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Thomas Dekker's The Shoemaker's Holiday is one of the most popular of Elizabethan plays--entertaining, racy and vivid in its characterization. Revealing a vital portrait of Elizabethan London and the interaction of social classes within the city, its social commentary is on the whole optimistic, though darker tones are discernible. The play has had a lively history of performance on both the professional and amateur stage.
"Written and first performed in 1599, The Shoemaker's Holiday was the most popular non-Shakespearean comedy of its day - a hearty brew of character and overflowing good humor, occasionally ribald, about the gentle craft of shoemaking. Bernard Sahlins's new adaptation streamlines the dialogue for contemporary audiences and makes it extremely playable."--BOOK JACKET.
A collection of interdisciplinary essays on the 'theatrical' in Renaissance London.
"The play, based on a sensational witchcraft trial of 1621, presents Mother Sawyer and her local community in the grip of a witch-mania reflecting popular belief and superstition of the time ..."--Back cover.
The two plays included in this volume follow the lives of a princess and a whore. Although set in Italy, this passionate tale of paternal disapproval and sexual deceit savors more of the underworld of Jacobean London with its asylums and prisons, gambling and prostitution.
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