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An affectionate, often hilarious, memoir of growing up in London in the 1970s in an Indian household, and avoiding an arranged marriage. ‘From the age of fourteen, I was aware my parents expected me to have an arranged marriage, a big Bollywood wedding. There was just one hitch: nobody asked me.’ For Sushi Das, growing up in 1970s London was a culturally messed-up time. Feminists were telling women they could be whatever they wanted, skinheads were yelling at dark-skinned foreigners to go home and The Boomtown Rats were singing about ‘Lookin’ after Number 1.’ While Sushi was fabricating intricate lies and plotting harebrained schemes to get to the pub and meet ‘undesirable elements’ – boys – her parents were on the hunt for a respectable Indian doctor for her to marry. But how do you turn your back on centuries of tradition without trashing your family’s honour? How do you break free of your parents’ stranglehold without casting off their embrace? And how do you explain to your strict dad why there’s a boy smoking in his living room and another one lurking in his garden? Breaking free meant migrating to the other side of the world, only to find that life in Australia had unexpected consequences. This is an intelligent, often hilarious memoir and a fascinating look at one of the oldest traditions of Eastern culture, which aims to join two families in economic prosperity, but whose reality is not always so blissful.
After more than thirty years, Alan is returning to Mumbai on business. He finds the bustling city is moving on and up. Between meetings and expense account dinners, he visits the auntie and cousin he used to spend his holidays with, and makes an unexpected discovery about his late father. As truths are uncovered one by one, will Alan be forced to come to terms with a way of life he turned his back on? Will he reconnect with the cousin he loved as a brother? A father he thought he knew, and the tiger that haunted his dreams? Coming Up is an evocative, playful and magical drama about broken family ties, and the need for connection.
Making a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
A strange rumor ripples through the quiet town of Tomobiki—Lum is participating in an arranged marriage event! As Lum cheerfully gets dolled up for this intergalactic gala, Ataru pretends to be indifferent to the news. Upset that Lum might find the husband of her dreams, though, Ataru contemplates following her into outer space to check out the competition! -- VIZ Media
Marriage by Necessity Lily Warren's new hat shop is her ticket to self-reliance…until a fire threatens to destroy her dreams. And when Edward Stone—her landlord and the town blacksmith—bursts into her private rooms to rescue her, Lily's reputation is tarnished. So Edward proposes a solution that could save her good name—even as it puts her independence at risk. With an orphaned niece who needs a mother, Edward believes a marriage of convenience is the answer to his and Lily's problems. But he didn't plan on developing feelings for his new wife. And now he can't quell his urge to protect impulsive, kindhearted Lily. Perhaps it's time for the wary blacksmith to try forging something truly precious—a real family…
Surrounded by lies and deceit how do you work out who is telling the truth? When highly decorated war hero, Colonel Tariq joins the intelligence agency, his rise to the top seems assured. But in his first case he discovers a CIA agent has killed a young prostitute and a diplomatic crisis erupts.As the two nations negotiate, angry mobs take to the streets and he is caught up in a national scandal. Tariq is instructed to eliminate the only witness and instigate a cover up, trapping him in a terrible moral dilemma. As his professional ambition and private life collide, he must make a life changing decision that will have far reaching consequences for the future of his family and his country.
Deals with a man who makes a decision to always tell the truth whatever the consequences. It is a play that looks at the tightrope we all teeter upon between kindness and devastating honesty and asks the question with sometimes hilarious and moving results: Is honesty always the best policy?