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Includes techniques which deconstruct by cutting and reconstructing using sewing, applique, painting and stenciling, mixing with other fabrics, embroidery, gluing and pinning. This book contains projects such as jean jacket bling, denim wrist corsage, applique decorations, denim mix t-shirts, trimmed jackets, and others.
More than 20 projects and an array of gallery creations are imaginative and practical fashions-hardworking denim at play. Pair cast-off denim with a crafter's unyielding creativity and you have a craft with limitless possibility. Denim is the perfect fabric for many arts and craft methods: it is durable, washable, and dyeable; it can be cut, sliced, shredded, poked, prodded, and cinched. Jean Therapy teaches basic techniques - building anything from skirts, bags, vests, and accessories - and illuminates these basic techniques with dozens of clever, funky, and stylish variations. Jean Therapy includes straightforward, illustrated instructions for more than 20 projects, running the gamut from simple accessories to reconstructed pants, skirts, and halter tops, each featuring design and personalization tips and techniques. Each project will have a main beauty shot, detail shots (as needed), and a number of technical step illustrations that show creation and assembly details. It also includes a detailed chapter on customizing and tailoring clothing for a perfect fit - a key ingredient when working with repurposed clothing.
The controversy over Jacques Derrida's legacy is one of the most effective engines driving the contemporary debate, far beyond the bounds of philosophy. By now, the variety of contesting positions is so wide that it calls for a critical assessment to achieve a unified theoretical scheme. The dyad of deconstruction and reconstruction, to which the title of the volume refers, aims at composing a kind of map of this debate. The three sections of the book include essays that investigate specific aspects of Derrida's reception, from the view of 1. philosophy, 2. literary studies and 3. politics and law. These contributions study the implications of deconstruction beyond its original scope and intervene by taking stock of its most relevant aporias.
Catholic sacramental doctrine has lost much of its credibility. Baptized people leave the church, adolescents stop attending shortly after they are confirmed, supposedly indissoluble marriages regularly dissolve, few go to confession, and many do not believe in transubstantiation. Drawing upon his decades-long study of the sacraments, Martos reveals how teachings that seemed rooted in the scriptures and Catholic life have become unmoored from the contexts in which they arose, and why seemingly eternal truths are actually historically relative. After carefully constructing Catholic teaching from the church's own documents, he deconstructs it by demonstrating how biblical passages were misconstrued by patristic authors and how patristic writings were misunderstood by medieval scholastics. The long process of misinterpretation culminated in the dogmatic pronouncements of the Council of Trent, which continues to dominate Catholic thinking about the church's religious ceremonies. If the sacraments are released from their dogmatic baggage, Martos believes that the spiritual realities they symbolize can be celebrated in any human culture without being tied to their traditional rites.
This interdisciplinary study undertakes a profound exploration of the representation and symbolism surrounding female genitalia, seeking to challenge entrenched patriarchal narratives. By delving into works by Charles Burns, Angela Carter, and Patrick Süskind, the analysis unveils the intricate interplay between female sexuality and the male psyche. Employing the works of feminist theorists such as Luce Irigaray, Julia Kristeva, Hélène Cixous, Barbara Creed, Riana Eisler, Bracha Ettinger, and Marija Gimbutas, this analysis places the androcentric views reflected in the works of Freud, Lacan and Jung under scrutiny. Departing from conventional approaches, this research celebrates the reproductive features of women, aiming to resurrect a primordial representation rooted in procreational power. Drawing from diverse fields including myth, psychology, archaeology, philosophy, and religion, the study illuminates the layers of unconscious thought embedded in literary works. Ultimately, this study advocates for a non-binary understanding of femininity, positioning the female reproductive body as an enduring gateway between animate and inanimate realms; both alluring and repelling.
Reconstructing Architecture was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. To create architecture is an inherently political act, yet its nature as a social practice is often obscured beneath layers of wealth and privilege. The contributors to this volume question architecture's complicity with the status quo, moving beyond critique to outline the part architects are playing in building radical social movements and challenging dominant forms of power. The making of architecture is instrumental in the construction of our identities, our differences, the world around us-much of what we know of institutions, the distribution of power, social relations, and cultural values is mediated by the built environment. Historically, architecture has constructed the environments that house the dominant culture. Yet, as the essays in Reconstructing Architecture demonstrate, there exists a strong tradition of critical practice in the field, one that attempts to alter existing social power relations. Engaging the gap between modernism and postmodernism, each chapter addresses an oppositional discourse that has developed within the field and then reconstructs it in terms of a new social project: feminism, social theory, environmentalism, cultural studies, race and ethnic studies, and critical theory. The activists and scholars writing here provide a clarion call to architects and other producers of culture, challenging them to renegotiate their political allegiances and to help reconstruct a viable democratic life in the face of inexorable forces driving economic growth, destroying global ecology, homogenizing culture, and privatizing the public realm. Reconstructing Architecture reformulates the role of architecture in society as well as its capacity to further a progressive social transformation. Contributors: Sherry Ahrentzen, U of Wisconsin, Milwaukee; Bradford C. Grant, California Polytechnic State U, San Luis Obispo; Richard Ingersoll, Rice U; Margaret Soltan, George Washington U; Anthony Ward, U of Auckland, New Zealand. Thomas A. Dutton is an architect and professor of architecture at Miami University, Ohio. He is editor of Voices in Architectural Education (1991) and is associate editor of the Journal of Architectural Education. Lian Hurst Mann is an architect and editor of Architecture California. A founding member of the Labor/Community Strategy Center in Los Angeles, she is editor of its bilingual quarterly Ahora Now and a coauthor of Reconstructing Los Angeles from the Bottom Up (1993).
More than 20 projects and an array of gallery creations are imaginative and practical fashions-hardworking denim at play. Pair cast-off denim with a crafter's unyielding creativity and you have a craft with limitless possibility. Denim is the perfect fabric for many arts and craft methods: it is durable, washable, and dyeable; it can be cut, sliced, shredded, poked, prodded, and cinched. Jean Therapy teaches basic techniques - building anything from skirts, bags, vests, and accessories - and illuminates these basic techniques with dozens of clever, funky, and stylish variations. Jean Therapy includes straightforward, illustrated instructions for more than 20 projects, running the gamut from simple accessories to reconstructed pants, skirts, and halter tops, each featuring design and personalization tips and techniques. Each project will have a main beauty shot, detail shots (as needed), and a number of technical step illustrations that show creation and assembly details. It also includes a detailed chapter on customizing and tailoring clothing for a perfect fit - a key ingredient when working with repurposed clothing.
Why spend tons of money on humdrum designer duds when it's possible to revamp a piece you already own to create a guaranteed original that looks, fits, and feels just the way it should? Rip It! shows how simple and fun it can be to transform a tired wardrobe into hip, one-of-a-kind new looks without spending a dime. Elissa Meyrich, owner and teacher at the popular New York sewing boutique Sew Fast Sew Easy, has been passing her sewing secrets and style tips on to students for years. Now she shows beginners and experienced sewers everywhere how to customize pieces found at cheap chain stores, thrift shops, or the far reaches of a closet and create fabulous new designs. Rip It! includes everything you need -- basic sewing and alteration information; quick sewing methods; where to find supplies; advice on which fabrics to use; important cutting rules; plus illustrated layouts, drawings, and instructions that show you how to: Jazz up old t-shirts with stretch lace and zippers Turn faded, falling-apart jeans into a hot new denim skirt Change a pullover into a cute cardigan Make a thrift-store dress into a hipster skirt Create an instant poncho Cool, crafty, and brimming with creative ideas, Rip It! is a hands-on handbook that will show you how to give your clothes sass, sparkle, and your own signature style.
Published in 1999. These essays are not deconstructive in the postmodern sense. None of the authors have that depth of scepticism about knowledge claims, but they are all concerned that the terms of reference of Cold War enquiry have been inappropriately bounded. The chapters by Murray and Reynolds specifically address the broad theoretical issues involved with paradigms and explanation. The chapters by Dobson, Marsh, Malik, Evans and Dix stretch out Cold War paradigms with successive case studies of Anglo-American relations; the USA, Britain, Iran and the oil majors; the Gulf States and the Cold War; South Africa and the Cold War; and Indian neutralism. All five authors challenge the efficacy of neo-realist analysis and explanation and critique the way that assumptions derived from that position have been used in historical explanation. The chapters by Ryall, Rogers and Bideleux deal with Roman Catholicism in East Central Europe, with nuclear matters and with the Soviet perspective. Each work goes beyond the limits of Cold War paradigms. Finally, Ponting places the Cold War in the broad context of world history. These essays provide thought-provoking scholarship which helps us both to nuance our understanding of the Cold War and to realise that it should not be taken as an all-embracing paradigm for the explanation of postwar international relations.
Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.