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This book sheds new light on Indian communication cultures and the critical philosophical trajectories of Gilles Deleuze and Felix Guattari. It explores issues such as contemporary communication cultures in India, nationalism, subjectivities, negotiating and protesting bodies, music on social media, children on reality television, and the materialities of Indian films. The book provides a balance between issues of communication from a philosophical perspective and issues of philosophy from a communication perspective in the Indian context. This engaging examination of two modes of thought is an important resource for anyone interested in communication studies, modern philosophy, cultural and media studies.
Caste, Communication and Power explores communication and the constitution of caste in Indian society. Intimately connected, both communication and caste are determined by historical developments. The book looks at communication as a lens to study caste and power relations, with its immense potential to shape perception and affect ground reality. It also studies the evolution of the conceptual and theoretical foundations of caste and power relations, and maps their emergence from communicative resources and practices. These communication practices are inevitably linked to the social structure, with their reliance on symbolic forms of self-expression, often revealing the underlying ideological attitudes. The book studies this interface of culture and media, evaluating the caste question and the associated power relations in terms of modes of communication practised in the society.
The book is a unique material marker of the spatial journeys of people, rulers, philosophers, men, women, their material objects, occupations and media during the past two millennia in South India. It has four sections on historical trajectories, everyday lives, public communication and media materialities.
This volume examines the shift toward positive and more accurate portrayals of mental illness in entertainment media, asking where these succeed and considering where more needs to be done. With studies that identify and analyze the characters, viewpoints, and experiences of mental illness across film and television, it considers the messages conveyed about mental illness and reflects on how the different texts reflect, reinforce, or challenge sociocultural notions regarding mental illness. Presenting chapters that explore a range of texts from film and television, covering a variety of mental health conditions, including autism, post-traumatic stress disorder (PTSD), depression, and more, this book will appeal to scholars of sociology, cultural and media studies, and mental health.
This volume reflects on different regional and national experiences of the Covid 19 pandemic, with contributions from India, Thailand, Singapore, Australia, Italy, United States, and Canada. This book draws upon a number of approaches but especially the works of Deleuze and Guattari, Agamben, Derrida, Foucault, Habermas, Latour, and Serres. It looks at the methodological aspects of treating the pandemic, focuses on laying out the posthuman condition of the event largely problematizing the immanence of life which affirms the transversal Deleuzian ethic of life, and extends the politics of life to the domain of immunology. Together, the authors make it apparent that the pandemic is a multifaceted event, or many different kinds of events – virological, informational, phenomenological, social, and discursive. The authors skilfully develop these different dimensions of the pandemic event and show the relations between them. These essays will enrich the reader’s understanding of the pandemic and its effects, while demonstrating the depth and breadth of the resources that humanities scholarship can mobilize to help us understand such phenomena. This volume will be useful to students of posthumanism, medical humanities, health communication, political communication, semiotics, literature, cultural theories, and major strains of thought from contemporary continental philosophy.
This book presents a pragmatic engagement between the philosophy of Deleuze and Guattari and various facets of Indian society, culture and art. The universal appeal of the philosophy of Deleuze and Guattari finds its due place in India with a set of innovative analyses and radical interpretations that reimagine India as a complex multiplicity. The volume brings together scholars from various disciplines and theoretical orientations to explore a wide range of issues in contemporary India, like dalit and caste studies, nationalism, gender question, art and cinema, and so on under the rubric of Deleuzo-Guattarian philosophy. This interdisciplinary book will be useful to scholars and researchers of philosophy, anthropology, cultural studies, sociology, postcolonial studies and South Asian studies.
Cast in the background of the uprising against the armed forces in Kashmir in the late 1980s, Lost in Terror is the tale of a young, educated, career-conscious woman who finds herself sucked into a maelstrom of death and destruction. She also cherishes the dream of Azadi and plays strong to face the wrath of Indian soldiers. But when she finds her husband’s discreet links with gunmen obsessed with the dream of Azadi, she becomes fragile and begins to lose her hold on her home, her relationships and Azadi itself. When her dreams for a perfect family and a thriving career are turned upside down and her life comes to a standstill due to the turmoil around her, fate offers her a leap of faith—but will she take it?
Interest in the French philosopher Gilles Deleuze has grown exponentially over the last two decades, and, in recent years, Asian scholars have come to see rich possibilities for developing his thought within an Asian context. In this, the first collection devoted to Deleuze and Asia, several Asian and Western scholars explore Deleuzian themes and concepts in areas ranging from philosophy and religion to new media studies, cultural studies, theater, architecture, painting, film, and literature. Topics addressed include: onto-aesthetics in Deleuze and Taoism; Deleuzian univocity of being and the Original Enlightenment Thought of Mahāyāna Buddhism; Leibnizian and Bergsonian influences in Deleuze and the Japanese philosopher Nishida; Deleuze’s theater of philosophy and its parallels in Beijing Opera, Kathikali Dance Drama and Nō Theater; Deleuze’s concept of the fold and sonic space in Asian architecture; the fold and visual space in Hokusai’s “Thirty Six Views of Mount Fuji”; the Walkman, contemporary Japanese anomie and Deleuzian nomadism; Deleuzian “faciality” and the cultural politics of facial images in Korean beauty pageants; the 2011 Taiwanese film Warriors of the Rainbow: Seediq Bale and the Deleuzian concepts of the minor and the people to come; Deleuzian haecceities, affects and fragmented spaces in the films of Lou Ye and Wong Kar-wai; the Nu Shu writing system – the only writing system developed exclusively by women – and the formation of a female people to come; and Deleuzian minor literature and its relationship to globalization, nationalism and regionalism in Asian literature. These essays map new directions in East-West research that promise to invigorate Asian studies and disclose hitherto unrecognized dimensions of Deleuze’s thought.
This original, field-changing collection explores the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming. People's becomings trouble and exceed ways of knowing and acting, producing new possibilities for research, methodology, and writing. The contributors creatively bridge ethnography and critical theory in a range of worlds on the edge, from war and its aftermath, economic transformation, racial inequality, and gun violence to religiosity, therapeutic markets, animal rights activism, and abrupt environmental change. Defying totalizing analytical schemes, these visionary essays articulate a human science of the uncertain and unknown and restore a sense of movement and possibility to ethics and political practice. Unfinished invites readers to consider the array of affects, ideas, forces, and objects that shape contemporary modes of existence and future horizons, opening new channels for critical thought and creative expression. Contributors. Lucas Bessire, João Biehl, Naisargi N. Dave, Elizabeth A. Davis, Michael M. J. Fischer, Angela Garcia, Peter Locke, Adriana Petryna, Bridget Purcell, Laurence Ralph, Lilia M. Schwarcz
A Shock to Thought brings together essays that explore Deleuze and Guattari's philosophy of expression in a number of contemporary contexts. It will be of interest to all those in philosophy, cultural studies and art theory. The volume also contains an interview with Guattari which clearly restates the 'aesthetic paradigm' that organizes both his and Deleuze's work.