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. Renewal of Life by Transmission. The most notable distinction between living and inanimate things is that the former maintain themselves by renewal. A stone when struck resists. If its resistance is greater than the force of the blow struck, it remains outwardly unchanged. Otherwise, it is shattered into smaller bits. Never does the stone attempt to react in such a way that it may maintain itself against the blow, much less so as to render the blow a contributing factor to its own continued action. While the living thing may easily be crushed by superior force, it none the less tries to turn the energies which act upon it into means of its own further existence. If it cannot do so, it does not just split into smaller pieces (at least in the higher forms of life), but loses its identity as a living thing. As long as it endures, it struggles to use surrounding energies in its own behalf. It uses light, air, moisture, and the material of soil. To say that it uses them is to say that it turns them into means of its own conservation. As long as it is growing, the energy it expends in thus turning the environment to account is more than compensated for by the return it gets: it grows. Understanding the word "control" in this sense, it may be said that a living being is one that subjugates and controls for its own continued activity the energies that would otherwise use it up. Life is a self-renewing process through action upon the environment.
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A compilation of 3M voices, memories, facts and experiences from the company's first 100 years.
The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a sensation all over again-both on Broadway and in Disney's upcoming film Saving Mr. Banks. Saving Mr. Banksretells many of the stories in Valerie Lawson's biography Mary Poppins, She Wrote, including P. L. Travers's move from London to Hollywood and her struggles with Walt Disney as he adapted her novel for the big screen. Travers, whom Disney accused of vanity for "thinking she knows more about Mary Poppins than I do," was a poet and world-renowned author as tart and opinionated as Andrews's big-screen Mary Poppins was cheery and porcelain-beautiful. Yet it was a love of mysticism and magic that shaped Travers's life as well as the very character of Mary Poppins. The clipped, strict, and ultimately mysterious nanny who emerged from her pen was the creation of someone who remained inscrutable and enigmatic to the end of her ninety-six years. Valerie Lawson's illuminating biography provides the first full look at the life of the woman and writer whose personal journey is as intriguing as her beloved characters.