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The Defence of the Seven Sacraments (in Latin, Assertio Septem Sacramentorum) is a theological treatise from 1521, written by King Henry VIII of England. Henry started to write it in 1519 while he was reading Martin Luther's attack on indulgences. By June of that year, he had shown it to Thomas Wolsey, but it remained private until three years later, when the earlier manuscript became the first two chapters of the Assertio, the rest consisting of new material relating to Luther's De Captivitate Babylonica. It is believed that Thomas More was involved in the composition of the piece. Author J. J. Scarisbrick describes the work as "one of the most successful pieces of Catholic polemics produced by the first generation of anti-Protestant writers." It went through some twenty editions in the sixteenth century and, as early as 1522, had appeared in two different German translations. It was dedicated to Pope Leo X, who rewarded Henry with the title Fidei Defensor (Defender of the Faith) in October 1521 (a title revoked following the king's break with the Catholic Church in the 1530s, but re-awarded to his heir by the English Parliament).
The Defence of the Seven Sacraments (in Latin: Assertio Septem Sacramentorum) is a theological treatise published in 1521, written by King Henry VIII of England, allegedly with the assistance of Thomas More. The extent of More's involvement with this project has been a point of contention since its publication.Henry started to write it in 1519 while he was reading Martin Luther's attack on indulgences. By June of that year, he had shown it to Thomas Wolsey, but it remained private until three years later, when the earlier manuscript became the first two chapters of the Assertio, the rest consisting of new material relating to Luther's De Captivitate Babylonica.Author J. J. Scarisbrick describes the work as "one of the most successful pieces of Catholic polemics produced by the first generation of anti-Protestant writers."[1] It went through some twenty editions in the sixteenth century and, as early as 1522, had appeared in two different German translations.It was dedicated to Pope Leo X, who rewarded Henry with the title Fidei Defensor (Defender of the Faith) in October 1521 (a title revoked following the king's break with the Catholic Church in the 1530s, but re-awarded to his heir by the English Parliament).Luther's reply to the Assertio (Against Henry, King of the English) was, in turn, replied to by Thomas More, who was one of the leaders of the Catholic humanist party in England (Responsio ad Lutherum).
The Defence of the Seven Sacraments (in Latin, Assertio Septem Sacramentorum) is a theological treatise from 1521, written by King Henry VIII of England. Henry started to write it in 1519 while he was reading Martin Luther's attack on indulgences. By June of that year, he had shown it to Thomas Wolsey, but it remained private until three years later, when the earlier manuscript became the first two chapters of the Assertio, the rest consisting of new material relating to Luther's De Captivitate Babylonica. It is believed that Thomas More was involved in the composition of the piece. Author J. J. Scarisbrick describes the work as "one of the most successful pieces of Catholic polemics produced by the first generation of anti-Protestant writers." It went through some twenty editions in the sixteenth century and, as early as 1522, had appeared in two different German translations. It was dedicated to Pope Leo X, who rewarded Henry with the title Fidei Defensor (Defender of the Faith) in October 1521 (a title revoked following the king's break with the Catholic Church in the 1530s, but re-awarded to his heir by the English Parliament).
For writing this book, King Henry VIII was named Defender of the Faith by Pope Leo X. When out of lust, Henry fell into schism from the Catholic Church he unjustly retained the title of defender of a faith he had now abandoned. In this book he defends the seven sacraments, now diluted by the Anglican Church he had started. He also defends the primacy of the Roman Pontiff, he who was soon to refuse to obey in a matter of morals in regard to the Sacrament of Matrimony.
An indispensable guide to how marriage acquired the status of a sacrament. This book analyzes in detail how medieval theologians explained the place of matrimony in the church and her law, and how the bitter debates of the sixteenth century elevated the doctrine to a dogma of the Catholic faith.
When Sotirios Majoros’s thirteen-year-old daughter asked him a seemingly simple question, “What is life?”, little did she realize the explosion of thoughts and ideas that she would set off in her father’s mind. To answer her question, Sotirios found himself looking back through time to the father of history, Herodotus, and across humanity’s numerous cultures, focusing in particular on how this question is expressed through various pieces of artwork, such as sculptures and paintings. He also looked back through his own life, eventually realizing that lurking beneath his daughter’s question was an even more fundamental question: Who am I? His attempt to answer this question forms the foundation of this book.