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Scholarship has sought to explain design primarily as developments and trends by understanding the influential ideas of a period. These processes are resourceful to the analysis, however they don't explain why people become attached to design and cultivate it in time. For this purpose we must also gain understanding of collective cognitive processes and the meaning of design to people.The study traces the development of respective design observed first in ancient structures, and then in interiors and artefacts that are associated to architecture by design. Design form migrates usually from technology to material culture (i.e. from buildings to interiors and crafts), though this direction is not fixed in creativity. Sometimes this pattern is not followed, and arches, pilasters, tower crenellations and pediments appear in historic costume. Technology holds implications for visual culture, thus this study also looks at the inspiration in mechanical instruments observed in XXI century design.As the book unfolds a cultural phenomenon emerges. Architectural evocations in other crafts reflect that the public has its own dialogue with design. The attachments and responses of the public to design are many times a phenomenon worthy of being analyzed. The book gives out interesting findings about the mind and how it transforms design. It also exemplifies a new methodology for the observation of collective responses to design.
Intuition By Design is an instrument for harmonizing within the individual the highest frequencies of both intuition and intellect. This unique blend of spontaneous insight and linear thought has been called the "intelligence of the Heart". Such applied wisdom brings the clarity of true inner knowing to bear upon all of your daily activities. This work introduces the Intuition Quotient Cards -- an adaptation of ancient geometric technology that has been updated for contemporary use. Each card carries a geometric pattern which generates a specific energy field on one side, and corresponding written verse on the other.
Named A Best Book of the Year by World Magazine Throughout his distinguished and unconventional career, engineer-turned-molecular-biologist Douglas Axe has been asking the questions that much of the scientific community would rather silence. Now, he presents his conclusions in this brave and pioneering book. Axe argues that the key to understanding our origin is the “design intuition”—the innate belief held by all humans that tasks we would need knowledge to accomplish can only be accomplished by someone who has that knowledge. For the ingenious task of inventing life, this knower can only be God. Starting with the hallowed halls of academic science, Axe dismantles the widespread belief that Darwin’s theory of evolution is indisputably true, showing instead that a gaping hole has been at its center from the beginning. He then explains in plain English the science that proves our design intuition scientifically valid. Lastly, he uses everyday experience to empower ordinary people to defend their design intuition, giving them the confidence and courage to explain why it has to be true and the vision to imagine what biology will become when people stand up for this truth. Armed with that confidence, readers will affirm what once seemed obvious to all of us—that living creatures, from single-celled cyanobacteria to orca whales and human beings, are brilliantly conceived, utterly beyond the reach of accident. Our intuition was right all along.
One of the world's leading philosophers offers aspiring thinkers his personal trove of mind-stretching thought experiments. Includes 77 of Dennett's most successful "imagination-extenders and focus-holders.O
Designers rarely question design but there are many non-designers ready to question the practice for them. Shifting design towards a statement of social critique, a practice for measurement or as an externalised design discourse. But these incursions from beyond the designer's intuition have no substantial connection to design. They are mostly agenda driven gambits seeking affirmation, credibility and relevance. In this essay Palmer outlines a more precise definition of design that should resonate with all designers and position the practice as an expression of our fundamental sense of being human.
Intuitive Analog Circuit Design outlines ways of thinking about analog circuits and systems that let you develop a feel for what a good, working analog circuit design should be. This book reflects author Marc Thompson's 30 years of experience designing analog and power electronics circuits and teaching graduate-level analog circuit design, and is the ideal reference for anyone who needs a straightforward introduction to the subject. In this book, Dr. Thompson describes intuitive and "back-of-the-envelope" techniques for designing and analyzing analog circuits, including transistor amplifiers (CMOS, JFET, and bipolar), transistor switching, noise in analog circuits, thermal circuit design, magnetic circuit design, and control systems. The application of some simple rules of thumb and design techniques is the first step in developing an intuitive understanding of the behavior of complex electrical systems. Introducing analog circuit design with a minimum of mathematics, this book uses numerous real-world examples to help you make the transition to analog design. The second edition is an ideal introductory text for anyone new to the area of analog circuit design. LTSPICE files and PowerPoint files available online to assist readers and instructors in simulating circuits found in the text Design examples are used throughout the text, along with end-of-chapter examples Covers real-world parasitic elements in circuit design and their effects
For true hands-on builders and armchair architects--a fully illustrated guidebook to every aspect of planning, designing, and constructing a home, written by the visionary co-founder of the Yestermorrow Design/Building School. Includes questionnaires that help readers identify "sequences" of their lives. Illustrated.
In this updated edition of best-selling Intuitive Color & Design, Jean's workshop assignments get your creative juices flowing, giving you challenges to expand your quilting horizons. Start by learning to see line and color; study the nuts and bolts of design; develop your color work and composition; and when you get stuck, there's expert advice on problem solving. Design and piece spectacular, free-form quilts you'd never have guessed you could create!
From posters to cars, design is everywhere. While we often discuss the aesthetics of design, we don't always dig deeper to unearth the ways design can overtly, and covertly, convince us of a certain way of thinking. How Design Makes Us Think collects hundreds of examples across graphic design, product design, industrial design, and architecture to illustrate how design can inspire, provoke, amuse, anger, or reassure us. Graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. The book delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, advertisers, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.
This book explores recent research in intuitive interaction worldwide by a range of leading academics and practitioners in the field. It builds on past work as it ventures into new areas, such as how users perceive intuitiveness of an interface, how people experience intuitive interaction subjectively, and how we can use such understanding to design more engaging experiences. The book addresses how intuitive interaction is understood in different academic disciplines and how it has been researched in various parts of the world over the last 18 years. It covers how intuitive interaction can be applied in different contexts, like large scale urban installations, the developing world, in older populations, and in various industry applications. Features: Presents varied approaches to intuitive interaction research and application Illustrates how to understand and apply intuitive interaction to interfaces Provides a mix of academic and industry perspectives Explores a variety of contexts for application of intuitive interaction Encompasses design, IT, business, and psychological approaches