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*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.
From the time of the Bronze Age, the warriors of all tribes and nations sought to emblazon their arms and armour with items and images to impress upon the enemy the wealth and power of the wearer. Magnificently decorated shields were as much a defensive necessity as a symbol of social status. Equally, decorative symbols on shields and armour defined the collective ideals and the self-conceived important of the village or city-state its warriors represented.Such items were therefore of great significance to the wearers, and the authors of this astounding detailed and extensively research book, have brought together years of research and the latest archaeological discoveries, to produce a work of undeniable importance.Shining Under the Eagles is richly decorated throughout, and as well as battlefield armour, details the tournament and parade armour from Rome's the earliest days.Dr Andrey Negin is candidate of historical sciences (Russian PhD), member of the department of history of the Ancient World and Classical Languages of Nizhny Novgorod State University named after N.I. Lobachevsky (Russian Federation). He has carried out fieldwork on ancient Roman armour and has published books and numerous articles on Roman military equipment.Dr Raffaele D'Amato is an experienced Turin-based researcher of the ancient and medieval military worlds. After achieving his first PhD in Romano-Byzantine Law, and having collaborated with the University of Athens, he gained a second doctorate in Roman military archaeology. He spent the last year in Turkey as visiting professor at the Fatih University of Istanbul, teaching there and working on a project about the army of Byzantium. He currently work as part-time researcher at the Laboratory of the Danubian Provinces at the University of Ferrara, under Professor Livio Zerbini.
England has a new sleuth--Simon Kirby-Jones, who is not only a vampire, but an American to boot. Settling in the village of Snupperton Mumsley, Simon's preternatural senses are tuned for trouble as he looks into the mysterious death of the village's mean spirited postmistress.
Painted Death is set in an Alaskan coastal town. The disappearance of a local fishing captain leads to community discord over the inclusion of his boat in the towns commemorative mural Lost Seamen of Raven Creek. Kira Logan, the visiting designer of the mural, must solve the mystery of the captains death, and those of two other people, to save her project, help the children of the captain, and reassure the worried townspeople. The smuggling of drugs into the community adds to the conflict as the search for the distributer becomes more intense. Bizarre murders complicate the investigation and leave the police guessing. Can the murderer be found before killing again? Kira risks her life to find the answer. . . . a fascinating combination of mural painting, murder, drugs, and human intrigue. Willma Gore~Author
The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly).
The third “entertaining…and tasty read” (Entertainment Weekly) in the Daphne Martin Cake mystery series. A RECIPE FOR MURDER Life is sweet for Daphne Martin right now, from her flourishing cake-decorating business to a rekindled romance with her high school boyfriend, Ben. All that’s about to change, courtesy of famously foul-mouthed celebrity chef Jordan Richards. The TV star has come to Brea Ridge, Virginia, for the town’s lavish cake competition, but he won’t be leaving under his own steam. After his first master class, Jordan is found bludgeoned with a cake stand and drowned in some very bitter batter. Plenty of townsfolk think the curmudgeonly confectioner had it coming, but the half-baked evidence points to Daphne as a prime suspect. With Ben mulling a new job offer—in Kentucky—Daphne is faced with a multilayered dilemma. She needs to somehow keep her boyfriend, win the cake competition, and sift out the real culprit . . . before the killer serves up another victim.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
“Edgar–winner Pattison combines action, period details, and a whodunit with ease in his impressive third mystery set in Colonial America.” —Publishers Weekly (starred review) Despite the raging war between French and British, Scottish exile Duncan McCallum has begun to settle into a new life on the fringes of colonial America, traveling the woodlands with his companion Conawago, even joining the old Indian on his quest to find the last surviving members of his tribe. But the joy they feel on reaching the little settlement of Christian Indians is shattered when they find its residents ritually murdered. As terrible as the deaths may be, Conawago perceives something even darker and more alarming: he is convinced they are a sign of a terrible crisis in the spirit world which he must resolve. Trying to make sense of the murders, Duncan is accused by the British army of the crime. Escaping prison to follow the trail of evidence, he finds himself hounded by vengeful soldiers and stalked by Scottish rebels who are mysteriously trying to manipulate the war to their advantage. As he pieces together the puzzle of violence and deception he gradually realizes that it may not only be the lives of Duncan and his friends that hang in the balance, but the very survival of the native tribes. When he finally discovers the terrible truth, Duncan is forced to make a fateful choice between his beloved Highland clans and the woodland natives who have embraced and protected him.