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Desert Borderland investigates the historical processes that transformed political identity in the easternmost reaches of the Sahara Desert in the half century before World War I. Adopting a view from the margins—illuminating the little-known history of the Egyptian–Libyan borderland—the book challenges prevailing notions of how Egypt and Libya were constituted as modern territorial nation-states. Matthew H. Ellis draws on a wide array of archival sources to reconstruct the multiple layers and meanings of territoriality in this desert borderland. Throughout the decades, a heightened awareness of the existence of distinctive Egyptian and Ottoman Libyan territorial spheres began to develop despite any clear-cut boundary markers or cartographic evidence. National territoriality was not simply imposed on Egypt's western—or Ottoman Libya's eastern—domains by centralizing state power. Rather, it developed only through a complex and multilayered process of negotiation with local groups motivated by their own local conceptions of space, sovereignty, and political belonging. By the early twentieth century, distinctive "Egyptian" and "Libyan" territorial domains emerged—what would ultimately become the modern nation-states of Egypt and Libya.
Taylor brings an ethnographer’s eye, ear, and many years of experience to this fictional portrait of life along the US/Mexico desert border. In these linked short stories, readers are taken on a wild ride from San Diego to Nogales, into Mexican and Chicano neighborhoods, failed spas and defunct mining towns, rambling Native American reservations and besieged Wildlife Refuges. Along the way they will share the conflicts, calamities, and occasional triumph of an engaging cast of characters. While these tales treat such familiar border themes as drug- and people-smuggling or hybrid and conflicting cultures and identities, they do so with a literary flair that revels in the rich diversity of border life as well as in its ambiguity, ambivalence, irony and often unexpected humor.
In this engaging personal narrative, biologist Fred Gehlbach describes the stability and changes of the past century in the Borderlands' climate, landforms, and natural communities and in its distinctive plants and vertebrates.
The Devil’s Highway crosses a stretch of borderland desert in northern Mexico where many immigrants have traveled—and too many have died. It is a despoblado where desperate people defend secret places. But it is also known as El Gran Desierto—a place where stately saguaros stand near aromatic elephant trees, where sand dunes caress the edges of jagged granite mountains, where one can watch bighorn sheep in the morning and whales in the afternoon. Over the years, desert rat Bill Broyles has ventured repeatedly into this sunshot landscape, slogged across its salt flats and sand dunes, and defied its deadly heat. This book chronicles his years of exploration, a vivid and personal introduction to a thorny but ultimately enchanting place that manages to endear itself over time, if it doesn’t kill you first. Michael Berman’s stark black-and-white photographs capture the desolate beauty of the desert while conveying a sense of Broyles’ adventures. Gleaned from more than 4,000 images shot with a large-format camera, these exquisite photographs translate the desert’s formidable monotone into finely tuned studies of light and represent some of the best photos ever taken of this mysterious region. El Gran Desierto is a grand desert indeed, with beauty, spirit, and mystery rivaling any place on Earth, and anyone captivated by the earlier explorations of Lumholtz, Ives, or Hornaday—or by Edward Abbey’s love of desert places—will revel in these modern-day adventures. Sunshot defies the stereotype of a punishing wilderness to show how even the most perilous desert can be alluring if approached with knowledge and respect.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
From the Pinacate lava fields and expansive dunes to the shores of the Gulf of California, the Gran Desierto is one of the hottest and driest places in the Western Hemisphere. Yet this region in the state of Sonora in northwestern Mexico embraces a remarkable number of habitats with a fascinating and surprisingly rich flora. This is the heart of the Sonoran Desert, still in a largely primordial state, in juxtaposition with the ravished wetlands of the once great Río Colorado. Flora of the Gran Desierto is the culmination of more than twenty-five years of research in this magnificent desert and delta by botanist Richard Felger. This comprehensive floristic study of more than 565 species of vascular plants features original diagnostic descriptions and innovative identification keys to the families, genera, and species. Particular attention has been devoted to taxa that are poorly known. Even weeds and their histories are treated in detail. Hundreds of illustrations by such eminent botanical artists as Lucretia Brezeale Hamilton, Matt Johnson, and Bobbi Angell will aid in the identification of plants. Common names of plants are given in English, Spanish, and O'odham. While emphasizing scientific accuracy, the book is written in an accessible style. Felger's observations and knowledge of plant ecology, geographic distribution, evolution, ethnobotany, plant variation and special adaptations, and the history of the region provides botanists, naturalists, ecologists, conservationists, and anyone else celebrating the desert with readable, interesting, and important information. With two of Mexico's newest biosphere reserves—the Pinacate and the Upper Gulf of California—this region is a keystone for desert conservation efforts. Its location linking vast preserves to the north makes this book especially useful for anyone interested in borderland studies and the Sonoran Desert. Flora of the Gran Desierto represents a most creative, definitive, and enthusiastic treatment of Sonoran Desert plant life and is highly relevant to ecological restoration in deserts and wetlands in arid places worldwide.
“A complex and fascinating portrait of Israel . . . .an engaging book that combines anthropology, culture, and history.” —Anita Shapira, author of Ben-Gurion: Father of Modern Israel At once an ecological phenomenon and a cultural construction, the desert has varied associations within Zionist and Israeli culture. In the Judaic textual tradition, it evokes exile and punishment, yet is also a site for origin myths, the divine presence, and sanctity. Secular Zionism developed its own spin on the duality of the desert as the romantic site of Jews’ biblical roots that inspired the Hebrew culture, and as the barren land outside the Jewish settlements in Palestine, featuring them as an oasis of order and technological progress within a symbolic desert. Yael Zerubavel tells the story of the desert from the early twentieth century to the present, shedding light on romantic-mythical associations, settlement and security concerns, environmental sympathies, and the commodifying tourist gaze. Drawing on literary narratives, educational texts, newspaper articles, tourist materials, films, popular songs, posters, photographs, and cartoons, Zerubavel reveals the complexities and contradictions that mark Israeli society’s semiotics of space in relation to the Middle East, and the central role of the “besieged island” trope in Israeli culture and politics.