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This book provides an analysis of the West Indian novel in the context post- structuralism. The author sets up a dialogue between West Indian intellectual practice as exemplified by thinkers such as George Lamming, C. L. R. James, and E. Kamau Brathwaite, and the discussions privileged by Foucault and Derrida as they examine what might be called the will to identity. The work demonstrates that many West Indian novels implicitly prefigured deconstructive practice as elucidated by Jacques Derrida. In addition, it observes that the powerful hegemony of imperialism, as ubiquitous in the Caribbean as the tropical sunshine, needs to be included in any aesthetic equation which focuses on the West Indian novel. As such, Michel Foucault's critique of power and epistemic violence is interwoven with Derrida's analyses of a metaphysics of exclusion. Eschewing a chronological approach, the work concludes with textual analyses which provide the reader with insight into theory as well as practice.
This book provides an analysis of the West Indian novel in the context post- structuralism. The author sets up a dialogue between West Indian intellectual practice as exemplified by thinkers such as George Lamming, C. L. R. James, and E. Kamau Brathwaite, and the discussions privileged by Foucault and Derrida as they examine what might be called the will to identity. The work demonstrates that many West Indian novels implicitly prefigured deconstructive practice as elucidated by Jacques Derrida. In addition, it observes that the powerful hegemony of imperialism, as ubiquitous in the Caribbean as the tropical sunshine, needs to be included in any aesthetic equation which focuses on the West Indian novel. As such, Michel Foucault's critique of power and epistemic violence is interwoven with Derrida's analyses of a metaphysics of exclusion. Eschewing a chronological approach, the work concludes with textual analyses which provide the reader with insight into theory as well as practice.
"The eight essays in this edition analyze Caribbean culture less as commodity to be consumed than as ontological device and discursive tool/weapon."--BOOK JACKET.
Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.
The Routledge Companion to Anglophone Caribbean Literature offers a comprehensive, critically engaging overview of this increasingly significant body of work. The volume is divided into six sections that consider: the foremost figures of the Anglophone Caribbean literary tradition and a history of literary critical debate textual turning points, identifying key moments in both literary and critical history and bringing lesser known works into context fresh perspectives on enduring and contentious critical issues including the canon, nation, race, gender, popular culture and migration new directions for literary criticism and theory, such as eco-criticism, psychoanalysis and queer studies the material dissemination of Anglophone Caribbean literature and generic interfaces with film and visual art This volume is an essential text that brings together sixty-nine entries from scholars across three generations of Caribbean literary studies, ranging from foundational critical voices to emergent scholars in the field. The volume's reach of subject and clarity of writing provide an excellent resource and springboard to further research for those working in literature and cultural studies, postcolonial and diaspora studies as well as Caribbean studies, history and geography.
This book is the first to analyse how BBC radio presented Anglophone Caribbean literature and in turn aided and influenced the shape of imaginative writing in the region. Glyne A. Griffith examines Caribbean Voices broadcasts to the region over a fifteen-year period and reveals that though the program’s funding was colonial in orientation, the content and form were antithetical to the very colonial enterprise that had brought the program into existence. Part literary history and part literary biography, this study fills a gap in the narrative of the region’s literary history.
DIVAn exploration of the implicit and explicit ways that an alternate African diasporic consciousness, grounded in folk mores, is expressed in Afro-Caribbean writing./div
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
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