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This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.
Shows forty decorating styles and demonstrates special painting techniques.
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.
Creating with clay is a rewarding process within the reach of anyone, regardless of experience or ability. Claire Botterill, an experienced teacher and therapist, creates a program of eight projects, ascending in difficulty as the student gains skill and confidence. She provides introductory chapters on types of clay, tools and techniques, and kilns, before leading the reader through the tutorials. With each piece, Botterill takes the student through the sequence of acquiring materials and tools, explains suitable techniques, supplies templates, plans steps, and shows finished artwork. Photographs of each step of the projects are included, along with an initial list of tools and supplies and an introduction giving information on the skill level required, as well as recipes for slips and glazes where necessary. A useful list of pottery suppliers provides further resources. This is a practical book for physiotherapists, teachers, and all who work with people with special needs or beginning potters.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
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