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The German Colonial Experience provides readers with an understanding of how the Germans gained, explored, pacified, ruled, and exploited their colonies prior to their loss in World War I. Knoll and Hiery show how Africans, Chinese, and Pacific Islanders reacted to German rule, how the Germans ran the daily affairs of government, their vision for the colonized peoples, and how the colonizers and the colonized perceived one another. In other words, how did German colonial rule actually work? This book intensely scrutinizes colonial documents, most of them in German script, from archives not only in Germany, but also from places such as Australia, New Guinea, and Samoa. Many of these documents have never previously been published, even in the original German.
A groundbreaking account of the development of Germany's first African community, which offers fascinating perspectives on transnational German history.
A comprehensive study of recent African history, examining the political, social, and economic effects of colonialism.
"How could such a book speak so powerfully to our present moment? The short answer is that we, too, live in dark times, even if they are different and perhaps less dark, and "Origins" raises a set of fundamental questions about how tyranny can arise and the dangerous forms of inhumanity to which it can lead." Jeffrey C. Isaac, The Washington Post Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political history The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time--Nazi Germany and Stalinist Russia--which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.
In the second volume of The Origins of Totalitarianism, the political theorist traces the decline of European colonialism and the outbreak of WWI. Since it was first published in 1951, The Origins of Totalitarianism has been recognized as the definitive philosophical account of the totalitarian mindset. A probing analysis of Nazism, Stalinism, and the “banality of evil”, it remains one of the most referenced works in studies and discussions of totalitarian movements around the world. In this second volume, Imperialism, Dr. Hannah Arendt examines the cruel epoch of declining European colonial imperialism from 1884 to the outbreak of the First World War. Through portraits of Disraili, Cecil Rhodes, Gobineau, Proust, and T.E. Lawrence, Arendt illustrates how this era ended with the decline of the nation-state and the disintegration of Europe’s class society. These two events, Arendt argues, generated totalitarianism, which in turn produced the Holocaust. “The most original and profound—therefore the most valuable—political theorist of our times.”—Dwight MacDonald, The New Leader
There is no overarching master narrative in understanding the history of German colonialism, and over the past decade, the study of Germany’s colonial past has experienced a dramatic transformation in its scope of inquiry. Influenced by new theoretical and methodological approaches to the study of race, nationalism, and globalization, these new studies initiate a process of reevaluating and redefining the parameters within which German Colonialism is understood. The role of visual materials, in particular, is ideal for exploring the porousness of disciplinary boundaries, though visual culture studies pertaining to German history – and especially German colonialism – have previously been almost completely neglected. Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, German Colonialism, Visual Culture, and Modern Memory offers compelling evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous – and at times contradictory – cultures of colonialism. This collection of new essays illustrates the dramatic changes and vast array of perspectives that have recently emerged in the study of German colonialism. In documenting the latest cutting-edge research of German colonial history, the contributors to this volume prove wrong the persistent assumptions that the creation of Germany’s colonial empire did not have any lasting impact on German political and cultural life. Their essays document how colonialism in its various forms was entwined with the inner workings of modern German life and society, especially through the cultural and technical innovations of its time. In contrast to existing research, these studies show that colonial Germany played a significant role in shaping German perceptions of racial difference, influenced German support for World War I, and facilitated the construction of German nationalism. German Colonialism, Visual Culture, and Modern Memory uniquely demonstrates that the visual culture of colonialism is closely linked to the fascination with new modes of seeing and the enigma of visual experience that have become trademarks of modernity.