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The international publishing sensation, An Atlas of Es Devlin has already sold out its first printing, but more copies will be available in North America in February 2024. An Atlas of Es Devlin, the first monograph on artist Es Devlin's genre-defying practice, is an experiential publication encompassing art, activism, theatre, poetry, music, dance, opera, and sculpture.
A compelling firsthand account of Keith Devlin's ten-year quest to tell Fibonacci's story In 2000, Keith Devlin set out to research the life and legacy of the medieval mathematician Leonardo of Pisa, popularly known as Fibonacci, whose book Liber abbaci has quite literally affected the lives of everyone alive today. Although he is most famous for the Fibonacci numbers—which, it so happens, he didn't invent—Fibonacci's greatest contribution was as an expositor of mathematical ideas at a level ordinary people could understand. In 1202, Liber abbaci—the "Book of Calculation"—introduced modern arithmetic to the Western world. Yet Fibonacci was long forgotten after his death, and it was not until the 1960s that his true achievements were finally recognized. Finding Fibonacci is Devlin's compelling firsthand account of his ten-year quest to tell Fibonacci's story. Devlin, a math expositor himself, kept a diary of the undertaking, which he draws on here to describe the project's highs and lows, its false starts and disappointments, the tragedies and unexpected turns, some hilarious episodes, and the occasional lucky breaks. You will also meet the unique individuals Devlin encountered along the way, people who, each for their own reasons, became fascinated by Fibonacci, from the Yale professor who traced modern finance back to Fibonacci to the Italian historian who made the crucial archival discovery that brought together all the threads of Fibonacci's astonishing story. Fibonacci helped to revive the West as the cradle of science, technology, and commerce, yet he vanished from the pages of history. This is Devlin's search to find him.
Devlin of Duncaer is the Chosen One, champion of the Kingdom of Jorsk. A simple metalsmith and farmer turned warrior, he has become the most unlikely of heroes to the conquerors of his own people, the Caerfolk. Yet there is a growing faction of Jorskians who believe that if he were truly anointed as Chosen One by the Gods, then the immortals would have given him the Sword of Light as proof of his calling. Missing for generations, the sword is more myth than reality. But Devlin knows where to find it. Lost in battle after the Jorskians’ brutal massacre of Caerfolk, it has remained in Duncaer, a souvenir of one of the land’s darkest days. Feeling more than ever a pawn of fate—and a plaything of the Gods who drive him—Devlin must return to the land of his birth, back to the people who have denounced him. For he is bound by an oath he has no choice but to obey...a promise he may have to die to keep.
“A thought-provoking examination of familial love.” —Booklist “A great coming-of-age story for fans of…Nick and Norah’s Infinite Playlist…and Thanks for the Trouble.” —School Library Journal After Charlotte’s father is kidnapped, she and her mother must overcome their differences and find a way to rescue him in this eloquent, moving portrayal of family from the author of William C. Morris Award finalist Tell Me Something Real. In search of the perfect story to put a human face on a tragedy, Charlotte’s reporter dad will fly into the eye of a storm. And now he’s heading to Ukraine, straight into the aftermath of a deadly earthquake. Charlotte doesn’t want him to leave. She doesn’t want to spend the week alone in a silent house with her mother, whose classically Russian reserve has built a wall between them that neither knows how to tear down. Charlotte is holding it together okay—until the FBI comes knocking on her door. Her father has been taken hostage! The quake has left so many orphans and widows, but Charlotte refuses to be counted among them. Whatever it takes to get her dad back, she’ll do it. Even if it means breaking a promise…or the law.
A desperate man in a dying kingdom is awarded the most coveted—and most deadly—choice of all The once mighty kingdom of Jorsk is in decline, its borders beset by enemies, both worldly and otherworldly. The king has retreated to the capital, abandoning the far-flung provinces. The only hope of the people lies in their Chosen One, blessed by the gods as defender of the realm. But of late every Chosen One has died, targeted by the harshest of the enemy attacks. Only the most desperate of men now seek that post. Devlin Stonehand is a desperate man. Overwhelmed by grief at the death of his family, he has lost the will to live. But he has vowed to provide for his brother’s widow and children, and the post of the Chosen One carries with it a substantial reward. For Devlin, a farmer and metalsmith, it is the answer to his prayers—prayers that include a yearning for the oblivion of death. After he has won the post, though, Devlin discovers that sometimes the hardest goal to achieve is that which had once seemed the simplest. For unlike the other Chosen Ones, he persists in surviving. Are the gods just tormenting him further, or does he have a greater destiny than he imagined? Can a man who courts death ever truly come to embrace life?
To save his people, he may have to destroy the one thing that protects them . . . his own magic. Devlin of Duncaer has retrieved the Sword of Light—the legendary weapon of the Chosen One. But while Devlin was fulfilling his sacred quest, dark forces have swarmed the royal court. To defend his country’s borders, the ambitious Jorskain king, Olafur, strikes a demon’s bargain with an ancient adversary. Now, with the Sword of Light in enemy hands, and betrayed by those he loyally served, Devlin is imprisoned, tortured, and rumored dead. While Devlin’s adopted countrymen mourn his loss, Jorsk comes under full-scale attack. Battling for his life, Devlin must escape his captors and amass his own ragtag army. But the ruthless invaders threatening to overrun Devlin and his allies are only the first wave of attack. And this time Devlin may have to sacrifice everything to save his people from a battle that will make Armageddon itself look like a mere dress rehearsal. . . .
He's a bad bad boy... Merry Stewart is wildly unpredictable. Left alone to run wild over the Bordeaux and Scottish countryside she becomes impetuous and daringly bold. Over the years, she's found she can bedevil her softhearted brothers into allowing her exploits to go unnoticed. As a young woman she has learned she can do as she pleases when she pleases. Now, Merry has set her amorous sights on the Duke of Weston—a man she has never met but has every intention of marrying. No other suitor will satisfy her—especially not the exceptionally striking, horse breeder, Devlin Mathews. ...she's the woman of his desires. Posing as commoner Devlin Mathews to escape a potentially fatal confrontation, Devlin is enthralled and infuriated by the audacious, duke-hunting dark haired vixen. Bedeviled at every opportunity, he finds dealing with the tiny she-devil exasperating as well as intriguing. Without revealing his true identify, the infamous rogue pledges to thwart Merry's plans to wed the man of her dream-never imagining the bewitching strategist would turn out to be the only woman he would ever dream of marrying.
New York Times bestselling author Mariah Stewart sweeps readers to the shores of Delaware Bay with this captivating romance full of intrigue, mystery, and desire. Though India Devlin left her hometown to pursue a brilliant career as a criminal prosecutor, she has always loved historic Devlin's Light, visiting as often as her busy schedule permits. But when her brother is found murdered on the steps of the lighthouse—the town's namesake—she returns to uncover who killed Ry. When her brother's good friend, Nick Enright, offers to help in her investigation, India accepts—after all, he's the one who found Ry that night, and heard his mysterious last words. As the list of suspects begins to narrow, India and Nick find themselves undeniably drawn to each other—a feeling India isn't sure she is ready to admit. Soon a wonderful new emotion is glowing at Devlin's Light—a sweet, irresistible, very mutual attraction—intensifying with each wave that crashes on the beach of the enchanting town by the bay...
ABOUT THE BOOK In the introduction to How to Speak and Write Correctly, Joseph Devlin writes that his book is not a grammar manual full of rules. Devlin wrote the book for ordinary people who want to speak in a proper manner. Devlin writes some general guidelines for grammar and style. He begins with an overview of the parts of speech and formation of sentences and paragraphs. Some of his most helpful tips are those on common pitfalls. He reminds the reader that even the best writers make mistakes. Using examples of famous authors’ mistakes, Devlin shows how to avoid circumlocution, split infinitives, and redundancy. The chapters on writing letters and writing for newspapers have obsolete information. However, these chapters serve as amusing artifacts of the days when calling cards were still common, and women were guardians of the home. MEET THE AUTHOR Taryn Nakamura was born and raised in Hawaii, where she's recently returned after receiving a B.A. in English at Yale University. As a writing concentrator at Yale, she focused on fiction, but as a Hyperink writer, she's learned that nonfiction can also be fun. In her free time, she likes to run at a walking pace, haunt libraries, and eat pickles. EXCERPT FROM THE BOOK In the simplest sentence, the word order is subject, verb, object. Longer sentences allow for other ways of arranging words. The beginning and the end of sentences are the most important positions. The reader pays closer attention to these parts of the sentence. The end of the sentence is more significant than the beginning. Do not begin or end a sentence with insignificant words. Loose sentences put the main idea first, and the descriptions follow. Periodic sentences begin with descriptive introductions and ends with the main idea. Speakers should use loose sentences to keep an audience’s attention. Either form can be used in writing. A paragraph should be composed of sentences that illustrate the same idea. Sentences should flow naturally with transitions. The content should show a logical progression. The first sentence introduces the main idea, and the last sentence enforces it... Buy a copy to keep reading!