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In three beautifully wrought meditations on the import of Ren Descartes' legacy from a poet's perspective, Durs Grnbein presents us with a Descartes whom we haven't met before: not the notorious perpetrator of the mind-body-dualism, the arch-villain of Rationalism but the inspired and courageous dreamer, explorer, and fabulist. Reading Descartes against the grain of the widely accepted view of the philosopher as the proponent of a cut-and-dried, disembodied, and, hence, misguided view of humanity, Grnbein discloses the profoundly humane and poetic underpinnings of the legacy of this "modern man par excellence," and, by extension, of modernity as a whole. Uncovering the poetic foundations of Descartes' rationalism and, concomitantly, the poetic lining of the mantle of reason, Durs Grnbein, one of the world's greatest living poets and essayists, shows us that reason is never more alive than when it is most poetic.
This collection brings together new papers addressing the philosophical challenges that the concept of a Devil presents, bringing philosophical rigor to treatments of the Devil. Contributors approach the idea of the Devil from a variety of philosophical traditions, methodologies, and styles, providing a comprehensive philosophical overview that contemplates the existence, nature, and purpose of the Devil. While some papers take a classical approach to the Devil, drawing on biblical exegesis, other contributors approach the topic of the Devil from epistemological, metaphysical, phenomenological, and ethical perspectives. This volume will be relevant to researchers and scholars interested in philosophical conceptions of the Devil and related areas, such as philosophers of religion, theologians, and scholars working in philosophical theology and demonology.
How scientists through the ages have conducted thought experiments using imaginary entities—demons—to test the laws of nature and push the frontiers of what is possible Science may be known for banishing the demons of superstition from the modern world. Yet just as the demon-haunted world was being exorcized by the enlightening power of reason, a new kind of demon mischievously materialized in the scientific imagination itself. Scientists began to employ hypothetical beings to perform certain roles in thought experiments—experiments that can only be done in the imagination—and these impish assistants helped scientists achieve major breakthroughs that pushed forward the frontiers of science and technology. Spanning four centuries of discovery—from René Descartes, whose demon could hijack sensorial reality, to James Clerk Maxwell, whose molecular-sized demon deftly broke the second law of thermodynamics, to Darwin, Einstein, Feynman, and beyond—Jimena Canales tells a shadow history of science and the demons that bedevil it. She reveals how the greatest scientific thinkers used demons to explore problems, test the limits of what is possible, and better understand nature. Their imaginary familiars helped unlock the secrets of entropy, heredity, relativity, quantum mechanics, and other scientific wonders—and continue to inspire breakthroughs in the realms of computer science, artificial intelligence, and economics today. The world may no longer be haunted as it once was, but the demons of the scientific imagination are alive and well, continuing to play a vital role in scientists' efforts to explore the unknown and make the impossible real.
The essays in this volume gather together Gellner's thinking on the connection between philosophy and life and they approach the topic from a number of directions: philosophy of morals, history of ideas, a discussion of individuals including R. G. Collingwood, Noam Chomsky, Piaget and Eysenck and discussions on the setting of philosophy in the general culture of England and America.
Part true crime story, part religious and literary history, an investigation into the nature of evil and the figure of the Devil by acclaimed journalist Randall Sullivan How we explain the evils of the world – and the darkest parts of ourselves – has preoccupied humans throughout history. A sweeping and comprehensive search for the origins of belief in a Satanic figure across the centuries, The Devil’s Best Trick is a keen investigation into the inescapable reality of evil and the myriad ways we attempt to understand it. Instructive, riveting, and unnerving, this is a profound rumination on crime, violence, and the darkness in all of us. In The Devil’s Best Trick, Randall Sullivan travels to Catemaco, Mexico, to participate in the “Hour of the Witches” -- an annual ceremony in which hundreds of people congregate in the jungle south of Vera Cruz to negotiate terms with El Diablo. He takes us through the most famous and best-documented exorcism in American history, which lasted four months. And, woven throughout, he delivers original reporting on the shocking story of a small town in Texas that, one summer in 1988, unraveled into paranoia and panic after a seventeen-year-old boy was found hanging from the branch of a horse apple tree and rumors about Satanic worship and cults spread throughout the wider community. Sullivan also brilliantly melds historical, religious, and cultural conceptions of evil: from the Book of Job to the New Testament to the witch hunts in Europe in the 15th through 17th centuries to the history of the devil-worshipping “Black Mass” ceremony and its depictions in 19th-century French literature. He brings us through to the “Satanic Panic” of the 1980s and the story of one brutal serial killer, pondering the psychology of evil. He weaves in writings by John Milton, William Blake, Oscar Wilde, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Mark Twain, and many more, among them Charles Baudelaire, from whose work Sullivan took the title of the book. Nimble and expertly researched, The Devil’s Best Trick brilliantly melds cultural and historical commentary and a suspenseful true-crime narrative. Randall Sullivan, whose reportage and narrative skill has been called “extraordinary” and “enthralling” by Rolling Stone, takes on a bold task in this book that is both biography of the Devil and a look at how evil manifests in the world.
In The Devil and Philosophy, 34 philosophers explore questions about one of the most recognizable and influential characters (villains?) of all time. From Roman Polanski's The Ninth Gate to J.R.R. Tolkien's The Silmarillion to Bram Stoker's Dracula to Darth Vader to Al Pacino's iconic performance in The Devil's Advocate, this book demonstrates that a little devil goes a long way. From humorous appearances, as in Kevin Smith's film Dogma and Chuck Palahniuk's novels Damned and its sequel Doomed, to more villanous appearances, such as Gabriel Byrne's cold outing as Satan in End of Days, The Devil in Philosophy proves that the Devil comes in many forms. Through the lenses of Jung, Kant, Kundera, Balkan, Plato, Bradwardine, Aristotle, Hume, Blackburn, Descartes, Lavey, Thoreau, and Aquinas, The Devil and Philosophy take a philosophical look at one of time's greatest characters. Are there any good arguments for the actual existence of the Devil? Does demonic evil thrive in Gotham City? Can humans really be accountable for all evil? Which truths about the Devil are actual facts? Is Milton correct, in that the Devil believes he is doing good?
Whether expressed in theological or secular terms, evil poses a problem about the world's intelligibility. It confronts philosophy with fundamental questions: Can there be meaning in a world where innocents suffer? Can belief in divine power or human progress survive a cataloging of evil? Is evil profound or banal? Neiman argues that these questions impelled modern philosophy. Traditional philosophers from Leibniz to Hegel sought to defend the Creator of a world containing evil. Inevitably, their efforts--combined with those of more literary figures like Pope, Voltaire, and the Marquis de Sade--eroded belief in God's benevolence, power, and relevance, until Nietzsche claimed He had been murdered. They also yielded the distinction between natural and moral evil that we now take for granted. Neiman turns to consider philosophy's response to the Holocaust as a final moral evil, concluding that two basic stances run through modern thought. One, from Rousseau to Arendt, insists that morality demands we make evil intelligible. The other, from Voltaire to Adorno, insists that morality demands that we don't.
The Devil's Tabernacle is the first book to examine in depth the intellectual and cultural impact of the oracles of pagan antiquity on modern European thought. Anthony Ossa-Richardson shows how the study of the oracles influenced, and was influenced by, some of the most significant developments in early modernity, such as the Christian humanist recovery of ancient religion, confessional polemics, Deist and libertine challenges to religion, antiquarianism and early archaeology, Romantic historiography, and spiritualism. Ossa-Richardson examines the different views of the oracles since the Renaissance--that they were the work of the devil, or natural causes, or the fraud of priests, or finally an organic element of ancient Greek society. The range of discussion on the subject, as he demonstrates, is considerably more complex than has been realized before: hundreds of scholars, theologians, and critics commented on the oracles, drawing on a huge variety of intellectual contexts to frame their beliefs. In a central chapter, Ossa-Richardson interrogates the landmark dispute on the oracles between Bernard de Fontenelle and Jean-François Baltus, challenging Whiggish assumptions about the mechanics of debate on the cusp of the Enlightenment. With erudition and an eye for detail, he argues that, on both sides of the controversy, to speak of the ancient oracles in early modernity was to speak of one's own historical identity as a Christian.