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“As the first part of the title indicates, my interest in looking at intertextuality and transformation still maintains a prominent place throughout this book as well. If we believe that ‘no text is an island,’ then we will understand that the relationships between and within texts across the years become a fascinating place for academic inquiry. I included the word ‘boundaries’ into the title because we never get tired of voicing our opinions about texts which traverse relegated boundaries, such as genre or medium. Not only am I interested in discussing what these changes across boundaries mean socially, historically, and culturally, but also what they mean geographically, which accounts for the second part of my title. “I am very excited that this book will be placing even more emphasis on children’s literature in an international scene than my first book did, in the sense that I have added more scholars on an international level. I hesitate to list the nationalities of all of the contributors here because quite a few have themselves crossed international boundaries in different ways, by either studying abroad or finding permanent residency in foreign countries. Nevertheless, the writers have lived extensively in or identify as being from Australia, Canada, England, Finland, Germany, Greece, Iceland, Ireland, Israel, Norway, Spain, Sweden, Turkey, the United States of America, and Wales.” —Introduction
Charlotte Cushman, one of the great actors of 19th century American theatre, was a lesbian who kept her identity hidden by focusing her career on male characters (Romeo, Claude Melnotte, Wolsey), and also on strong and passionate women (Lady Macbeth, Bianca in Fazio, and Queen Katherine in Henry VIII). This biography is an authoritative record of Cushman's life and performances, showing how her complex gender identity illuminates and is illuminated by 19th century theatre critical views. Part One is a biography; Part Two is a performance history listing all of Cushman's known performances, often with a description of her role and critical commentary.
With this guide, major help for nineteenth-century World History term papers has arrived to enrich and stimulate students in challenging and enjoyable ways. Show students an exciting and easy path to a deep learning experience through original term paper suggestions in standard and alternative formats, including recommended books, websites, and multimedia. Students from high school age to undergraduate can get a jumpstart on assignments with the hundreds of term paper suggestions and research information offered here in an easy-to-use format. Users can quickly choose from the 100 important events, spanning the period from the Haitian Revolution that ended in 1804 to the Boer War of 1899-1902. With this book, the research experience is transformed and elevated. Term Paper Resource Guide to Nineteenth-Century World History is a superb source with which to motivate and educate students who have a wide range of interests and talents. Coverage includes key wars and revolts, independence movements, and theories that continue to have tremendous impact.
At the end of the nineteenth century, Theodore Roosevelt, T. S. Van Dyke, and other elite men began describing their big-game hunting as “manly sport with the rifle.” They also began writing about their experiences, publishing hundreds of narratives of hunting and adventure in the popular press (and creating a new literary genre in the process). But why did so many of these big-game hunters publish? What was writing actually doing for them, and what did it do for readers? In exploring these questions, The Hunter Elite reveals new connections among hunting narratives, publishing, and the American conservation movement. Beginning in the 1880s these prolific hunter-writers told readers that big-game hunting was a test of self-restraint and “manly virtues,” and that it was not about violence. They also opposed their sportsmanlike hunting to the slaughtering of game by British imperialists, even as they hunted across North America and throughout the British Empire. Their references to Americanism and manliness appealed to traditional values, but they used very modern publishing technologies to sell their stories, and by 1900 they were reaching hundreds of thousands of readers every month. When hunter-writers took up conservation as a cause, they used that reach to rally popular support for the national parks and for legislation that restricted hunting in the US, Canada, and Newfoundland. The Hunter Elite is the first book to explore both the international nature of American hunting during this period and the essential contributions of hunting narratives and the publishing industry to the North American conservation movement.