don Quixote, " and more."
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
In pre-World War I England, a frail Jewish girl is diagnosed with flat feet, knock knees, and weak legs. In short order, Lilian Alicia Marks would become a dance prodigy, the cherished baby ballerina of Sergei Diaghilev, and the youngest ever soloist at his famed Ballets Russes. It was there that George Balanchine choreographed his first ballet for her, Henri Matisse designed her costumes, and Igor Stravinsky taught her music—all when the re-christened Alicia Markova was just 14. Given unprecedented access to Dame Markova’s intimate journals and correspondence, Tina Sutton paints a full picture of the dancer’s astonishing life and times in 1920s Paris and Monte Carlo, 1930s London, and wartime in New York and Hollywood. Ballet lovers and readers everywhere will be fascinated by the story of one of the twentieth century’s great artists.