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WINNER - BOOK OF THE YEAR AWARD 2015, Jack the Ripper Conference, Nottingham, England. Will Jack the Ripper ever be identified? The answer is an emphatic "No." But not because he was a quasi-supernatural entity able to perform lightning-fast kerb-side surgery whilst running split-second rings around two London police forces. Jack the Ripper did not exist - except within the minds of his creators and those who for one reason or another have attempted for over one hundred years to turn the myth into a reality. In 1976 Simon Daryl Wood revealed Stephen Knight's hugely popular Royal Conspiracy to be a farrago of nonsense, and since then has written extensively on the Whitechapel Murders. "Deconstructing Jack: The Secret History of the Whitechapel Murders," the result of over twenty years' research, casts a sceptical eye over the continuous stream of lies, invention, misinformation, self-publicity and opportunism which has kept this Victorian bogeyman alive in the darkest reaches of our 21st Century imaginations. Can history ever bring itself to shrug off almost 130 years of dogma and cherished beliefs, and at last smile ruefully at having been suckered in probably the greatest shell game of all time? Or will this heretical challenge to orthodoxy be peremptorily dismissed as revisionist nonsense, thus allowing the time-old parlour game of Pin the Tail on the Ripper to continue ad infinitum? Read the book and judge for yourself.
The first book-length study to address Moore’s significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels. The essays collected here identify the Gothic tradition as perhaps the most significant cultural context for understanding Moore’s work, providing unique insight into its wider social and political dimensions as well as addressing key theoretical issues in Gothic Studies, Comics Studies and Adaptation Studies. Scholars, students and general readers alike will find fresh insights into Moore’s use of horror and terror, homage and parody, plus allusion and adaptation. The international list of contributors includes leading researchers in the field and the studies presented here enhance the understanding of Moore’s works while at the same time exploring the ways in which these serve to advance a broader appreciation of Gothic aesthetics.
In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders – Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen.
Media and Violence pays equal attention to the production, content and reception involved in any representation of violence. This book offers a framework for understanding how violence is represented and consumed. It examines the relationship of media, gender, and real-world violence; representations of violence in screen entertainment; the effects of violent media on consumers; the ethics and gender politics of the production processes of screen violence; and the discussions are illustrated with topical and well-known examples, enabling the reader to critically engage with the debates.
This book is about relating the concepts of rape and murder in both senses of the term; that is the way rape and murder are linked and related and also how stories of rape and murder are related or told.
After 125 years of theorizing and speculation regarding the identity of Jack the Ripper, Russell Edwards is in the unique position of owning the first physical evidence relating to the crimes to have emerged since 1888. This evidence is from one of the crime scenes, and has now been rigorously examined by some of the most highly-qualified forensic scientists in the country who have ascertained its true provenance. With the help of modern forensic techniques, Russell's ground-breaking discoveries provide conclusive answers to many of the most challenging mysterious surrounding the case.
This collection of essays displays the range and breadth of Hitchcock scholarship and assesses the significance of his body of work as a bridge between the fin de siecle culture of the 19th century and the 20th century. It engages with Hitchcock's characteristic formal and aesthetic preoccupations.
Discover the truth behind the myth in The Complete Jack the Ripper by Paul Begg and John Bennett. Whitechapel, 1888: a spate of brutal murders becomes the most notorious criminal episode in London's history. The killer, chillingly nicknamed 'The Whitechapel Murderer', 'Leather Apron' and, most famously, 'Jack the Ripper', is never brought to justice for the slaughter and mutilation of at least five women in the slums of East London. But the mystery is deepened by a letter sent "From Hell" to Scotland Yard, accompanied by half of a preserved human kidney... In this comprehensive account of London's most infamous killer, the foremost authorities on the case explore the facts behind the most grisly episode of the Victorian era. Setting the scene in the impoverished East End, the authors' meticulous research offers detailed accounts of the lives of the victims and an examination of the police investigation. The Complete Jack the Ripper is the definitive book by Paul Begg and John Bennett, exploring both the myth and reality behind the allusive killer. Paul Begg and John Bennett are researchers and authors, widely recognized as authorities on Jack the Ripper. Paul Begg's books include Jack the Ripper: The Facts, Jack the Ripper: The Definitive History, and he is a co-author of The Jack the Ripper A to Z. John Bennett has written numerous articles and lectured frequently on Jack the Ripper and the East End of London. He has acted as adviser to and participated in documentaries made by television channels worldwide and was the co-writer for the successful Channel 5 programme Jack the Ripper: The Definitive Story. He is author of E1: A Journey Through Whitechapel and Spitalfields and co-author of Jack the Ripper: CSI Whitechapel.
Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.