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Both a primer on visual language and a visual dictionary of the fundamental aspects of graphic design, this text deals with every imaginable visual concept, making it an indispensable reference for beginners and seasoned visual thinkers alike.
This volume presents the latest research in linguistic modules and interfaces in Lexical-Functional Grammar. It draws on data from a range of typologically diverse languages, including Arabic, Icelandic, Kelabit, Polish, and Urdu, and will be of interest to all those working on linguistic interfaces from a variety of theoretical standpoints.
The bestselling workbook and grammar guide, revised and updated! Hailed as one of the best books around for teaching grammar, The Blue Book of Grammar and Punctuation includes easy-to-understand rules, abundant examples, dozens of reproducible quizzes, and pre- and post-tests to help teach grammar to middle and high schoolers, college students, ESL students, homeschoolers, and more. This concise, entertaining workbook makes learning English grammar and usage simple and fun. This updated 12th edition reflects the latest updates to English usage and grammar, and includes answers to all reproducible quizzes to facilitate self-assessment and learning. Clear and concise, with easy-to-follow explanations, offering "just the facts" on English grammar, punctuation, and usage Fully updated to reflect the latest rules, along with even more quizzes and pre- and post-tests to help teach grammar Ideal for students from seventh grade through adulthood in the US and abroad For anyone who wants to understand the major rules and subtle guidelines of English grammar and usage, The Blue Book of Grammar and Punctuation offers comprehensive, straightforward instruction.
Construction Grammar is enthusiastically embraced by a growing group of linguists who find it a natural way to formulate their analyses. But so far there is no widespread formalization of construction grammar with a solid computational implementation. Fluid Construction Grammar attempts to fill this gap. It is a fully operational computational framework capturing many key concepts in construction grammar. The present book is the first extensive publication describing this framework. In addition to general introductions, it gives a number of concrete examples through a series of linguistically challenging case studies, including phrase structure, case grammar, and modality. The book is suited both for linguists who want to know what Fluid Construction Grammar looks like and for computational linguists who may want to use this computational framework for their own experiments or applications.
Written for statisticians, computer scientists, geographers, research and applied scientists, and others interested in visualizing data, this book presents a unique foundation for producing almost every quantitative graphic found in scientific journals, newspapers, statistical packages, and data visualization systems. It was designed for a distributed computing environment, with special attention given to conserving computer code and system resources. While the tangible result of this work is a Java production graphics library, the text focuses on the deep structures involved in producing quantitative graphics from data. It investigates the rules that underlie pie charts, bar charts, scatterplots, function plots, maps, mosaics, and radar charts. These rules are abstracted from the work of Bertin, Cleveland, Kosslyn, MacEachren, Pinker, Tufte, Tukey, Tobler, and other theorists of quantitative graphics.
Reading Images provides the first systematic and comprehensive account of the grammar of visual design. By looking at the formal elements and structures of design the authors examine the ways in which images communicate meaning.
This volume presents the latest research in linguistic modules and interfaces in Lexical-Functional Grammar (LFG). LFG has a highly modular design that models the linguistic system as a set of discreet submodules that include, among others, constituent structure, functional structure, argument structure, semantic structure, and prosodic structure; each module has its own coherent properties and is related to other modules by correspondence functions. Following a detailed introduction, Part I examines the nature of linguistic structures, interfaces, and representations in LFG's architecture and ontology. Parts II and III are concerned with problems, analyses, and generalizations associated with linguistic phenomena of long-standing theoretical significance, including agreement, reciprocals, possessives, reflexives, raising, subjecthood, and relativization, demonstrating how these phenomena can be naturally accounted for within LFG's modular architecture. Part IV explores issues of the synchronic and diachronic dynamics of syntactic categories in grammar, such as unlike category coordination, fuzzy categorial edges, and consequences of decategorialization, providing explicit LFG solutions to such problems, including those resulting from language change in progress. The final part re-examines and refines the precise representations and interfaces of syntax with morphology, semantics, and pragmatics to account for challenging facts such as suspended affixation, prosody in multiple question word interrogatives and information structure, anaphoric dependencies, and idioms. The volume draws on data from a range of typologically diverse languages, including Arabic, Chinese, Icelandic, Kelabit, Polish, and Urdu, and will be of interest not only to those working in LFG and related frameworks, but to all those working on linguistic interfaces from a variety of theoretical standpoints.
Ornaments are omnipresent ? they can be found on buildings, fabrics, jewelry, tiles, ceramics and wallpaper. Scorned at the beginning of the modern age, ornament has long since returned to architecture and influences design drafts as much as tattoo motifs.00In New Grammar of Ornaments, Thomas Weil compares current ornamental objects with the results of archaeological research on ornamental artifacts and concludes that there is an anthropological constant. From the recurring arrangements of stripes, rectangles, triangles and dots and the frequency of the forms of floral ornaments used, he derives a new ?grammar of ornament.?00More than 160 years after Owen Jones' influential publication, New Grammar of Ornaments is a new standard work. It categorizes the variety of ornamental forms used worldwide and for the first time places them in a major art and cultural-historical context.