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Discusses how the Mexican immigrants and their descendants have contributed to America's past, present, and future
In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.
This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.
***2019 NATIONAL BOOK AWARD FINALIST*** Winner of the Arab American Book Award in Fiction Finalist for the Kirkus Prize in Fiction Finalist for the California Book Award Longlisted for the Aspen Words Literary Prize A Los Angeles Times bestseller Named a Best Book of the Year by The Washington Post, Time, NPR, Minneapolis Star Tribune, Dallas Morning News, The Guardian, Variety, and Kirkus Reviews Late one spring night in California, Driss Guerraoui—father, husband, business owner, Moroccan immigrant—is hit and killed by a speeding car. The aftermath of his death brings together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer returning to the small town in the Mojave she thought she'd left for good; her mother, Maryam, who still pines for her life in the old country; Efraín, an undocumented witness whose fear of deportation prevents him from coming forward; Jeremy, an old friend of Nora’s and an Iraqi War veteran; Coleman, a detective who is slowly discovering her son’s secrets; Anderson, a neighbor trying to reconnect with his family; and the murdered man himself. As the characters—deeply divided by race, religion, and class—tell their stories, each in their own voice, connections among them emerge. Driss’s family confronts its secrets, a town faces its hypocrisies, and love—messy and unpredictable—is born. Timely, riveting, and unforgettable, The Other Americans is at once a family saga, a murder mystery, and a love story informed by the treacherous fault lines of American culture.
It is America’s killing field, and the deaths keep mounting. As the political debate has intensified and demonstrators have taken to the streets, more and more illegal border-crossers die trying to cross the desert on their way to what they hope will be a better life. The Arizona border is the deadliest immigrant trail in America today. For the strong and the lucky, the trail ends at a pick-up on an Interstate highway. For far too many others, it ends terribly—too often violently—not far from where they began. Dead in Their Tracks is a first hand account of the perils associated with crossing the desert on foot. John Annerino recounts his experience making that trek with four illegal immigrants—and his return trips to document the struggles of those who persist in this treacherous journey. In this spellbinding narrative, he takes readers into the “empty quarter” of the Southwest to meet the migrant workers and drug runners, the ranchers and Border Patrol agents, who populate today’s headlines. Other writers have documented the deaths; few have invited readers to share the experience as Annerino does. His feel for the land and his knowledge of surviving in the wilderness combine to make his account every bit as harrowing as it is for the people who risk it every day, and in increasing numbers. Each book includes an In Memorium card recognizing an immigrant, refugee, border agent, local, or humanitarian who has died in America's borderlands." The desert may seem changeless, but there are more bodies now, and Annerino has revised his original text to record some of the compelling stories that have come to light since the book’s first publication and has updated the photographs and written a new introduction and afterword. Dead in Their Tracks is now more timely than ever—and essential reading for the ongoing debate over illegal immigration. For information on First Serial Rights, Book Club, Film, Television, & Options, visit the Author's Web site.
UNDOCUMENTS is an expansive multi-genre exploration of Greater Mexican documentality that reveals the complicated ways all Latinx peoples, including the author, become objectified within cultures. John-Michael Rivera remixes the Florentine Codex and other documents as he takes an intense look at the anxieties and physical detriments tied to immigration.
Over the past ten years, more than 4,000 people have died while crossing the Arizona desert to find jobs, join families, or start new lives. Other migrants tell of the corpses they pass—bodies that are never recovered or counted. Crossing With the Virgin collects stories heard from migrants about these treacherous treks—firsthand accounts told to volunteers for the Samaritans, a humanitarian group that seeks to prevent such unnecessary deaths by providing these travelers with medical aid, water, and food. Other books have dealt with border crossing; this is the first to share stories of immigrant suffering at its worst told by migrants encountered on desert trails. The Samaritans write about their encounters to show what takes place on a daily basis along the border: confrontations with Border Patrol agents at checkpoints reminiscent of wartime; children who die in their parents’ desperate bid to reunite families; migrants terrorized by bandits; and hovering ghost-like above nearly every crossing, the ever-present threat of death. These thirty-nine stories are about the migrants, but they also tell how each individual author became involved with this work. As such, they offer not only a window into the migrants’ plight but also a look at the challenges faced by volunteers in sometimes compromising situations—and at their own humanizing process. Crossing With the Virgin raises important questions about underlying assumptions and basic operations of border enforcement, helping readers see past political positions to view migrants as human beings. It will touch your heart as surely as it reassures you that there are people who still care about their fellow man.
Since the arrival of the Puritans, various religious groups, including Quakers, Jews, Catholics, and Protestant sects, have migrated to the United States. The role of religion in motivating their migration and shaping their settlement experiences has been well documented. What has not been recorded is the contemporary story of how migrants from Mexico and Central America rely on religionÑtheir clergy, faith, cultural expressions, and everyday religious practicesÑto endure the undocumented journey. At a time when anti-immigrant feeling is rising among the American public and when immigration is often cast in economic or deviant terms, Migration Miracle humanizes the controversy by exploring the harsh realities of the migrantsÕ desperate journeys. Drawing on over 300 interviews with men, women, and children, Jacqueline Hagan focuses on an unexplored dimension of the migration undertakingÑthe role of religion and faith in surviving the journey. Each year hundreds of thousands of migrants risk their lives to cross the border into the United States, yet until now, few scholars have sought migrantsÕ own accounts of their experiences.
The Border and Its Bodies examines the impact of migration from Central America and México to the United States on the most basic social unit possible: the human body. It explores the terrible toll migration takes on the bodies of migrants—those who cross the border and those who die along the way—and discusses the treatment of those bodies after their remains are discovered in the desert. The increasingly militarized U.S.-México border is an intensely physical place, affecting the bodies of all who encounter it. The essays in this volume explore how crossing becomes embodied in individuals, how that embodiment transcends the crossing of the line, and how it varies depending on subject positions and identity categories, especially race, class, and citizenship. Timely and wide-ranging, this book brings into focus the traumatic and real impact the border can have on those who attempt to cross it, and it offers new perspectives on the effects for rural communities and ranchers. An intimate and profoundly human look at migration, The Border and Its Bodies reminds us of the elemental fact that the border touches us all.
Desert Roots is the true story of the author's parents who, after being self-imposed exiles from their native Iran for 33 years, decided to leave the United States and return to their homeland. In this family biography, Shavarini explores the issues that brought them to America-and eventually drew them back home again. The experiences of her family will help readers understand the struggles many Iranians-those living in Iran and abroad-have faced. Threaded throughout the story are universal themes that connect readers to the many characters within: a mother trying to raise her children in a new country, a father disappointed in what life ultimately has in store for him, immigrant children ashamed of their roots, and proud nationalist ancestors. Themes of loss, regret, and tragedy, as well as perseverance and resilience, are part of this book's broader narrative.