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This volume is a complete course in the basic techniques of realistic painting, in which the reader learns about form, values and colour - the building blocks of realism - while painting six projects. The author also shows how to paint such textures as metal, porcelain, glass and fabric.
"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869-1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories--work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist's own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse's ambitions and achievements in the often-neglected later phases of his career. Matisse designed many of these decorations in the innovative--and widely admired--medium of the paper cut-out, whose function and significance Klein reevaluates. Matisse and Decoration also opens a window onto the revival and promotion, following World War II, of traditional French decorative arts as part of France's renewed sense of cultural preeminence. For the first time, the idea of the decorative in Matisse's work and the actual decorations he designed for specific settings are integrated in one account, amounting to an understanding of this modern master's work that is simultaneously more nuanced and more comprehensive.
Examines contemporary examples of trompe l'oeil murals by such artists as Richard Haas, Garth Benton, and Graham Rust.
"The author analyzes the characteristics of the style, period and history of the movement, explaining its relationship to Classicism, the Symbolists, the Precisionists, photography and Cubism. He discusses the frequent use of classical imagery, the importance of society portraiture, the portrayal of the demi-monde and the lure of decorative exoticism." --from back cover.
A comprehensive guide to decorative painting with tips on choosing supplies, preparing paint surfaces, mastering brush strokes and control, and developing individual style.
The essential reference for amateur and professional alike, The Handbook of Painted Decoration is the first book to cover the whole spectrum of trompe l'oeil decorative painting, from classic marbling and wood graining to ancient techniques of decorative painting that have been nearly forgotten.
This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.
The Frick Collection, housed in an elegant New York City mansion, is one of the most extraordinary small museums in the world. This lavishly illustrated survey of the Collection offers a dazzling array of great paintings as well as rarely published sculptural treasures and numerous masterpieces of the decorative arts. 198 illustrations, 178 in color.
An extremely rich Belgian collection of Art Nouveau articles is behind the adventure leading to the conceiving of this book. Michel Draguet, in eight reference-filled chapters, guides the reader through the period between the end of the last century and the beginning of the present one, the herald of deep changes inspiring an art which, stemming from the symbolist and decadent instances, unfolds like a page of literature. The articles of applied arts figuring in the book have the flavor of the poetry of Baudelaire and Mallarme, recall the microcosm of Proustian interiors and take us back to an atmosphere steeped in the contributions of several arts, from dance to painting and sculpture, wherein the search for new techniques clearly does not play merely a minor role. Between literature and industry, a portent of the new century striding in, "Treasures of Art Nouveau" gives us back the savor of a world fully aware of the winds of change. Michel Draguet, Doctor in Philosophy and Literature and Agrege in Philosophy and Literature. Professor at the Universite libre of Brussels and qualified researcher at the Fonds National de la Recherche Scientifique. Expert in the history of turn-of-the-century painting. Curator of several exhibitions and author and co-author of books, among which: "Bruxelles fin de siecle" (Paris, Flammarion, 1994); "Khnopff ou l'ambigu poetique" (Paris, Flammarion, 1995 - The 1996 Arthur Merghelynck Award of the Royal Academy of Belgium); "Mendelson "(Brussels, 1995); "Chronologie de l'art du XXe siecle" (Paris, Flammarion, 1997) and "Rops Cabinet de dessins" (Paris, 1998). Editor of the writings on art by Baudelaire and Mallarme.