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Perhaps no declaration incites more theological and moral outrage than a human's claim to be divine. Those who make this claim in ancient Jewish and Christian mythology are typically represented as the most hubristic and dangerous tyrants. Their horrible punishments are predictable and still serve as morality tales in religious communities today. But not all self-deifiers are saddled with pride and fated to fall. Some who claimed divinity stated a simple and direct truth. Though reviled on earth, misunderstood, and even killed, they received vindication and rose to the stars. This book tells the stories of six self-deifiers in their historical, social, and ideological contexts. In the history of interpretation, the initial three figures have been demonized as cosmic rebels: the first human Adam, Lucifer (later identified with Satan), and Yaldabaoth in gnostic mythology. By contrast, the final three have served as positive models for deification and divine favor: Jesus in the gospel of John, Simon of Samaria, and Allogenes in the Nag Hammadi library. In the end, the line separating demonization from deification is dangerously thin, drawn as it is by the unsteady hand of human valuation.
Perhaps no declaration incites more outrage than a human's claim to be God. Those who make this claim in ancient Jewish and Christian mythology are typically either demonized or deified. Yet the line separating demonization from deification is dangerously thin, and drawn by the unsteady hand of human values. Desiring Divinity tells the stories of six self-deifiers in their historical, social, and ideological contexts.
Malls, stadiums, and universities are actually liturgical structures that influence and shape our thoughts and affections. Humans--as Augustine noted--are "desiring agents," full of longings and passions; in brief, we are what we love. James K. A. Smith focuses on the themes of liturgy and desire in Desiring the Kingdom, the first book in what will be a three-volume set on the theology of culture. He redirects our yearnings to focus on the greatest good: God. Ultimately, Smith seeks to re-vision education through the process and practice of worship. Students of philosophy, theology, worldview, and culture will welcome Desiring the Kingdom, as will those involved in ministry and other interested readers.
In this groundbreaking study, Gary M. Ciuba examines how four of the South's most probing writers of twentieth-century fiction -- Katherine Anne Porter, Flannery O'Connor, Cormac McCarthy, and Walker Percy -- expose the roots of violence in southern culture. Ciuba draws on the paradigm of mimetic violence developed by cultural and literary critic René Girard, who maintains that individual human nature is shaped by the desire to imitate a model. Mimetic desire may lead in turn to rivalry, cruelty, and ultimately community-sanctioned -- and sometimes ritually sanctified -- victimization of those deemed outcasts. Ciuba offers an impressively broad intellectual discussion that gives universal cultural meaning to the southern experience of desire, violence, and divinity with which these four authors wrestled and out of which they wrote. In a comprehensive analysis of Porter's semiautobiographical Miranda stories, Ciuba focuses on the prescribed role of women that Miranda imitates and ultimately escapes. O'Connor's The Violent Bear It Away reveals three characters whose scandalous animosity caused by religious rivalry leads to the unbearable stumbling block of violence. McCarthy's protagonist in Child of God, Lester Ballard, appears as the culmination of a long tradition of the sacred violence of southern religion, twisted into his own bloody faith. And Percy's The Thanatos Syndrome brings Ciuba's discussion back to the victim, in Tom Moore's renunciation of a society in which scapegoating threatens to become the foundation of a new social regime. From nostalgia for the old order to visions of a utopian tomorrow, these authors have imagined the interrelationship of desire, antagonism, and religion throughout southern history. Ciuba's insights offer new ways of reading Porter, O'Connor, McCarthy, and Percy as well as their contemporaries who inhabited the same culture of violence -- violence desired, dreaded, denied, and deified.
In this provocative, intelligent, and highly original addition to the Anchor Yale Bible Reference Library, Susan R. Garrett argues that angel talk has never been merely about angels. Rather, from ancient times until the present, talk about angels has served as a vehicle for reflection on other fundamental life questions, including the nature of God's presence and intervention in the world, the existence and meaning of evil, and the fate of humans after death. In No Ordinary Angel, Garrett examines how biblical and other ancient authors addressed such questions through their portrayals of angels. She compares the ancient angel talk to popular depictions of angels today and considers how the ancient and modern portraits of angels relate to Christian claims about Jesus. No Ordinary Angel offers important insights into the development of angelology, the origins of Christology, and popular Western spirituality ranging from fundamentalist to New Age. In doing so, it provokes stimulating theological reflection on key existential questions.
In this groundbreaking study, Kathaleen E. Amende explores the works and lives of late-twentieth-century southern women writers to show how conservative Christian ideals of femininity shaped notions of religion, sexuality, and power in the South. Drawing from the work of authors such as Rosemary Daniell and Connie May Fowler, whose characters -- like the authors themselves -- grow up believing that Jesus should be a girl's first "boyfriend," Amende demonstrates many ways in which these writers commingled the sexual and the sacred. Amende also looks at the writings of Lee Smith, Sheri Reynolds, Dorothy Allison, and Valerie Martin to discuss how southern women authors and their characters grappled with opposing cultural expectations. Often in their work, characters mingle spiritual devotion and carnal love, allowing for salvation despite rejecting traditional roles or behaviors. In Martin's A Recent Martyr, novitiate Claire disavows southern norms of femininity -- courtship, marriage, and motherhood -- but submits to Jesus as she would to a husband. Teenage protagonist Ninah Huff in Reynolds's Rapture of Canaan imagines that her out-of-wedlock child is the offspring of Christ because of her conviction that Jesus was present during conception. Grounded in cultural and gender studies and informed by historical, religious, and devotional literature, Amende's timely and accessible book demonstrates the tenuous divide between feminine sexuality and Christianity in a southern context.
This is the first study to examine desire in the Iliad in a comprehensive way, and to explain its relationship to the epic's narrative structure and audience reception. Rachel H. Lesser offers a new reading of the poem that shows how the characters' desires, especially those of the mortal hero Achilleus and the divine king Zeus, motivate plot and keep the audience engaged with the epic until and even beyond its end. The author argues that the characters' desires are primarily organized in narrative triangles that feature two parties in conflict over a third. A variety of desires animate these triangles, including sexual passion, longing for a lost loved one, yearning for lamentation, and aggressive desires for vengeance and status, and they are signified with terms such as eros, himeros, pothe, menos, thumos, boule, and eeldor, as well as through the epic's thematic emotions of grief and anger. Desire in the Iliad shows how the mortals' and gods' triangular desires together d and shape two Iliadic plots, the main plot of Achilleus' withdrawal from the fighting and then return to battle, and the "superplot" of the larger Trojan War story. The author also argues that these plots and their motivating desires arouse the listener's-or reader's-own corresponding desires: narrative desire to know and understand the Iliad's full story, sympathetic desire for characters' welfare, and empathetic passions, longings, and wishes. Our desires invest us in the epic narrative and their resolution brings us satisfaction.
God has provided a way for all people, not just scholars, to know that the Bible is the Word of God. John Piper has devoted his life to showing us that the glory of God is object of the soul’s happiness. Now, his burden in this book is to demonstrate that this same glory is the ground of the mind’s certainty. God’s peculiar glory shines through his Word. The Spirit of God enlightens the eyes of our hearts. And in one self-authenticating sight, our minds are sure and our hearts are satisfied. Justified certainty and solid joy meet in the peculiar glory of God.
The goal of human life, according to Plato, Aristotle, and the Bible, is to become as much like god as possible. This book, written in vivid and lucid English, illuminates Greek philosophy by showing how it grows out of ancient Greek religion and how it compares to biblical religion.