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Meet Robin Page: outcast sorceress, mythic history buff, unapologetic bookworm, and the last person you'd expect to command the rarest demon in the long history of summoning. Though she holds his leash, this demon can't be controlled ... but can he be tamed?
Welcome to Christopher Fowler's ninth collection of stories of urban dread, designed to fill your waking dreams with dark fears and even darker laughter.A journalist spends a nerve-wracking weekend in the company of Nazis. A tropical holiday takes a nasty turn thanks to a troupe of monkeys, and a waitress challenges a sinister customer in a night restaurant. A tailor plots to escape his execution, London is overrun with rats, serial killers fall in love, and revenge backfires on the unfaithful. As our lives and deaths grow ever stranger, housewives, students and executives all find themselves in situations that become increasingly disturbing.Fowler's powerful narratives are subtly affecting and will make you think twice about the way you look at the world around you.
I promised to avenge my parents. But their killer is still on the loose, and he's stolen more than my parents' lives. Now, as he draws closer to his mysterious goals, he's poised to destroy what little I have left. I promised to translate an ancient grimoire. But it holds the secrets of my family--and the secret history of demon summoning. I fear its answers as much as I need them. Who was the foremother of Demonica...and who am I? I promised to send my demon home. But the way he watches me, the way he protects me, the way he touches me--how can I cast him away forever? I swore I would do this for him, but can I? Should I? But I promised--and I will keep my promises even if they cost me my heart, my soul, and my life.
Demons are evil. That's what Robin's textbooks say, but when it comes to Zylas, nothing is simple. He's cold, ruthless, and temperamental. . . but is he heartless? Robin needs to figure it out, or they'll destroy each other before the real monsters get a chance.
I thought I'd seen evil, but with each step closer to my parents' murderer, I'm uncovering a different sort of villainy, piece by hidden piece. I've stumbled into an insidious web that silently, secretly ensnares everything it touches. My demon and I came as the hunters... but I think we might be the prey.
The Colonial Art of Demonizing Others examines European mistranslations and misrepresentations of black freedom dreams and self-activity as monstrous in the period of modern imperial consolidation –roughly from 1750 to 1848. This book argues that Europe’s archives of self-understanding are haunted by the traces of Black radical resistance. Just as Europe’s economy came to depend upon the raw materials, markets, and labor it secured from the colonies, European culture came to be based on fantasies and phobias derived from the unruly and unmanageable aftershocks of colonial violence and counter-insurgency. Rather than assert that European nationalist and abolitionist discourses are on the side of emancipatory movements, the book shows the limits of the promise of that discourse, and the continuation of those limitations that makes the continued pursuit of that promise a questionable activity. This book does not wish to salvage the emancipatory promises of European discourse, but considers the more difficult and uncomfortable question of why emancipatory movements represented the struggles of anticolonial and radical blackness the way they did. The Colonial Art of Demonizing Others privileges the political reading not only of literary texts but also of historical documents and visual culture.
Originally published: Westport, Conn.: Praeger Publishers, 2005. With new preface.
The acquiescence of the German Protestant churches in Nazi oppression and murder of Jews is well documented. In this book, Christopher J. Probst demonstrates that a significant number of German theologians and clergy made use of the 16th-century writings by Martin Luther on Jews and Judaism to reinforce the racial anti-semitism and religious anti-Judaism already present among Protestants. Focusing on key figures, Probst's study makes clear that a significant number of pastors, bishops, and theologians of varying theological and political persuasions employed Luther's texts with considerable effectiveness in campaigning for the creation of a "de-Judaized" form of Christianity. Probst shows that even the church most critical of Luther's anti-Jewish writings reaffirmed the anti-semitic stereotyping that helped justify early Nazi measures against the Jews.
Over the centuries, Jewish and Muslim writers transformed the biblical Queen of Sheba from a clever, politically astute sovereign to a demonic force threatening the boundaries of gender. In this book, Jacob Lassner shows how successive retellings of the biblical story reveal anxieties about gender and illuminate the processes of cultural transmission. The Bible presents the Queen of Sheba's encounter with King Solomon as a diplomatic mission: the queen comes "to test him with hard questions," all of which he answers to her satisfaction; she then praises him and, after an exchange of gifts, returns to her own land. By the Middle Ages, Lassner demonstrates, the focus of the queen's visit had shifted from international to sexual politics. The queen was now portrayed as acting in open defiance of nature's equilibrium and God's design. In these retellings, the authors humbled the queen and thereby restored the world to its proper condition. Lassner also examines the Islamization of Jewish themes, using the dramatic accounts of Solomon and his female antagonist as a test case of how Jewish lore penetrated the literary imagination of Muslims. Demonizing the Queen of Sheba thus addresses not only specialists in Jewish and Islamic studies, but also those concerned with issues of cultural transmission and the role of gender in history.