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This is an extraordinary body of photographic work that was originally published in 1972 under the title New American People. As the fall of Detroit began, as her middle class American Dreamers began moving to greener pastures, and while the Motor City's status as one of the shining stars of the industrial revolution began to fade, Detroit became a locus for the racial conflict and political upheaval that swept the country during the late 1960s. Throughout this pivotal moment, Enrico Natali was present, empathically documenting Detroit, her people and their environments, and their lives and conditions in his compelling photographs. 41 later, Natali's photographs of Detroit still resonate with hope and emotion, and indeed, have taken on an added pathos. These pictures capture the relative calm before the storm: people attending art exhibitions, sporting events, a high school prom; families posing together for portraits; secretaries smoking their afternoon cigarettes; children, parents and grandparents, workers of every stripe, machinists, waitresses, beauticians, plying their trades with what might be described in retrospect as innocence. The spirits of these nameless faces, young and old, are the ghosts that haunt what is now this bankrupt metropolis.
The 1968 World Series remains one of the most iconic in major league history. Featuring Bob Gibson in MVP form, Al Kaline, and Mickey Lolich, it was baseball at its best. Told with the vibrant first-hand perspective of Lolich himself and the expertise of award-winning Detroit journalist Tom Gage, this is the remarkable saga of that 1968 season which culminated in Tigers glory. Incorporating new reflections from players and personnel, Joy in Tigertown traces such achievements as Denny McClain's 31-win season as well as the remarkable slugging performances of Kaline, Norm Cash, Willie Horton, and Bill Freehan.
The 1968 Tigers as you've never seen them
All Our Yesterdays is the first history of the City of Detroit to be published in the last twenty-five years. It is an account based on extensive historical research, yet is written in such a style as to make interesting and enjoyable reading. The authors tell of the founding of the the town by the French, control by the British, and growth as an American city. These episodes are recounted in the words and deeds of the people who lived and worked here, men like Judge Woodward, Father Gabriel Richard, and Governor Lewis Cass. Here also are accounts of the expansion of the automobile industry, the days of the roaring twenties, prohibition, the great depression, World Wars I and II, and the city of the 1950s and 1960s. This is the story of a great city; a story of past deeds, present problems, and future hopes. But more important, this is a story by and about the people of Detroit, for it is the people that have made this city great.
They had two future Hall of Famers, the last pitcher to win thirty games, and a supporting cast of some of the most peculiar individuals ever to play in the majors. But more than that, the 1968 Detroit Tigers symbolize a lost era in baseball. It was a time before runaway salaries and designated hitters. Before divisional playoffs and drug suspensions. Before teams measured their well-being by the number of corporate boxes in their ballpark and the cable contract in their pocket. It was the last season of baseball’s most colorful and nostalgic period. It was surely not a more innocent time. The 1968 Tigers were a team of hell-raisers, the second coming of the Gas House Gang. They brawled on the field and partied hard afterward. They bickered with each other and ignored their manager. They won game after game with improbable rallies on their last at-bat and grabbed the World Championship by coming back from a three games to one deficit to beat the most dominant pitcher in the World Series history in the deciding seventh game. Their ultimate hero, Mickey Lolich, was a man who threw left-handed, thought “upside down,” and rode motorcycles to the ballpark. Their thirty-game winner, Denny McLain, played the organ in various night spots, placed bets over the clubhouse phone, and incidentally, overpowered the American League. Their prize pinch-hitter, Gates Brown, had done hard time in the Ohio Penitentiary. Their top slugger, Willie Horton, would have rather been boxing. Their centerfielder, Mickey Stanley, a top defensive outfielder, would unselfishly volunteer to play the biggest games of his life at shortstop, so that their great outfielder, Al Kaline, could get into the World Series lineup. The story of this team, their triumph, and what happened in their lives afterward, is one of the great dramas of baseball history. The Tigers of ’68 is the uproarious, stirring tale of this team, the last to win a pure pennant (before each league was divided into two divisions and playoffs were added) and World Series. Award-winning journalist George Cantor, who covered the Tigers that year for the Detroit Free Press, revisits the main performers on the team and then weaves their memories and stories (warts and all) into an absorbing narrative that revives all of the delicious—and infamous—moments that made the season unforgettable. Tommy Matchick’s magical ninth-inning home run, Jim Northrup’s record-setting grand slams, Jon Warden’s torrid April, Dick McAuliffe’s charge to the mound, Denny McLain’s gift to Mickey Mantle, the nearly unprecedented comeback in the World Series, and dozens more. The ’68 Tigers occupy a special place in the history of the city of Detroit. They’ve joined their predecessors of 1935 as an almost mythic unit—more than a baseball team. The belief has passed into Detroit folklore. Many people swear, as Willie Horton says, that they were “put here by God to save the city.” The Tigers of ’68 will help you understand why.
The story of the remarkable 1968 baseball season. “Seldom does an era, and do sports personalities, come alive so vividly, and so unforgettably.” —The Boston Globe In 1968, two remarkable pitchers would dominate the game as well as the broadsheets. One was black, the other white. Bob Gibson, together with the St. Louis Cardinals, embodied an entire generation’s hope for integration at a heated moment in American history. Denny McLain, his adversary, was a crass self-promoter who eschewed the team charter and his Detroit Tigers teammates to zip cross-country in his own plane. For one season, the nation watched as these two men and their teams swept their respective league championships to meet at the World Series. Gibson set a major league record that year with a 1.12 ERA. McLain won more than 30 games in 1968, a feat not achieved since 1934 and untouched since. Together, the two have come to stand as iconic symbols, giving the fans “The Year of the Pitcher” and changing the game. Evoking a nostalgic season and its incredible characters, this is the story of one of the great rivalries in sports and an indelible portrait of the national pastime during a turbulent year—and the two men who electrified fans from all walks of life. “Explores so much more than the battle between two pitchers and their teams . . . A fine history of a vital period in the history of not only baseball, but America.” —Kirkus Reviews “A compelling tale of all that America was in the turbulent year of 1968, told through a (mostly) baseball prism.” —New York Post
First in the award-winning soul music trilogy—featuring Motown artists Diana Ross & the Supremes, Smokey Robinson, Marvin Gaye, and others. Detroit 67 is “a dramatic account of twelve remarkable months in the Motor City” during the year that changed everything (Sunday Mail). It takes you on a turbulent journey through the drama and chaos that ripped through the city in 1967 and tore it apart in personal, political, and interracial disputes. It is the story of Motown, the breakup of the Supremes, and the damaging clashes at the heart of the most successful African American music label ever. Set against a backdrop of urban riots, escalating war in Vietnam, and police corruption, the book weaves its way through a year when soul music came of age and the underground counterculture flourished. LSD arrived in the city with hallucinogenic power, and local guitar band MC5—self-styled holy barbarians of rock—went to war with mainstream America. A summer of street-level rebellion turned Detroit into one of the most notorious cities on earth, known for its unique creativity, its unpredictability, and self-lacerating crime rates. The year 1967 ended in social meltdown, rancor, and intense legal warfare as the complex threads that held Detroit together finally unraveled. “A whole-hearted evocation of people and places,” Detroit 67 is “a tale set at a fulcrum of American social and cultural history” (Independent).
The changing fortunes of Detroit, told through the lens of the city's major sporting events, by the bestselling author of Soccernomics, and a prizewinning cultural critic From Ty Cobb and Hank Greenberg to the Bad Boys, from Joe Louis and Gordie Howe to the Malice at the Palace, City of Champions explores the history of Detroit through the stories of its most gifted athletes and most celebrated teams, linking iconic events in the history of Motown sports to the city's shifting fortunes. In an era when many teams have left rustbelt cities to relocate elsewhere, Detroit has held on to its franchises, and there is currently great hope in the revival of the city focused on its downtown sports complexes—but to whose benefit? Szymanski and Weineck show how the fate of the teams in Detroit's stadiums, gyms, and fields is echoed in the rise and fall of the car industry, political upheavals ushered in by the depression, World War II, the 1967 uprising, and its recent bankruptcy and renewal. Driven by the conviction that sports not only mirror society but also have a special power to create both community and enduring narratives that help define a city's sense of self, City of Champions is a unique history of the most American of cities.
This new South End Press edition makes available the full text of this out-of-print classic--along with a new foreword by Manning Marable, interviews with participants in DRUM, and reflections on political developments over the past threee decades by Georgakas and Surkin.