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Taking its bearing from the mission statement in prophet Jeremiah’s vocation narrative (Jer 1:10), the book examines YHWH’s events of deconstruction and reconstruction in Israel of the Old Testament. Through the analysis of the six verbs—namely, “pluck up,” “pull down,” “demolish,” “destroy,” “build,” and “plant,” the book gives a different dimension to the common impression that Jeremiah is a prophet of woes and laments; thereby limiting his prophecies to only oracles of destruction, hence total annihilation. Rather, it investigates Jeremiah’s prophecies as flying with two wings: oracles of judgement and oracles of salvation. In other words, the oracles are not only against the nations but also for the nations. With the exile of the Israelites and their restoration to the land in view, according to the book of Jeremiah, YHWH continues His creative and restorative acts and depicts the divine full involvement and control of Israel’s history. In like manner, the book portrays the abiding divine presence in the history of humankind in general. Therefore, Israel is only used to form a bridge of YHWH’s concern for the nations; hence the entire humanity. As YHWH sets the history of Israel in motion, so He performs for the rest of humanity. The goal of which has always been for the good and salvation of humankind of which the culmination is in the person and advent of Jesus Christ.
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.
Explores the paradoxical symmetry between the divine and demonic in early Jewish mystical texts. Divine Scapegoats is a wide-ranging exploration of the parallels between the heavenly and the demonic in early Jewish apocalyptical accounts. In these materials, antagonists often mirror features of angelic figures, and even those of the Deity himself, an inverse correspondence that implies a belief that the demonic realm is maintained by imitating divine reality. Andrei A. Orlov examines the sacerdotal, messianic, and creational aspects of this mimetic imagery, focusing primarily on two texts from the Slavonic pseudepigrapha: 2 Enoch and the Apocalypse of Abraham. These two works are part of a very special cluster of Jewish apocalyptic texts that exhibit features not only of the apocalyptic worldview but also of the symbolic universe of early Jewish mysticism. The Yom Kippur ritual in the Apocalypse of Abraham, the divine light and darkness of 2 Enoch, and the similarity of mimetic motifs to later developments in the Zohar are of particular importance in Orlov’s consideration.
"Peter Powers brings together critical sophistication in both theology and cultural history, while also demonstrating superior skills at literary analysis. There are few books that address the role of religion in American fiction, let alone ethnic American fiction. None do so in so profoundly revisionary a way as this."--Joseph T. Skerrett, Jr., University of Massachusetts-Amherst In Recalling Religions, Peter Kerry Powers demonstrates the pervasive influence of religion in the literature produced by ethnic women writers in late-twentieth-century America. Through close readings of works by Alice Walker, Maxine Hong Kingston, Leslie Marmon Silko, and Cynthia Ozick, the author shows how particular religious traditions have served as a resource for ethnic women, enabling them to sustain their communities in the face of oppression. Powers's analysis serves as an important corrective to earlier investigations of literature and religion. Too often, he argues, such studies have functioned with an abstract or individualistic notion of religion, thus downplaying the significance of ethnic traditions and practices. Other studies have emphasized the religious traditions of discrete groups but have failed to see the points of contact and common purpose between different ethnic experiences. By examining writers with disparate religious heritages, Powers introduces important new insights. He finds that even as traditions and cultural memories have nurtured ethnic wormen writers, their works have frequently rewritten or recreated such traditions for the present day--seeking, for instance, to overcome or transcend the sexism that may have characterized earlier periods. In its explorations of Walker, Kingston, Silko, and Ozick, Recalling Religions identifies broader trends that further our understanding of both American literatureand religious culture. The Author: Peter Kerry Powers is associate professor of English at Messiah College in Grantham, Pennsylvania. His articles and reviews have appeared in South Atlantic Review, African American Review, American Literature, MELUS, and other publications.
The fourth collection of poems by Scott Cairns, Recovered Body employs disarming language as it revises and gives new life to a wide range of familiar stories. Here, we overhear some of Wallace Stevens's late ruminations, we witness an erotic frolicking between poet and muse, and we receive an epistle on the subjects of love and the body from Mary Magdalen. The poet's richly cadenced style of story-telling allows him to offer theological poetry that leaves even the most cynical of readers nodding and grinning.
This book examines the moral foundations of liberal societies through the role of Christian belief in public policy.
Scientists are famous for believing in the proven and peer-accepted, the very ground that pioneering artists often subvert; they recognize correct and incorrect where artists see only true and false. And yet in some individuals, crossover learning provides a remarkable kind of catalyst to innovation that sparks the passion, curiosity, and freedom to pursue--and to realize--challenging ideas in culture, industry, society, and research. This book is an attempt to show how innovation in the "post-Google generation" is often catalyzed by those who cross a conventional line so firmly drawn between the arts and the sciences. David Edwards describes how contemporary creators achieve breakthroughs in the arts and sciences by developing their ideas in an intermediate zone of human creativity where neither art nor science is easily defined. These creators may innovate in culture, as in the development of new forms of music composition (through use of chaos theory), or, perhaps, through pioneering scientific investigation in the basement of the Louvre. They may innovate in research institutions, society, or industry, too. Sometimes they experiment in multiple environments, carrying a single idea to social, industrial, and cultural fruition by learning to view traditional art-science barriers as a zone of creativity that Edwards calls artscience. Through analysis of original stories of artscience innovation in France, Germany, and the United States, he argues for the development of a new cultural and educational environment, particularly relevant to today's need to innovate in increasingly complex ways, in which artists and scientists team up with cultural, industrial, social, and educational partners.