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A VANITY FAIR BEST BOOK OF THE YEAR • The story of three once-inseparable college friends in Nigeria who reunite in Lagos for the first time in thirty years—a sparkling novel about the extraordinary resilience of female friendship. “A story rendered with so much heart.” —Taylor Jenkins Reid, best-selling author of The Seven Husbands of Evelyn Hugo and Daisy Jones and the Six Funmi, Enitan, and Zainab first meet at university in Nigeria and become friends for life despite their differences. Funmi is beautiful, brash, and determined; Enitan is homely and eager, seeking escape from her single mother's smothering and needy love; Zainab is elegant and reserved, raised by her father's first two wives after her mother's death in childbirth. Their friendship is complicated but enduring, and over the course of the novel, the reader learns about their loves and losses. How Funmi stole Zainab's boyfriend and became pregnant, only to have an abortion and lose the boyfriend to police violence. How Enitan was seduced by an American Peace Corps volunteer, the only one who ever really saw her, but is culturally so different from him—a Connecticut WASP—that raising their daughter together put them at odds. How Zainab fell in love with her teacher, a friend of her father’s, and ruptured her relationship with her father to have him. Now, some thirty years later, the three women are reunited for the first time, in Lagos. The occasion: Funmi’s daughter, Destiny, is getting married. Enitan brings her American daughter, Remi. Zainab travels by bus, nervously leaving her ailing husband in the care of their son. Funmi, hosting the weekend with her wealthy husband, wants everything to go perfectly. But as the big day approaches, it becomes clear that something is not right. As the novel builds powerfully, the complexities of the mothers’ friendship—and the private wisdom each has earned—come to bear on a riveting, heartrending moment of decision. Dele Weds Destiny is a sensational debut from a dazzling new voice in contemporary fiction.
Reina and Constancia Agüero are Cuban sisters who have been estranged for thirty years. Reina--tall, darkly beautiful, and magnetically sexual--still lives in her homeland. Once a devoted daughter of la revolución, she now basks in the glow of her many admiring suitors, believing only in what she can grasp with her five senses. The pale and very petite Constancia lives in the United States, a beauty expert who sees miracles and portents wherever she looks. After she and her husband retire to Miami, she becomes haunted by the memory of her parents and the unexplained death of her beloved mother so long ago. Told in the stirring voices of their parents, their daughters, and themselves, The Agüero Sisters tells a mesmerizing story about the power of myth to mask, transform, and finally, reveal the truth--as two women move toward an uncertain, long awaited reunion.
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.
Three women. Three decades. The friendship of a lifetime. 'Fast-paced, glamorous, and bursting with emotion, Dele Weds Destiny is a thrilling debut. The bonds between women - as friends, and across the generations - are the jewels that make this story shine!' Tayari Jones 'A story rendered with so much heart' Taylor Jenkins Reid 'Obaro writes beautifully about the complicated labour of friendship and parentage. Dele Weds Destiny explores caregiving as a kind of deferment, but also as discovery, of desire, of fury, of home' Raven Leilani Zainab, Funmi and Enitan first meet at University in northern Nigeria, all learning how to become themselves. It's an experience that binds the three very different women together. When Enitan moves to New York to elope with a white man, Zainab and Funmi are left behind, with drastically different fortunes. Over the course of thirty years, their lives and friendships diverge and change. Enitan is separating from her husband, trying to understand her daughter Remi. Zainab finds herself the sole breadwinner for her husband and their four sons. And Funmi is living a life of confined luxury, as the wife of a successful, shady businessman. But theirs is a friendship that can endure decades of distance. And in 2015, they are reunited for the first time for the wedding of Funmi's daughter, Destiny. Here they will reflect on their pasts, the things they loved and lost - but the present brings unexpected surprises too, because their daughters, Remi and Destiny, might just be as rebellious and open-hearted as they once were. DELE WEDS DESTINY is the heartfelt, vivid and sparkling debut novel by editor and writer Tomi Obaro, a dazzling new voice in fiction. A story of three women, we witness the shared histories, betrayals and triumphs play out, and their unforgettable, enduring friendship. 'Tomi Obaro's deftly-paced novel is an ode to the enduring truth of friendship. Obaro's compelling narrative provides a beautifully flawed, full-bodied picture of the possibilities of African womanhood. It is optimistic, fresh and quickly draws you in' Jendella Benson, author of Hope and Glory 'A generous and patient consideration of life, and of lives . . . I am so thankful for the world of this book and so excited for everyone who gets to sit in it' Hanif Abdurraqib, author of A Little Devil in America 'A wonderful novel full of richly-drawn, complicated, nuanced characters all trying to love and connect with each other. An ode to the bonds of friendship across decades, Dele Weds Destiny is a marvelous debut' Jami Attenberg, author of All This Could Be Yours 'Tomi Obaro has a true gift for honouring the details that illuminate our most human tensions . . . Dele Weds Destiny is a black diamond of a debut' Saeed Jones, author of How We Fight for Our Lives 'This enchanting debut is an affectionate portrait of three women at middle age, cannily exploring the ways the self is forged in youth. With an admirably light touch, Tomi Obaro documents how class, race, faith, and power define the lives of women in Nigeria and America, past and present' Rumaan Alam, author of Leave the World Behind
To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.