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The final poems of this important Spanish poet.
In the years following World War I, the “international” emerged as a distinct scale of political and cultural focus. Internationalisms proliferated in kind as writers and thinkers sought to imagine modes of cooperation that would balance transnational solidarities with national sovereignty. While so-called political realists across the twentieth century have regarded such attempts as wishful thinking, Aarthi Vadde argues that the negotiation of wishing and thinking is at the very heart of internationalism. In Chimeras of Form, she shows why modernist literary form is essential to understanding the aspirational and analytical force of internationalism in and beyond Europe. Major writers such as Rabindranath Tagore, James Joyce, Claude McKay, George Lamming, Michael Ondaatje, and Zadie Smith use modernist strategies to reshape how readers think about the cohesion and interrelation of political communities in the wake of empire. Vadde lucidly explains how their formal experiments with the novel, short story, poetry, and political essay contribute to and sometimes even anticipate debates in postcolonial theory and cosmopolitanism. She reads Joyce’s use of asymmetrical narratives as a way to ask questions about international camaraderie, and demonstrates how the “plotless” works of McKay and Lamming upturn ideas of citizenship and diasporic alienation. Her analysis of twenty-first-century writers Smith and Shailja Patel shows how ongoing conflicts around migration, displacement, and global economic inequality link modernist, postcolonial, and contemporary traditions of literature. Vadde brings these traditions together to reveal the dual nature of internationalism as an ambition, possibly a chimeric one, and an actual political discourse vital to understanding our present moment.
Biographical, bibliographical, and critical information on more than four hundred authors who have figured prominently in gay and lesbian literature and culture since 1900.
Born in Seville in 1902, Luis Cernuda was part of what came to be known in Spain as the Generation of 1927, which included Garcia Lorca, Rafael Alberti, and Vicente Aleixandre. Of these poets, Cernuda was the most cosmopolitan, totally familiar with European and American literary traditions. It was he who introduced the work of more recent English and American poets into Spanish poetry.
’Mystical theology’ has developed through a range of meanings, from the hidden dimensions of divine significance in the community’s interpretation of its scriptures to the much later ’science’ of the soul’s ascent into communion with God. The thinkers and questions addressed in this book draws us into the heart of a complicated, beautiful, and often tantalisingly unfinished conversation, continuing over centuries and often brushing allusively into parallel concerns in other religions. Raising fundamental matters of epistemology, representation, metaphysics, and divine reality, contributors approach the mystical from postmodern, feminist, sociological and historical perspectives through thinkers such as Meister Eckhart, Thomas Aquinas, Catherine of Siena, Ignatius of Loyola, William James, Evelyn Underhill, Ernst Troeltsch, Rudolf Otto, Jacques Derrida, Jean-Luc Marion and Jean-Louis Chrétien. Medieval and early modern radical prophetic approaches are also explored. This book includes new essays by Sarah Apetrei, Tina Beattie, Raphel Cadenhead, Oliver Davies, Philip Endean, Brian FitzGerald, Ann Loades, George Pattison, Simon D. Podmore, Joel D.S. Rasmussen, and Johannes Zachhuber.
A Critical, comprehensive and entertaining account of modern world literature for students, teachers, librarians and writers.
The power of Eros, the enduring beauty of art, a love-hate nostalgia for his Argentine homeland, the bonds of friendship and the tragic folly of politics are some of the themes of Save Twilight. Informed by his immersion in world literature, music, art, and history, and most of his own emotional geography, Cortazar's poetry traces his paradoxical evolution from provincial Argentinean sophisticate to cosmopolitan Parisian Romantic, always maintaining the sense of astonishment of an artist surprised by life.
The Guide to Modern World Literature is a reference book by Martin Seymour-Smith that aims to describe every important 20th-century author (as of 1985), in all languages, in an encyclopedic presentation. The book covers an estimated 2,700 authors and more than 7,500 titles. It contains a total of 33 chapters that treat all modern national literatures individually or in groups. African and Caribbean literature is treated collectively; so are the Baltic, French and Belgian, Indian and Pakistani, Jewish, Latin American, Scandinavian, and both Eastern and Western Minor Literatures. A chapter each is given to American, Arabic, Australian, British, Bulgarian, Canadian, Chinese, Czechoslovakian, Dutch, Finnish, German, Greek, Hungarian, Italian, Japanese, New Zealand, Polish, Portuguese, Romanian, Russian, South African, Spanish, Turkish, and Yugoslavian Literature.