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This collection of readings examines how genocide and holocaust have defined the twentieth century. The overall discussion is global in perspective, examining incidents of the horrific in Europe, Asia, Africa, and the Americas. Contains readings by scholars such as Anne Applebaum, Ward Churchill, Steven Katz, Robert Melson, Michael Parenti, Erna Paris, Samantha Power, R.J. Rummel, Edward Said, and Howard Zinn.
An invaluable introduction to the subject of genocide, explaining its history from pre-modern times to the present day, with a wide variety of case studies. Recent events in the former Yugoslavia, Rwanda, East Timor and Iraq have demonstrated with appalling clarity that the threat of genocide is still a major issue within world politics. The book examines the differing interpretations of genocide from psychology, sociology, anthropology and political science and analyzes the influence of race, ethnicity, nationalism and gender on genocides. In the final section, the author examines how we punish those responsible for waging genocide and how the international community can prevent further bloodshed.
Defining Faith is the second memoir of a series depicting the true story of a woman’s personal, spiritual and literal prison. With nearly 2.2 million people suffering behind bars in America today, and that number multiplied of their families and loved ones; Defining Faith is the continued genuine and heartfelt account of the author’s search for truth, hope and promise of a devoted God while incarcerated within a Women’s State Prison. Often compared as the Christian version of “Orange Is the New Black” (Random House Publishing, 2008); detailed and graphic accounts of hard-core prison life are portrayed; while the pain, suffering and fear is far outweighed by the comfort, love and faithfulness of a loving Father.
The 1760s were a period of great agitation in the American colonies. The policies implemented by the British resulted in an outcry from the Americans that inaugurated the radical ideas leading to the Revolution in 1775. John Dickinson led the way in the "war of ink" between America and Britain, which saw over 1,000 pamphlets and essays written both for and against British policy. King George III, the new British monarch, wrote extensively on the role of Britain in the colonial world and sought to find a middle way between the quickly rising feelings on both sides of the debate. This book tells the story of this radical decade as it occurred in writing, drawing from primary sources and rarely seen exchanges.
". . . Dr Shea's fascinating history and analysis of mental health law in New South Wales from its earliest days ... a lucid and scholarly account of the medico-legal concept of mental illness. Members of both professions and many others besides will profit from his research and have a much clearer understanding of the importance of the policy issues involved and the inherent difficulty of attempting to solve them in the words of a statute. ... Far from being a dry legislative history, this is an absorbing account of the attempt to set out the circumstances that would justify a person being involuntarily detained in a mental hospital."Michael Sexton SC, Solicitor-General for NSW Dr Shea focuses on the central point of tension in mental health legislation - the need to balance an individual's right, in normal circumstances, to liberty and privacy, with the need to protect the general community including members of the individual's family. In Australia that debate has been conducted largely through the definition of a "mentally ill person". A person admitted as "a mentally ill person" can be confined for the length of their treatment; the definition, accordingly, raises a special need for a system of safeguards. Dr Shea charts the changes to the definition from Lunacy Act 1843 to the 1997 amendments to the Mental Health Act 1990. He discusses not only the various statutory provisions but also the numerous committee reports and parliamentary debates in which the issue is explored.
"This monograph is a sweeping survey of the legal definition of torture under domestic and international law. Although virtually all nations condemn torture, ambiguity about what conduct amounts to torture creates space that governments can exploit to engage in harsh, cruel methods of interrogation. For this reason, the paper argues, it is important to develop a clear and uniform definition of torture."--Publisher website.
When evil clowns menace the screen, do we scream or laugh? When zombies converge to tear a victim limb from limb, do we cringe and hide our eyes, or shriek “What??! Play that again!!”? What about those instances when these seemingly opposite reactions happen at once? This is the phenomenon known as sLaughter. Horrific Humor and the Moment of Droll Grimness in Cinema: Sidesplitting sLaughter presents the first focused look at the moment in audience reception where screams and laughter collide. John A. Dowell and Cynthia J. Miller bring together twelve essays from an international collection of authors across the disciplines. The volume begins with an examination of the aesthetics and mechanics of the sLaughter moment, then moves closer to look at the impact of its awkward frission of humor and horror on the individual viewer, and finally, broadens its lens to explore sLaughter’s implications for the human condition more generally. The chapters discuss such box office hits such as A Clockwork Orange (1971), Fargo (1996), The Dark Knight (2008), and The Cabin in the Woods (2012), as well as cult classics such as The Toxic Avenger (1984) and Dead Snow (2009). Engaging and thought provoking, Horrific Humor and the Moment of Droll Grimness in Cinema will be of great interest to scholars of both humor and horror, as well as to those working in reception studies and fans of cult cinema.
The chilling story of Stalin’s crimes against humanity Between the early 1930s and his death in 1953, Joseph Stalin had more than a million of his own citizens executed. Millions more fell victim to forced labor, deportation, famine, bloody massacres, and detention and interrogation by Stalin's henchmen. Stalin's Genocides is the chilling story of these crimes. The book puts forward the important argument that brutal mass killings under Stalin in the 1930s were indeed acts of genocide and that the Soviet dictator himself was behind them. Norman Naimark, one of our most respected authorities on the Soviet era, challenges the widely held notion that Stalin's crimes do not constitute genocide, which the United Nations defines as the premeditated killing of a group of people because of their race, religion, or inherent national qualities. In this gripping book, Naimark explains how Stalin became a pitiless mass killer. He looks at the most consequential and harrowing episodes of Stalin's systematic destruction of his own populace—the liquidation and repression of the so-called kulaks, the Ukrainian famine, the purge of nationalities, and the Great Terror—and examines them in light of other genocides in history. In addition, Naimark compares Stalin's crimes with those of the most notorious genocidal killer of them all, Adolf Hitler.
Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies.