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"Definitions: Essays in Contemporary Criticism" is a set of informative articles written by means of Henry Seidel Canby. Canby's paintings, published inside the early twentieth century, dives into literary complaint with a modern attitude. The portions within the anthology present Canby's severe feedback on numerous literary and cultural issues of the day. In "Definitions," Canby makes use of his sharp mind to study and describe most important components of literature, way of life, and society. The articles cowl a wide range of topics, from the complexities of language and style to broader analyses of cultural norms and values. Canby's prose is clear and deep, making complicated topics understandable to a broad audience. As a literary critic, Canby examines the works of his contemporaries, supplying nuanced viewpoints on the converting nature of literature and its feature in reflecting and growing society. "Definitions" demonstrates Canby's highbrow prowess and ability to traverse the problems of current culture using literary evaluation.
Excerpt from Definitions: Essays in Contemporary Criticism The unity of this book is to be sought in the point of view of the writer rather than in a sequence of chapters developing a single theme and arriving at categorical conclusions. Literature in a civilization like ours, which is trying to be both sophisticated and democratic at the same moment of time, has so many sources and so many manifestations, is so much involved with our social background, and is so much a question of life as well as of art, that many doors have to be opened before one begins to approach an understanding. The method of informal definition which I have followed in all these essays is an attempt to open doors through which both writer and reader may enter into a better comprehension of what novelists, poets, and critics have done or are trying to accomplish. More than an entrance upon many a vexed controversy and hidden meaning I cannot expect to have achieved in this book; but where the door would not swing wide I have at least tried to put one foot in the crack. The sympathetic reader may find his own way further; or may be stirred by my endeavor to a deeper appreciation, interest, and insight. That is my hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts--above all, "objectivity"--seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life. Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume--including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim--respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result--which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"--maps a dramatic change in the direction of literary criticism. Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar
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In Blindness and Insight , de Man examines several critics and finds in their writings a gap between their statements about the nature of literature and the results of their practical criticism. Not only are the critics unaware of this gap, says de Man, but their blindness to it often leads to some of their most valuable insights. The central issue of de Man's work is the rhetorical constitution of the text, and this book, with its new introduction by Wlad Godzich and five additional essays by de Man, is meant to challenge readers to a new appreciation of their chosen task as readers of literature. Included in this new edition are the original essays on Binswanger, Poulet, Lukas, Blanchot, the New Critics, and Derrida's `of Grammatology', as well as five more: `The Rhetoric of Temporality', `The Dead-End of Formalist Criticism', `Heidegger's Exegesis of Holderlin', a review of Bloom's `Anxiety of Influence, and `Literature and Language'.
Professor Robson considers particular works and authors in the light of the preceding discussion of critical principles.