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The first work to combine literary criticism with other forms of death penalty–abolitionist writing, Demands of the Dead demonstrates the active importance of literature and literary criticism to the struggle for greater justice in the United States. Gathering personal essays, scholarly articles, and creative writings on the death penalty in American culture, this striking collection brings human voices and literary perspectives to a subject that is often overburdened by statistics and angry polemics. Contributors include death-row prisoners, playwrights, poets, activists, and literary scholars. Highlighting collaborations between writers inside and outside prison, all within the context of the history of state killing laws and foundational concepts that perpetuate a culture of violent death, Demands of the Dead opens with a pamphlet dictated by Willie Francis, a teenager who survived a first execution attempt in Louisiana’s electric chair before he was subsequently killed by the state in 1947. Writers are a conspicuous part of U.S. death-penalty history, composing a vibrant literary record of resistance to state killing. This multigenre collection both recalls and contributes to this tradition through discussions of such writers as Walt Whitman, Herman Melville, Gertrude Atherton, Ernest Gaines, Sonia Sanchez, Kia Corthron, and Sherman Alexie. A major contribution to literary studies and American prison studies, Demands of the Dead asserts the relevance of storytelling to ethical questions and matters of public policy. Contributors Sherman Alexie John Cyril Barton Steve Champion Kia Corthron Thomas Dutoit Willie Francis H. Bruce Franklin Tom Kerr David Kieran Jennifer Leigh Lieberman Jill McDonough Anthony Ross Katy Ryan Elizabeth Ann Stein Rick Stetter Matthew Stratton Jason Stupp Delbert Tibbs
What Does Dead Mean? is a beautifully illustrated book that guides children gently through 17 of the 'big' questions they often ask about death and dying. Questions such as 'Is being dead like sleeping?', 'Why do people have to die?' and 'Where do dead people go?' are answered simply, truthfully and clearly to help adults explain to children what happens when someone dies. Prompts encourage children to explore the concepts by talking about, drawing or painting what they think or feel about the questions and answers. Suitable for children aged 4+, this is an ideal book for parents and carers to read with their children, as well as teachers, therapists and counsellors working with young children.
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.
"... books are machines for reading"--P. 161.
Written by one of the world's leading paleographers, this book reconstructs the ways Western cultures have used writing—on tombstones, monuments, scrolls, books, posters—to commemorate the dead from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.
Someone is playing a rather nasty April Fool's prank on mystery bookstore owner Annie Darling. A felonious forger on the idyllic -- if rarely tranquil -- South Carolina island of Broward's Rock has made it appear as if Annie is accusing some of her neighbors of murder. In the wink of a bloodshot eye, the Darling name is mud . . . and then the Broward's Rock body count starts mysteriously increasing. And now it's up to Annie to follow the well-hidden trail of the vicious trickster -- or a secret slayer's next lethal "joke" may very well be on her!
From Poe to Lovecraft-a unique zombiethology of the literary undead. Corpses rise in a variety of frightening ways in this collection of classic stories by an impressive lineup of authors including: Mary Shelley, Edgar Allan Poe, Washington Irving, H.P. Lovecraft, Guy de Maupassant, Mark Twain, Jack London, William Wyman Jacobs, Théophile Gautier, Charles Baudelaire, John H. Knox, Sir Hugh Clifford, Thomas Burke, Johann Wolfgang von Goethe, F. Marion Crawford, F.G. Loring, William Butler Yeats, Douglas Hyde, E.F. Benson, Lafcadio Hearn, Perceval Landon, E. and H. Heron, Amy Lowell, G.W. Hutter, and Sir Walter Scott.
For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, paper shortages, radio, TV, computer games, and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change. Newspapers are struggling for readers and relevance; downloadable music has consigned the album to the format scrap heap; and the digital revolution is now about to leave books on the high shelf of history. In Print Is Dead, Gomez explains how authors, producers, distributors, and readers must not only acknowledge these changes, but drive digital book creation, standards, storage, and delivery as the first truly transformational thing to happen in the world of words since the printing press.
High summer in Acker's Gap, West Virginia—but no one's enjoying the rugged natural landscape. Not while a killer stalks the small town and its hard-luck inhabitants. County prosecutor Bell Elkins and Sheriff Nick Fogelsong are stymied by a murderer who seems to come and go like smoke on the mountain. At the same time, Bell must deal with the return from prison of her sister, Shirley—who, like Bell, carries the indelible scars of a savage past. In Summer of the Dead, the third Julia Keller mystery chronicling the journey of Bell Elkins and her return to her Appalachian hometown, we also meet Lindy Crabtree—a coal miner's daughter with dark secrets of her own, secrets that threaten to explode into even more violence. Acker's Gap is a place of loveliness and brutality, of isolation and fierce attachments—a place where the dead rub shoulders with the living, and demand their due.
Macabre tales of death and mourning in Victorian America.