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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in. The result is a refreshing and hopeful look at museums as a cultural force, one that, by gathering together paintings, tropical birds, antiques, or even our own bodies, offers an illuminating reflection of who we are.
Published to accompany an exhibition held at the V & A, 23 September - 5 December 2004.
Lao Tzu's Tao Te Ching (The Book of the Way) is a timeless guide to the art of living. Its central figure, the Master, lives in harmony with the Tao, the irreducible essence of the universe. Surrendering to it as the Master teaches, we feel whole. Emptying ourselves of judgment and desire, we discover the universal truths within - Without wanting, we find peace; if we let go of what we love, our love becomes present. Stephen Mitchell's acclaimed translation of this age-old text has sold more than half a million copies worldwide. Here, for the first time, it is illustrated with Chinese paintings selected by Asian art expert Dr. Stephen Little. The perfect depiction of plants, animals, and birds expresses harmony with nature, the principal teaching of the Tao; the mountainous landscapes are the heavenly home of the Tao. Each brushstroke is painted with precision, just as each word of Mitchell's translation speaks with unmatched power. This inspired translation, combined with the best images in Chinese art, will ensure that the Tao Te Ching continues to exert a profound influence into the next century.
G. E. Rumphius, also known as the "Indian Pliny," was one of the great tropical naturalists of the seventeenth century. Born in Germany, he spent most of his life in the employ of the Dutch East India Company, stationed on the island of Ambon in eastern Indonesia. He wrote two major works; this one, the first modern work on tropical fauna, was published posthumously in Dutch in 1705. A classic text of natural history, it is now available in English for the first time. The descriptions in The Ambonese Curiosity Cabinet cover the gamut of organisms found in the seas surrounding Ambon--crabs, shrimp, sea urchins, mussels--as well as minerals and rare concretions taken from animals and plants. A series of exquisite etchings accompanies the descriptions. The book has been masterfully translated and extensively annotated by E. M. Beekman, whose introduction provides the first biography of Rumphius in English that incorporates new material.
Throughout, Blier pushes African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally.
The Copeland Collection of 134 Chinese and Japanese ceramic figures, perhaps the most important assemblage of its kind still in private hands, is recognized internationally for the superb quality of its many rare forms. Acquired by Mrs. Lammot du Pont Copeland over the past fifty years, each of these beautifully modeled human and animal figures testifies to the unerring eye of a premiere collector.The majority of these figures are of porcelain, produced during the late seventeenth to the late eighteenth centuries, principally for export to the West. Each individual piece displays the meticulous artistry, the marvelous enameling, and the animation and wit characteristic of this remarkably innovative period in ceramic history However modest in scale, many are important works of art.--Amazon.com.
For much of its two centuries of existence (1602 to 1799), the VOC, the Dutch East India Company was the largest trading company in the world. Although the VOC was established to operate primarily as a trading company, it soon also came to play a prominent military, diplomatic and political role on the Asian stage and eventually it laid the foundations of the Dutch colonial empire in the Indonesian Archipelago. Merchant in Asia is the first study to pay attention to the full breadth and width of the VOC commercial activities in Asia. It looks at the company from the peak of its fame until its final decline at the end of the eighteenth century. The study focuses on the main trade goods - spices, Indian textiles, Chinese tea and Javanese coffee - and their specific by-products. Els Jacobs has analyzed in detail the VOC trade in fifteen of the most important commodities that together made up 85% of the total turnover. This innovative study is based on extensive research of the VOC archives and many other Dutch sources, as well as a detailed quantitative analysis of the VOC bookkeeping records. In the study the author sketches in vivid detail how the merchants of the VOC sold, bought, and even supervised the production of tropical products and how they dealt with Asian suppliers and consumers. In addition, she looks at the range of problems the merchants encountered in the maritime trade from Yemen and Persia in the West to China and Japan in the East, including India, Ceylon, Malacca, and the Indonesian Archipelago.