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The rapid output of new flat pattern designs, facilitated by slopers, is a useful skill for any fashion designer. This classic reference provides a detailed introduction to the use of the flat pattern as a means of developing original ideas effectively and efficiently. It presents thoroughly the use of the three basic slopers - waist, sleeve and skirt - and some popular variations of these such as the kimono waist, raglan sleeves and pants. A companion text to How to Draft Basic Patterns (4th Edition), the book provides a number of applications for each sloper variation to supply variety and sufficient practice.
Twelve 2D patterns inserted in back pocket.
The Flat Pattern Method teaches you to customize your clothes with new pattern shapes, style lines, and details with step-by-step instructions!
This classic pattern making text provides clear and detailed instructions for creating dresses and their components - from skirts and bodices to sleeves and collars.
Computerized pattern making skills are mandatory in today¿s apparel industry. Computer Aided Flat Pattern: The Apparel Designer¿s Handbook provides clear, step-by-step instructions for creating patterns for a wide range of styles¿including patterns for bodices, dresses, jackets, skirts, pants, sleeves, collars, and pockets. This book is appropriate for new students as well as design professionals who need to develop or enhance computerized flat pattern skills. Digital Flat Pattern includes fully functioning CAD software and example files for completing all styles illustrated in the book. The exercises illustrated in the book can also be completed in the PatternMaster Pattern Editor and Cameo Pattern Design module.
This text offers a complete picture of the process of individual garment construction following the exact techniques used in the industry. The unique feature of this book is its presentation of each garment as a whole concept. With numerous diagrams and easy-to-follow instructions, students master the principles of design and flat pattern to create an individual item of apparel. Each chapter begins with the introduction of a basic sloper and follows with an explanation of the whole production process-making a garment from pattern drafting to garment construction, including lining, interfacing and markers. The balance of each chapter covers techniques for altering separate pattern pieces.
Fashion designers are presented with a range of methods and concepts for pattern cutting are presented, the main body of these methods, both traditional and contemporary, is predominately based on a theoretical approximation of the body that is derived from horizontal and vertical measurements of the body in an upright position: the tailoring matrix. As a consequence, there is a lack of interactive and dynamic qualities in methods connected to this paradigm of garment construction, from both expressional and functional perspectives. This work proposes and explores an alternative paradigm for pattern cutting that includes a new theoretical approximation of the body as well as a more kinetic method for garment construction that, unlike the prevalent theory and its related methods, takes as its point of origin the interaction between the anisotropic fabric and the biomechanical structure of the body. As such, the research conducted here is basic research, aiming to identify fundamental principles for garment construction. Based on some key principles found in the works of Geneviève Sevin-Doering and in pre-tailoring methods for constructing garments, the proposed theory for – and method of – garment construction was developed through concrete experiments by cutting and draping fabrics on live models. Instead of a static matrix of a non-moving body, the result is a kinetic construction theory of the body that is comprised of balance directions and key biomechanical points, along with an alternative draping method for dressmaking. This methodology challenges the fundamental relationship between dress, garment construction, and the body, working from the body outward, as opposed to the methods that are based on the prevalent paradigm of the tailoring matrix, which work from the outside toward the body. This alternative theory for understanding the body and the proposed method of working allows for diverse expressions and enhanced functional possibilities in dress.